Ngā Kaihanga Uku
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Ngā Kaihanga Uku
Ngā Kaihanga Uku is a New Zealand collective of Māori Clayworkers. They formed in 1986 during a Ngā Puna Waihanga (Māori Artists and Writers collective) gathering, under the leadership of Baye Riddell and Manos Nathan. Founding members also include Paerau Corneal, Colleen Waata Urlich and Wi Taepa. Contemporary Māori clay artists Ngā Kaihanga Uku was formed to support the growing use of clay within Māori-based art practices in the 1980s. Although customary Māori society was not a ceramic culture, the intrinsic properties and physical relationship of clay being from the earth offered Māori clay artists a new avenue through which to portray Māori lives and knowledge. Hineahuone for example, who is considered to be the first human, was formed by clay at Kurawaka. As Wi Taepa states, ‘Clay is more than an artistic material, it is a blood relative. Working with it requires an understanding of the genealogical links between humanity and Papatūānuku (earth). Selected exh ...
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New Zealand
New Zealand ( mi, Aotearoa ) is an island country in the southwestern Pacific Ocean. It consists of two main landmasses—the North Island () and the South Island ()—and over 700 smaller islands. It is the sixth-largest island country by area, covering . New Zealand is about east of Australia across the Tasman Sea and south of the islands of New Caledonia, Fiji, and Tonga. The country's varied topography and sharp mountain peaks, including the Southern Alps, owe much to tectonic uplift and volcanic eruptions. New Zealand's capital city is Wellington, and its most populous city is Auckland. The islands of New Zealand were the last large habitable land to be settled by humans. Between about 1280 and 1350, Polynesians began to settle in the islands and then developed a distinctive Māori culture. In 1642, the Dutch explorer Abel Tasman became the first European to sight and record New Zealand. In 1840, representatives of the United Kingdom and Māori chiefs ...
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Māori People
The Māori (, ) are the indigenous Polynesian people of mainland New Zealand (). Māori originated with settlers from East Polynesia, who arrived in New Zealand in several waves of canoe voyages between roughly 1320 and 1350. Over several centuries in isolation, these settlers developed their own distinctive culture, whose language, mythology, crafts, and performing arts evolved independently from those of other eastern Polynesian cultures. Some early Māori moved to the Chatham Islands, where their descendants became New Zealand's other indigenous Polynesian ethnic group, the Moriori. Initial contact between Māori and Europeans, starting in the 18th century, ranged from beneficial trade to lethal violence; Māori actively adopted many technologies from the newcomers. With the signing of the Treaty of Waitangi in 1840, the two cultures coexisted for a generation. Rising tensions over disputed land sales led to conflict in the 1860s, and massive land confiscations, to which ...
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Baye Riddell
Baye Pewhairangi Riddell (born 1950) is a New Zealand ceramicist, composer and musician of Ngāti Porou and :mi:Te Whānau-a-Ruataupare, Te Whānau-a-Ruataupare descent. Riddell was born in Tokomaru Bay in 1950 and began working with clay in the early 1970s, while living in Christchurch. His early work fits within the contemporary movement in New Zealand craft pottery, largely influenced by the Anglo-Orientalism of Bernard Leach and Japanese potters who were influential in New Zealand, such as Shoji Hamada. Riddell, who had become distant from his Māori heritage, started putting Māori motifs on his pots, and in 1974 he became a full-time potter, the first Māori artist to commit to this profession. Riddell built his first kiln in Christchurch at this time, but soon moved back to the North Island, living in Central Hawkes Bay and Anaura Bay before settling in Tokomaru Bay in 1979. Here he sold work through a cooperative founded by Helen Mason (potter), Helen Mason, who introduced ...
