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New Arts Lab
The Institute for Research in Art and Technology (IRAT, also known as New Arts Lab; Robert Street Arts Lab) was founded in London in 1969 by a group of artists and activists including painter/author Pamela Zoline, video Pioneer John Hopkins, painter Biddy Peppin, film enthusiast David Curtis, arts theorist John Lifton composer Hugh Davies. Its early focus was on video, film, theatre and new media but this was subsequently expanded to include experimental literature, drama, sculpture and multimedia all based on art/technology crossovers. In October 1969 the New Arts Lab opened on Robert Street, Camden Town, in a former chemical factory, with a screening of David Larcher's Mare's Tail (1969). This new arts centre, in addition to housing theatre, gallery and cinema space, also provided a base for the LFMC distribution office, screening and a newly equipped film workshop with a step printer and neg/reversal processor. This building housed artists workshops which included electronics ...
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John Lifton
John Lifton is an artist and theorist whose work explores the relationships between art, science, the environment and technology. He was a founder of both the London New Arts Lab (1968), which focused on film and video art, and the Institute for Research in Art and Technology (IRAT) as dissident alternatives to the original Arts Lab The Arts Lab was an alternative arts centre, founded in 1967 by Jim Haynes at 182 Drury Lane, London. Although only active for two years, it was influential in inspiring many similar centres in the UK, continental Europe and Australia, includ ... (London). The latter became a center for film, video, sculpture, experimental literature and avante-garde arts-science/arts-technology crossovers. In the 1970s, Lifton moved to the Rocky Mountains and in 1977 he co-founded the Telluride Institute. Selected external links Composing in the Information AgeWhole Earth Review, Fall 1992 (by Chris Meyer). (1976). Article in Psychobotany. (1976). Tellurid ...
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LFMC
The London Film-makers' Co-op, or LFMC, was a British film-making workshop founded in 1966. It ceased to exist in 1999 when it merged with London Video Arts to form LUX. It grew out of film screenings at the Better Books bookstore, part of the 1960s counter-culture in London, before moving to the original Arts Lab on Drury Lane, then sharing offices with John 'Hoppy' Hopkins' BIT information service and then, with the breakaway group that formed the New Arts Lab, to the Camden-based Institute for Research in Art and Technology. With the end of IRAT's lease in 1971 the Co-op found a base in a long-term squat in a former dairy at 13a Prince of Wales Crescent in Kentish Town. For most of its life the LFMC was based in Gloucester Avenue in Camden in a run down building which for a number of years also housed the London Musicians Collective. In 1997 the LFMC moved together with London Video Arts to the new Lux Centre, Hoxton Square. Founded by, amongst others, Stephen Dwoskin and Bob ...
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David Ormsby-Gore, 5th Baron Harlech
William David Ormsby-Gore, 5th Baron Harlech (20 May 1918 – 26 January 1985), known as David Ormsby-Gore until June 1961 and as Sir David Ormsby-Gore from then until February 1964, was a British diplomat and Conservative politician. Early life William David Ormsby-Gore was born into an Anglo-Irish aristocratic family on 20 May 1918 in Westminster, London, the second son of William Ormsby-Gore, 4th Baron Harlech, a Conservative politician, and Lady Beatrice Edith Mildred Gascoyne-Cecil. His maternal great-grandfather was British Prime Minister The 3rd Marquess of Salisbury. He was educated at St Cyprian's School, Eton College and New College, Oxford. A well-known story told of him at Eton is that, when a boy in his house killed himself, the housemaster called the boys together, and asked if any of them had any idea why this should have happened. Ormsby-Gore put up his hand and asked, "Please sir, could it have been the food?" In 1939, he was commissioned into the Royal Ar ...
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Hugh Davies (composer)
Hugh Seymour Davies (23 April 1943 – 1 January 2005) was a musicologist, composer, and inventor of experimental musical instruments. History Davies was born in Exmouth, Devon, England. After attending Westminster School, he studied music at Worcester College, Oxford from 1961 to 1964. Shortly after he travelled to Cologne, Germany to work for Karlheinz Stockhausen as his personal assistant. For two years, he assembled and documented material for Stockhausen's compositions and was a member of his live ensemble. From 1968 to 1971 Davies played in The Music Improvisation Company. The group's guitarist Derek Bailey later wrote that "the live electronics served to extend the music both forwards and backwards (...) Davies helped to loosen what had been, until his arrival, a perhaps too rarified approach". He was also a member of the group Gentle Fire, active from 1968 to 1975, which specialised in the realisation of indeterminate and mobile scores, as well as verbally formulated ...
