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Neoconstructivism (art)
Constructivism is an early twentieth-century art movement founded in 1915 by Vladimir Tatlin and Alexander Rodchenko. Abstract and austere, constructivist art aimed to reflect modern industrial society and urban space. The movement rejected decorative stylization in favor of the industrial assemblage of materials. Constructivists were in favour of art for propaganda and social purposes, and were associated with Soviet socialism, the Bolsheviks and the Russian avant-garde. Constructivist architecture and art had a great effect on modern art movements of the 20th century, influencing major trends such as the Bauhaus and De Stijl movements. Its influence was widespread, with major effects upon architecture, sculpture, graphic design, industrial design, theatre, film, dance, fashion and, to some extent, music. Beginnings Constructivism was a post-World War I development of Russian Futurism, and particularly of the 'counter reliefs' of Vladimir Tatlin, which had been exhibited ...
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Russia
Russia (, , ), or the Russian Federation, is a List of transcontinental countries, transcontinental country spanning Eastern Europe and North Asia, Northern Asia. It is the List of countries and dependencies by area, largest country in the world, with its internationally recognised territory covering , and encompassing one-eighth of Earth's inhabitable landmass. Russia extends across Time in Russia, eleven time zones and shares Borders of Russia, land boundaries with fourteen countries, more than List of countries and territories by land borders, any other country but China. It is the List of countries and dependencies by population, world's ninth-most populous country and List of European countries by population, Europe's most populous country, with a population of 146 million people. The country's capital and List of cities and towns in Russia by population, largest city is Moscow, the List of European cities by population within city limits, largest city entirely within E ...
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Graphic Design
Graphic design is a profession, academic discipline and applied art whose activity consists in projecting visual communications intended to transmit specific messages to social groups, with specific objectives. Graphic design is an interdisciplinary branch of design and of the fine arts. Its practice involves creativity, innovation and lateral thinking using manual or digital tools, where it is usual to use text and graphics to communicate visually. The role of the graphic designer in the communication process is that of encoder or interpreter of the message. They work on the interpretation, ordering, and presentation of visual messages. Usually, graphic design uses the aesthetics of typography and the compositional arrangement of the text, ornamentation, and imagery to convey ideas, feelings, and attitudes beyond what language alone expresses. The design work can be based on a customer's demand, a demand that ends up being established linguistically, either orally or in writin ...
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Varvara Stepanova
Varvara Fyodorovna Stepanova (russian: Варва́ра Фёдоровна Степа́нова; – May 20, 1958) was a Russian artist. With her husband Alexander Rodchenko, she was associated with the Constructivist branch of the Russian avant-garde, which rejected aesthetic values in favour of revolutionary ones. Her activities extended into propaganda, poetry, stage scenery and textile designs. Biography Varvara Stepanova who was born in Kaunas (in modern-day Lithuania) came from peasant origins but was able to get an education at Kazan Art School, Kazan. There she met her later husband and collaborator Alexander Rodchenko. In the years before the Russian Revolution of 1917 they leased an apartment in Moscow, owned by Wassily Kandinsky. These artists became some of the main figures in the Russian avant-garde. The new abstract art in Russia which began around 1915 was a culmination of influences from Cubism, Italian Futurism and traditional peasant art. She designed Cubo-Futu ...
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Rodchenko
Aleksander Mikhailovich Rodchenko (russian: link=no, Алекса́ндр Миха́йлович Ро́дченко; – 3 December 1956) was a Russian and Soviet artist, sculptor, photographer, and graphic designer. He was one of the founders of constructivism and Russian design; he was married to the artist Varvara Stepanova. Rodchenko was one of the most versatile constructivist and Productivism (art), productivist artists to emerge after the Russian Revolution of 1917, Russian Revolution. He worked as a painter and graphic designer before turning to photomontage and photography. His photography was socially engaged, formally innovative, and opposed to a painterly aesthetic. Concerned with the need for analytical-documentary photo series, he often shot his subjects from odd angles—usually high above or down below—to shock the viewer and to postpone recognition. He wrote: "One has to take several different shots of a subject, from different points of view and in different ...
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Alexander Vesnin
Alexander Aleksandrovich Vesnin (russian: Александр Александрович Веснин) (28 May 1883, Yuryevets – 7 September 1959, Moscow), together with his brothers Leonid and Viktor, was a leading light of Constructivist architecture. He is best known for his meticulous perspectival drawings such as Leningrad Pravda' of 1924. In addition to being an architect, he was a theatre designer and painter, frequently working with Lyubov Popova on designs for workers' festivals, and for the theatre of Tairov. He was one of the exhibitors in the pioneering Constructivist exhibition 5×5=25 in 1921. He was the head, along with Moisei Ginzburg, of the Constructivist OSA Group. Among the completed buildings designed by the Vesnin brothers in the later 1920s were department stores, a club for former Tsarist political prisoners as well as the Likachev Works Palace of Culture in Moscow. Vesnin was a vocal supporter of the works of Le Corbusier, and acclaimed his Tsentrosoy ...
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Liubov Popova
Lyubov Sergeyevna Popova (russian: Любо́вь Серге́евна Попо́ва; April 24, 1889 – May 25, 1924) was a Russian-Soviet avant-garde artist, painter and designer. Early life Popova was born in Ivanovskoe, near Moscow, to the wealthy family of Sergei Maximovich Popov, a very successful textile merchant and vigorous patron of the arts, and Lyubov Vasilievna Zubova, who came from a highly cultured family. Lyubov Sergeyevna had two brothers and a sister: Sergei was the eldest, then Lyubov, Pavel and Olga. Pavel became a philosopher and the guardian of his sister's artistic legacy.Dabrowski, M., ''Liubov Popova'', Museum of Modern Art, New York, 1991, p.122. Popova grew up with a strong interest in art, especially Italian Renaissance painting. At eleven years old she began formal art lessons at home; she was first enrolled in Yaltinskaia's Women's Gymnasium, then in Arseneva's Gymnasium in Moscow. By the age of 18 she was studying with Stanislav Zhukovsky, and ...
