New Trolls (album 1970)
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New Trolls (album 1970)
New Trolls are an Italian progressive rock band, known for their fusion of rock and classical music. In a way not too dissimilar from fellow prog-rock band Yes, their history is filled with line-up changes, spin-off projects and personal struggles between band members. History Vocalist and guitarist Vittorio de Scalzi, vocalist and guitarist Nico Di Palo, keyboardist Mauro Chiarugi, bassist Giorgio D'Adamo and drummer Gianni Belleno formed New Trolls in Genoa in the mid-1960s. They chose the name in reference to the fact that one of them had previously been in a band called Trolls. After first gigs in local clubs, New Trolls became popular enough to perform as supporting act for the Rolling Stones on their 1967 Italian tour. Later that year, they released their debut single, "Sensazioni" (1967). New Trolls's first full-length album, '' Senza orario Senza bandiera'', was released in 1968. Singer-songwriter Fabrizio de André helped the band by contributing lyrics. The band's s ...
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Genoa
Genoa ( ; it, Genova ; lij, Zêna ). is the capital of the Italian region of Liguria and the List of cities in Italy, sixth-largest city in Italy. In 2015, 594,733 people lived within the city's administrative limits. As of the 2011 Italian census, the Province of Genoa, which in 2015 became the Metropolitan City of Genoa, had 855,834 resident persons. Over 1.5 million people live in the wider metropolitan area stretching along the Italian Riviera. On the Gulf of Genoa in the Ligurian Sea, Genoa has historically been one of the most important ports on the Mediterranean Sea, Mediterranean: it is currently the busiest in Italy and in the Mediterranean Sea and twelfth-busiest in the European Union. Genoa was the capital of Republic of Genoa, one of the most powerful maritime republics for over seven centuries, from the 11th century to 1797. Particularly from the 12th century to the 15th century, the city played a leading role in the commercial trade in Europe, becoming one o ...
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Concerto Grosso No
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three-movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastian B ...
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Concerto Grosso Per I New Trolls
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebast ...
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New Trolls (album 1970)
New Trolls are an Italian progressive rock band, known for their fusion of rock and classical music. In a way not too dissimilar from fellow prog-rock band Yes, their history is filled with line-up changes, spin-off projects and personal struggles between band members. History Vocalist and guitarist Vittorio de Scalzi, vocalist and guitarist Nico Di Palo, keyboardist Mauro Chiarugi, bassist Giorgio D'Adamo and drummer Gianni Belleno formed New Trolls in Genoa in the mid-1960s. They chose the name in reference to the fact that one of them had previously been in a band called Trolls. After first gigs in local clubs, New Trolls became popular enough to perform as supporting act for the Rolling Stones on their 1967 Italian tour. Later that year, they released their debut single, "Sensazioni" (1967). New Trolls's first full-length album, '' Senza orario Senza bandiera'', was released in 1968. Singer-songwriter Fabrizio de André helped the band by contributing lyrics. The band's s ...
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Shel Shapiro
The Rokes were a pop rock band formed in 1963 in Italy by English expatriates. Their most successful songs included "Piangi con Me", the original version of " Let's Live for Today", a US hit when re-recorded by The Grass Roots; and "Che Colpa Abbiamo Noi", an Italian language version of "Cheryl's Going Home" by Bob Lind. Career Norman David "Shel" Shapiro (born 16 August 1943, Stanmore, Middlesex) began performing in London as a guitarist and singer with rock and roll band Rob Storm & the Whispers. After a spell playing in Gene Vincent's backing band during a tour of Britain in 1959, Shapiro decided to form his own band, The Shel Carson Combo, with guitarist Vic Briggs (14 February 1945, Twickenham, Middlesex – 25 June 2021), drummer Mike Shepstone (born 29 March 1943, Weymouth, Dorset), and bassist Bobby Posner (born 6 May 1945, Edgware, Middlesex). The band performed rhythm and blues in clubs around London and had regular shows at American base camps around the south of ...
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La Storia Dei New Trolls
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a tel ...
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Concerto Grosso No
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three-movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastian B ...
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Jazz Fusion
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ...
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Tempi Dispari
Tempi may refer to: * Tempo, plural ''tempi'', the speed of a musical piece * Tempi (municipality), a municipality in Larissa, Thessaly, Greece * TEMPI syndrome, a novel orphan disease See also * Palazzo Tempi, a palace in Florence, Tuscany, Italy * Tempo (other) Tempo is the speed or pace of a musical piece. Tempo may also refer to: Vehicles * Tempo (bus rapid transit), a bus rapid transit system in Oakland, California * Tempo (automobile), a German manufacturer of automobiles * Tempo (railcar), a Cana ..., other uses of tempo, some of which may be pluralised to tempi * Tempy, a locality in Victoria, Australia {{disambiguation ...
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Night On Bald Mountain
''Night on Bald Mountain'' (russian: Ночь на лысой горе, translit=Noch′ na lysoy gore, links=no), also known as ''Night on the Bare Mountain'', is a series of compositions by Modest Mussorgsky (1839–1881). Inspired by Russian literary works and legend, Mussorgsky composed a "musical picture", ''St. John's Eve on Bald Mountain'' (russian: Иванова ночь на лысой горе, translit=Ivanova noch′ na lysoy gore, links=no) on the theme of a Witches' Sabbath occurring at Bald Mountain on St. John's Eve, which he completed on that very night, 23 June 1867. Together with Nikolai Rimsky-Korsakov's ''Sadko'' (1867), it is one of the first tone poems by a Russian composer. Although Mussorgsky was proud of his youthful effort, his mentor, Mily Balakirev, refused to perform it. To salvage what he considered worthy material, Mussorgsky attempted to insert his ''Bald Mountain'' music, recast for vocal soloists, chorus, and orchestra, into two subsequent pro ...
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