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John Hopkins (political Activist)
John Victor Lindsay "Hoppy" Hopkins (15 August 1937 – 30 January 2015) was a British photographer, journalist, researcher and political activist, and "one of the best-known underground figures of 'Swinging London' " in the late 1960s. Life Hopkins was born on 15 August 1937 in Slough. In 1958, Hopkins graduated from Emmanuel College, Cambridge, which he had entered on a scholarship in 1955, with a degree in physics and mathematics, and began to work as a laboratory technician at the Atomic Energy Research Establishment at Harwell, Oxfordshire. When Hopkins took a trip to Moscow to attend a Communist youth festival, his security clearance was revoked. Hopkins then re-located to London at the beginning of 1960, and began to work as a photographer for newspapers and music magazines including ''Jazz News'', ''The Guardian'', ''Melody Maker'' and ''Peace News''. Hopkins photographed many of the leading musicians of the period, including The Beatles and the Rolling Stones. He also ...
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Pamela Zoline
Pamela Zoline (or Pamela Lifton-Zoline; born 1941) is an American writer and painter, born in Chicago, living in the United States in Telluride, Colorado. Background Among science fiction fans, she is known for her controversial short story "The Heat Death of the Universe", published in 1967 in ''New Worlds''. Although she went on to publish further stories in magazines including ''The New SF'', ''Likely Stories'', and ''Interzone'', Zoline remains best known for "Heat Death", which has been frequently reprinted since its original publication.Papke, Mary E"A Space of Her Own: Pamela Zoline's 'The Heat Death of the Universe' In ''Daughters of Earth'', ed. Justine Larbalestier. Wesleyan: 2006. Zoline is admired for her experimental approach to both the form of the short story and the genre of science fiction, especially for using the language of science to interrogate the scientific world view. "Heat Death" is structured in a loosely encyclopedic style, with 54 numbered paragraphs n ...
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Biddy Peppin
The Arts Lab was an alternative arts centre, founded in 1967 by Jim Haynes at 182 Drury Lane, London. Although only active for two years, it was influential in inspiring many similar centres in the UK, continental Europe and Australia, including the expanded Institute of Contemporary Arts (ICA) in London, the Milky Way/Melkweg in Amsterdam (where Jack Henry Moore was one of the founders), the Entrepôt in Paris and the Yellow House Artist Collective founded by Martin Sharp in Sydney. Drury Lane Arts Lab The Lab contained a 'soft floor' cinema in the basement designed and run by David Curtis. In the entrance there was a gallery space co-curated by Biddy Peppin (Curtis's partner) and Pamela Zoline. In a separate (but connected) warehouse was the theatre, designed by Jack Henry Moore, who initially co-directed the activities there. Both the cinema and theatre were constructed by David Jeffrey, whose partner, Philippa James, was closely involved in the Lab's day-to-day running. U ...
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Arts Centres In London
The arts are a very wide range of human practices of creative expression, storytelling and cultural participation. They encompass multiple diverse and plural modes of thinking, doing and being, in an extremely broad range of media. Both highly dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized and sometimes intricate forms. This is often achieved through sustained and deliberate study, training and/or theorizing within a particular tradition, across generations and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural and individual identities, while transmitting values, impressions, judgments, ideas, visions, spiritual meanings, patterns of life and experiences across time and space. Prominent examples of the arts include: * visual arts (including architecture, ceramics, drawing, filmmaking, painting, photography, and sculpting), * literary arts (includin ...
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Culture In London
The culture of London concerns the music, museums, festivals and lifestyle within London, the capital city of the United Kingdom. London has frequently been described as a global cultural capital and is one of the world's leading business centres, renowned for its technological readiness and economic clout, as well as attracting the most foreign investment of any global city. As such, London has often been ranked as the world's capital city. The city is particularly renowned for its theatre quarter, and its West End theatre district has given the name to "West End theatre", the strand of mainstream professional theatre staged in the large theatres in London. London is also home to notable cultural attractions such as the British Museum, the Tate Galleries, the National Gallery, the Notting Hill Carnival and The O2. Through music, comedy and theatre, London has a lively nightlife with approximately 25.6 events per thousand people, 44.1% of those events being theatre based. A ...
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Counterculture
A counterculture is a culture whose values and norms of behavior differ substantially from those of mainstream society, sometimes diametrically opposed to mainstream cultural mores.Eric Donald Hirsch. ''The Dictionary of Cultural Literacy''. Houghton Mifflin. . (1993) p. 419. "Members of a cultural protest that began in the U.S. In the 1960s and Europe before fading in the 1970s... fundamentally a cultural rather than a Protest, political protest." A countercultural movement expresses the ethos and aspirations of a specific population during a well-defined era. When oppositional forces reach Critical mass (sociodynamics), critical mass, countercultures can trigger dramatic cultural changes. Prominent examples of countercultures in the Western world include the Levellers (1645–1650), Bohemianism (1850–1910), the more fragmentary counterculture of the Beat Generation (1944–1964), followed by the globalized counterculture of the 1960s (1964–1974). Definition and characteris ...
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