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Manos Nathan
Manos Ross Nathan (20 December 1948 – 2 September 2015) was a New Zealand ceramicist. Born in Rawene, Hokianga, to Eruera and Katina (née Toraki) Nathan, he was of Māori (Te Roroa, Ngāti Whātua and Ngāpuhi) descent on his father's side and Greek (Cretan) descent on his mother's side. Nathan was raised in Wekaweka, and subsequently moved to Wellington with his family in 1955. He completed a Diploma of Textile Design at Wellington Polytechnic School of Design in 1968–70. In 1986, along with Baye Riddell, he founded Ngā Kaihanga Uku, the national Māori clayworkers' organisation in Aotearoa New Zealand. In 1989, he travelled to the United States on a Fulbright grant to visit First Nations Native American potters. A reciprocal visit took place in 1991 and he continued to foster links to indigenous peoples with a clay tradition in the Pacific and in North America. He was a foundation member of Te Atinga, the Visual Arts committee of Toi Māori Aotearoa. Nathan exhibited wid ...
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Paerau Corneal
Paerau Corneal (born 1961) is a New Zealand ceramicist of Tūwharetoa and Te Āti Haunui-a-Paparangi descent. Education Corneal holds a certificate in craft design (1988) and a diploma in craft design Māori (1991) from Waiariki Institute of Technology. Career Corneal has exhibited both internationally and nationally since 1988. A consistent theme in her work is Māori female empowerment. From 2013 Corneal has collaborated with contemporary Māori dancer Louise Potiki Bryant. Their performance work entitled ''Kiri'' references a creation narrative of the first Māori human, Hineahuone, and opened for the 2014 Tempo Dance Festival in Auckland. Throughout her career, Corneal has been involved in varying artist collectives. She was a founding member, alongside Manos Nathan, Baye Riddell, Wi Taepa and Colleen Waata Urlich of Ngā Kaihanga Uku, a collective of Māori clay workers. Corneal was also involved with Kauwae, a collective of Māori women artists formed in 1997; Te R ...
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Colleen Waata Urlich
Colleen Elizabeth Waata-Urlich (1939 – 10 September 2015) was a New Zealand ceramicist. Of Māori descent, she belonged to Te Popoto o Ngāpuhi ki Kaipara and Te Rarawa. Through education, involvement in Māori art collectives and production of exhibited work, Urlich was dedicated to the development of Māori art. Education Urlich worked as a trained teacher and later returned to study. She gained a Master of Fine Arts with honours from the University of Auckland’s Elam School of Fine Arts and a Bachelor of Applied Arts. Urlich conducted research on the influence of Lapita pottery patterns within the Pacific. This research was the basis of her Master of Fine Arts with a subsequent paper published in ''Pacific Archaeology: Assessments and Prospects''. This research also influenced Urlich's clay work, which is based on customary knowledge and often acknowledges Pacific genealogy and female Māori deities. Artist collectives Ngā Kaihanga Uku was founded in 1986 in order t ...
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Wi Taepa
Wi Te Tau Pirika Taepa (born 1946, in Wellington) is a significant figure in contemporary New Zealand ceramics, and a leading figure in contemporary Māori clay art. Early career and training After leaving school, Taepa worked as a window display designer for a Wellington department store for five years. He enlisted with the New Zealand Army in 1968 and served in Vietnam from 1970 to 1972. After his military career, Taepa worked as a prison officer at Rimutaka Prison, where he used art as a way of connecting with prisoners, teaching wood and bone carving and leather and copper work. He also took part in carving two pou for the Michael Fowler Centre in Wellington at this time and worked on the Orongomai meeting house in Upper Hutt. In 1985 Taepa became a social worker at Kohitere Boys Farm and again introduced art as a form of connection and rehabilitation. He began working with clay at this time as obtaining wood for carving was expensive and the tools potentially dangerous. ...