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Wassily Kandinsky
Wassily Wassilyevich Kandinsky (; rus, Василий Васильевич Кандинский, Vasiliy Vasilyevich Kandinskiy, vɐˈsʲilʲɪj vɐˈsʲilʲjɪvʲɪtɕ kɐnʲˈdʲinskʲɪj;  – 13 December 1944) was a Russian painter and art theorist. Kandinsky is generally credited as one of the pioneers of abstraction in western art, possibly after Hilma af Klint. Born in Moscow, he spent his childhood in Odessa, where he graduated at Grekov Odessa Art School. He enrolled at the University of Moscow, studying law and economics. Successful in his profession—he was offered a professorship (chair of Roman Law) at the University of Dorpat (today Tartu, Estonia)—Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, Kandinsky settled in Munich, studying first at Anton Ažbe's private school and then at the Academy of Fine Arts. He returned to Moscow in 1914, after the outbreak of World War I. Following the Russian Revolu ...
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Institute Of Artistic Culture
The Institute of Artistic Culture (russian: Институт Художественной Культуры abbreviated to ИНХУК/INKhUK) was a theoretical and research based Russian artistic organisation founded in March Moscow in 1920 and continuing until 1924. Origins It was established under the authority of the Narkompros and funded through the Department of Fine Arts (IZO). In May 1920 Anatoly Lunacharsky appointed Wassily Kandinsky as its first director. David Shterenberg, who was at that time the director of IZO, stated "We organised the INKhUK as a cell for the determination of scientific hypotheses on matters of art". In its first year it attracted about 30 visual artists, Architects, musicians and art critics. Many of them were also taught at Vkhutemas and published in LEF. One of the consequences of state funding was the maintenance of stenographic records, originally kept by Varvara Stepanova and after 1921 by Nikolai Tarabukin. These were published in 1979 by Sel ...
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Aleksei Gan
Aleksei Mikhailovich Gan (Russian: Алексей Михайлович Ган; born Imberkh; 1887 or 1893 – 8 September, 1942) was a Russian anarchist and later Marxist avant-garde artist, art theorist and graphic designer. Gan was a key figure in the development of Constructivism after the Russian Revolution. Life Gan's involvement with creative activity began in 1917 when he became involved with the Moscow Union of Food Workers with whom he set up an amateur theatrical group. The group encompassed various political groupings and following the Bolshevik seizure of power, some joined the Red Army, others the Black Guards or affiliated to the Left Socialist-Revolutionaries. Gan reorganised the group as the Proletarian Theatre, which affiliated to the Moscow Federation of Anarchist Groups. Gan was the first to write on art in the anarchist newspaper ''Anarkhiia'' (Anarchy) when it introduced an art section in early 1918. In March 1921, Gan was one of the seven artists, in ...
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Realistic Manifesto
The Realistic Manifesto is a key text of Constructivism. Written by Naum Gabo and cosigned by his brother, Antoine Pevsner, the ''Manifesto'' laid out their theories of artistic expression in the form of five "fundamental principles" of their constructivist practice. The Manifesto focused largely on divorcing art from such conventions as use of lines, color, volume, and mass. In the text, Gabo and Pevsner reject the successive stylistic innovations of modern art as mere illusionism (beginning with Impressionism, and including Cubism and Futurism Futurism ( it, Futurismo, link=no) was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such ...), advocating instead an art grounded in the material reality of space and time: "The realization of our perceptions of the world in the forms of space and time is the only aim of our pictorial ...
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Naum Gabo
Naum Gabo, born Naum Neemia Pevsner (23 August 1977) (Hebrew: נחום נחמיה פבזנר), was an influential sculptor, theorist, and key figure in Russia's post-Revolution avant-garde and the subsequent development of twentieth-century sculpture.Tate GalleryNaum Gabo biography. Retrieved March 23, 2018./ref> His work combined geometric abstraction with a dynamic organization of form in small reliefs and constructions, monumental public sculpture and pioneering kinetic works that assimilated new materials such as nylon, wire, lucite and semi-transparent materials, glass and metal. Responding to the scientific and political revolutions of his age, Gabo led an eventful and peripatetic life, moving to Berlin, Paris, Oslo, Moscow, London, and finally the United States, and within the circles of the major avant-garde movements of the day, including Cubism, Futurism, Constructivism, the Bauhaus, de Stijl and the Abstraction-Création group.Hammer, Martin and Naum Gabo, Christina Lo ...
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Antoine Pevsner
Antoine Pevsner (12 April 1962) was a Russian-born sculptor and the older brother of Alexii Pevsner and Naum Gabo. Both Antoine and Naum are considered pioneers of twentieth-century sculpture. Biography Pevsner was born as Natan Borisovich Pevzner in Oryol, Russian Empire, into a Jewish family. Among the originators of and having coined the term, Constructivism, and pioneers of Kinetic Art, Pevsner and his brother Naum Gabo discovered a new use for metals and welding and made a new marriage of art and mathematics. Pevsner said: ''"Art must be inspiration controlled by mathematics. I have a need for peace, symphony, orchestration."'' He was one of the first to use the blowtorch in sculpture, welding copper rods onto sculptural forms and along with his brother, Naum, he issued the Realist Manifesto in 1920. He left the Soviet Union in 1923 and moved to Paris, where he would live for the rest of his life. Among the honors he received were a retrospective at the Museum of Mod ...
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