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LFMC
The London Film-makers' Co-op, or LFMC, was a British film-making workshop founded in 1966. It ceased to exist in 1999 when it merged with London Video Arts to form LUX. It grew out of film screenings at the Better Books bookstore, part of the 1960s counter-culture in London, before moving to the original Arts Lab on Drury Lane, then sharing offices with John 'Hoppy' Hopkins' BIT information service and then, with the breakaway group that formed the New Arts Lab, to the Camden-based Institute for Research in Art and Technology. With the end of IRAT's lease in 1971 the Co-op found a base in a long-term squat in a former dairy at 13a Prince of Wales Crescent in Kentish Town. For most of its life the LFMC was based in Gloucester Avenue in Camden in a run down building which for a number of years also housed the London Musicians Collective. In 1997 the LFMC moved together with London Video Arts to the new Lux Centre, Hoxton Square. Founded by, amongst others, Stephen Dwoskin and Bob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arts Lab
The Arts Lab was an alternative arts centre, founded in 1967 by Jim Haynes at 182 Drury Lane, London. Although only active for two years, it was influential in inspiring many similar centres in the UK, continental Europe and Australia, including the expanded Institute of Contemporary Arts (ICA) in London, the Milky Way/Melkweg in Amsterdam (where Jack Henry Moore was one of the founders), the Entrepôt in Paris and the Yellow House Artist Collective founded by Martin Sharp in Sydney. Drury Lane Arts Lab The Lab contained a 'soft floor' cinema in the basement designed and run by David Curtis. In the entrance there was a gallery space co-curated by Biddy Peppin (Curtis's partner) and Pamela Zoline. In a separate (but connected) warehouse was the theatre, designed by Jack Henry Moore, who initially co-directed the activities there. Both the cinema and theatre were constructed by David Jeffrey, whose partner, Philippa James, was closely involved in the Lab's day-to-day running. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Institute For Research In Art And Technology
The Institute for Research in Art and Technology (IRAT, also known as New Arts Lab; Robert Street Arts Lab) was founded in London in 1969 by a group of artists and activists including painter/author Pamela Zoline, video Pioneer John Hopkins, painter Biddy Peppin, film enthusiast David Curtis, arts theorist John Lifton composer Hugh Davies. Its early focus was on video, film, theatre and new media but this was subsequently expanded to include experimental literature, drama, sculpture and multimedia all based on art/technology crossovers. In October 1969 the New Arts Lab opened on Robert Street, Camden Town, in a former chemical factory, with a screening of David Larcher's Mare's Tail (1969). This new arts centre, in addition to housing theatre, gallery and cinema space, also provided a base for the LFMC distribution office, screening and a newly equipped film workshop with a step printer and neg/reversal processor. This building housed artists workshops which included electronic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen Dwoskin
Stephen Dwoskin (15 January 1939 – 28 June 2012) was a major avant-garde filmmaker whose work was closely connected to the ' gaze theory' associated with Laura Mulvey; a significant disabled filmmaker – though he rejected being framed as such – and an activist for an alternative film culture, through such organizations as the London Film-Makers' Co-op anThe Other Cinema His films are held by the BFI and distributed by LUX. His archive is held at The University of Reading. Early life Dwoskin was born in Brooklyn in 1939. At the age of nine he contracted polio and underwent a gruelling rehabilitation that entailed confinement in an iron lung, muscle transplants and relearning to walk, painfully, with crutches. He spent four years in hospital before he was discharged. Dwoskin used crutches for much of his life. Poliomyelitis progressively restricted his mobility and in later life he used a wheelchair. He studied at Parsons The New School for Design, where his teachers inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Video Arts
London Video Arts (LVA) was founded for the promotion, distribution and exhibition of video art. Art form By 1976 video art had emerged as a viable time-based art form, which was beginning to establish its own aesthetic identity and theoretical discourse distinct from film. Following the influential Video Show at the Serpentine Gallery in May 1975, which brought the work of international video artists to London and showcased British artists working in the medium, it became apparent that the increased activity in British video art required an organisation to provide support for the artists involved. The idea for London Video Arts (LVA) was initiated by David Hall and founded in summer 1976 by a group of video artists including Roger Barnard, David Critchley, Tamara Krikorian, Brian Hoey, Pete Livingstone, Stuart Marshall, Stephen Partridge, John Turpie and Hall. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carolee Schneemann