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Ceramic
A ceramic is any of the various hard, brittle, heat-resistant and corrosion-resistant materials made by shaping and then firing an inorganic, nonmetallic material, such as clay, at a high temperature. Common examples are earthenware, porcelain, and brick. The earliest ceramics made by humans were pottery objects (''pots,'' ''vessels or vases'') or figurines made from clay, either by itself or mixed with other materials like silica, hardened and sintered in fire. Later, ceramics were glazed and fired to create smooth, colored surfaces, decreasing porosity through the use of glassy, amorphous ceramic coatings on top of the crystalline ceramic substrates. Ceramics now include domestic, industrial and building products, as well as a wide range of materials developed for use in advanced ceramic engineering, such as in semiconductors. The word "'' ceramic''" comes from the Greek word (), "of pottery" or "for pottery", from (), "potter's clay, tile, pottery". The earliest kno ...
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Pataka Art + Museum
Pātaka Art + Museum is a municipal museum and art gallery of Porirua City, New Zealand. Te Marae o Te Umu Kai o Hau is the name of the building where Pātaka Museum + Art is located and opened in 1998. It also houses the Porirua City Library, Cafe Kaizen and a Japanese Garden. History In 1980 the Porirua Museum opened and by 1997 had outgrown its Takapūwāhia site. At the same time, the Mana Community Arts Council wished to expand their community art gallery located on the corner of Parumoana and Norrie Streets. The two organisations amalgamated, moving into the newly renovated and expanded site in 1998. Bob Cater was awarded the Queen's Service Medal and Darcy Nicholas was appointed a Companion of the Queen's Service Order The Queen's Service Order, established by royal warrant of Queen Elizabeth II on 13 March 1975, is used to recognise "valuable voluntary service to the community or meritorious and faithful services to the Crown or similar services within the pu ..., in ...
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Waikato Museum
Waikato Museum ( mi, Te Whare Taonga o Waikato) is a regional museum located in Hamilton, New Zealand. The museum manages ArtsPost, a shop and gallery space for New Zealand art and design. Both are managed by the Hamilton City Council. Outside the museum is The Tongue of The Dog, a sculpture by Michael Parekowhai that has helped to increase visitor numbers. The sculpture was commissioned by MESH Sculpture Trust, Hamilton. Building and History The current Waikato Museum building is located at 1 Grantham Street in Hamilton’s central business district on the west bank of the Waikato River. It was designed by Ivan Mercep of the Auckland architectural firm JASMad Group Ltd (now named Jasmax) who later designed Te Papa. Waikato Museum of Art and History opened in its current building in 1987. The event was the culmination of years of planning and debate surrounding the need for a combined regional museum and art gallery. The name of the institution has since been changed to Waikat ...
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Te Manawa
Te Manawa (Māori: ''The Heart'') is a museum, art gallery and science centre in Palmerston North, New Zealand. It is operated by the Te Manawa Museums Trust, a charitable trust incorporated on 20 August 1999. From that date, the Trust assumed responsibility for art works and heritage assets transferred to its care but held on behalf of others. From 1 July 2000 the Trust commenced leasing the premises and managing the institution under agreements entered into with the Palmerston North City Council. The primary objective of the Trust is to provide interactive experience in art, science and history through acquiring, conserving, researching, developing, communicating and exhibiting material evidence of people and their environment, rather than making a financial return. The Trust is controlled by Palmerston North City Council and is a Council Controlled Organisation as defined under section 6 of the Local Government Act 2002, by virtue of the Council’s right to appoint more than ...
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Museum Of New Zealand Te Papa Tongarewa
The Museum of New Zealand Te Papa Tongarewa is New Zealand's national museum and is located in Wellington. ''Te Papa Tongarewa'' translates literally to "container of treasures" or in full "container of treasured things and people that spring from mother Earth here in New Zealand". Usually known as Te Papa (Māori for "the treasure box"), it opened in 1998 after the merging of the National Museum of New Zealand and the National Art Gallery. An average of more than 1.5 million people visit every year, making it the 17th-most-visited art gallery in the world. Te Papa's philosophy emphasises the living face behind its cultural treasures, many of which retain deep ancestral links to the indigenous Māori people. History Colonial Museum The first predecessor to Te Papa was the ''Colonial Museum'', founded in 1865, with Sir James Hector as founding director. The Museum was built on Museum Street, roughly in the location of the present day Defence House Office Building. The muse ...
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