Carolee Schneemann (October 12, 1939 – March 6, 2019) was an American visual experimental artist, known for her multi-media works on the body, narrative, sexuality and gender. She received a B.A. in poetry and philosophy from Bard College and a Master of Fine Arts from the University of Illinois. Originally a painter in the Abstract Expressionist tradition, Schneeman was uninterested in the masculine heroism of New York painters of the time and turned to performance-based work, primarily characterized by research into visual traditions, taboos, and the body of the individual in relation to social bodies. Although renowned for her work in performance and other media, Schneemann began her career as a painter, stating, "I'm a painter. I'm still a painter and I will die a painter. Everything that I have developed has to do with extending visual principles off the canvas." Her works have been shown at the Los Angeles Museum of Contemporary Art, the Museum of Modern Art in New York, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Organisations In The United Kingdom
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Film
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources. While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants. Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in new technology rather t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Structural Film
Structural film was an avant-garde experimental film movement prominent in the United States in the 1960s and which developed into the Structural/materialist films in the United Kingdom in the 1970s. Overview The term was coined by P. Adams Sitney who noted that film artists had moved away from the complex and condensed forms of cinema practiced by such artists as Sidney Peterson and Stan Brakhage. "Structural film" artists pursued instead a more simplified, sometimes even predetermined art. The shape of the film was crucial, the content peripheral. This term should not be confused with the literary and philosophical term ''structuralism''. Characteristics Sitney identified four formal characteristics common in Structural films, but all four characteristics are not usually present in any single film: :* fixed camera position (an apparently fixed framing) :* flicker effect (strobing due to the intermittent nature of film) :* loop printing :* rephotography (off the screen) It has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sally Potter
Charlotte Sally Potter (born 19 September 1949) is an English film director and screenwriter. She is known for directing ''Orlando'' (1992), which won the audience prize for Best Film at the Venice Film Festival. Early life Potter was born and raised in London. Her mother was a music teacher and her father was an interior designer and a poet. Her younger brother Nic became the bassist for the rock group Van der Graaf Generator. When asked about her background, which influenced her work as a filmmaker, she responds, "I came from an atheist background and an anarchist background, which meant that I grew up in an environment that was full of questions, where nothing could be taken for granted." When asked about what she learned about filmmaking from trying to do it as a seventeen-year-old woman in the UK in the 60s, Potter laughs.You know, most kinds of securities are illusions, and we need to kind of duck and weave as filmmakers, go with the flow, go where the harvest is. ..I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Goring
Philip, also Phillip, is a male given name, derived from the Greek (''Philippos'', lit. "horse-loving" or "fond of horses"), from a compound of (''philos'', "dear", "loved", "loving") and (''hippos'', "horse"). Prominent Philips who popularized the name include kings of Macedonia and one of the apostles of early Christianity. ''Philip'' has many alternative spellings. One derivation often used as a surname is Phillips. It was also found during ancient Greek times with two Ps as Philippides and Philippos. It has many diminutive (or even hypocoristic) forms including Phil, Philly, Lip, Pip, Pep or Peps. There are also feminine forms such as Philippine and Philippa. Antiquity Kings of Macedon * Philip I of Macedon * Philip II of Macedon, father of Alexander the Great * Philip III of Macedon, half-brother of Alexander the Great * Philip IV of Macedon * Philip V of Macedon New Testament * Philip the Apostle * Philip the Evangelist Others * Philippus of Croton (c. 6th centur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vera Neubauer
Vera Neubauer is a Czech born British experimental filmmaker, animator, feminist activist and educator. She is known for her jarring, provocative and anti establishment approach. Her life's work spans genres, from cinematic short film to television series for children. Neubauer has received two BAFTA Cymru awards. Early life Vera Neubauer was born to Dr. Helene and Dr. Karl Neubauer in Prague. In December 1965, several years before the Soviet invasion of Czechoslovakia, Neubauer fled the totalitarian regime with her parents and siblings. Arriving in Vienna, Neubauer gained refugee status and traveled on to Düsseldorf. Here she studied Print-making at the State Academy of Fine Arts Stuttgart under professor Gunter Bohmer. In 1968 Neubauer journeyed to London. She continued to study printmaking at the Royal College of Art and in 1970 switched departments to study film-making. She struggled to survive and squatted in central Brixton. During this period she worked in a local Brixton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
