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Neo-pop
Neo-pop (also known as New Pop) is a postmodern art movement of the 1980s and 1990s. Context Defined as a resurgence of the aesthetics and ideas from the mid-20th century movement capturing the characteristics of Pop art like intentional kitsch and interest in commercialism. Notable artists The term (which originated in 1992 by Japanese critic Noi Sawaragi) refers to artists influenced by pop art and popular culture imagery, such as Jeff Koons, but also artists working in graffiti and cartoon art, such as Keith Haring. Japanese artist Takashi Murakami is described as the first of the Japanese neo-pop artists to "break the ice in terms of recycling Japanese pop culture". Japanese neo-pop is associated with the otaku subculture and the obsessive interests in anime, manga and other forms of pop culture. Artists such as Kenji Yanobe exemplify this approach to art and fandom.Munroe, Alexandra. "Introducing Little Boy.” In ''Little Boy: The Arts of Japan’s Exploding Subcult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camp (style)
Camp is an aesthetic style and sensibility that regards something as appealing because of its bad taste and ironic value. Camp aesthetics disrupt many of modernism's notions of what art is and what can be classified as high art by inverting aesthetic attributes such as beauty, value, and taste through an invitation of a different kind of apprehension and consumption. Camp can also be a social practice and function as a style and performance identity for several types of entertainment including film, cabaret, and pantomime. Where high art necessarily incorporates beauty and value, camp necessarily needs to be lively, audacious and dynamic. The visual style is closely associated with gay culture. Camp art is related to and often confused with kitsch and things with camp appeal may be described as cheesy. In 1909, ''Oxford English Dictionary'' defined camp as "ostentatious, exaggerated, affected, theatrical; effeminate or homosexual" behavior, and by the middle of the 1970s, cam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeff Koons
Jeffrey Lynn Koons (; born January 21, 1955) is an American artist recognized for his work dealing with popular culture and his sculptures depicting everyday objects, including balloon animals produced in stainless steel with mirror- finish surfaces. He lives and works in both New York City and his hometown of York, Pennsylvania. His works have sold for substantial sums, including at least two record auction prices for a work by a living artist: US$58.4 million for '' Balloon Dog (Orange)'' in 2013 and US$91.1 million for ''Rabbit'' in 2019. Critics are sharply divided in their views of Koons. Some view his work as pioneering and of major art-historical importance. Others dismiss his work as kitsch, crass, and based on cynical self-merchandising. Koons has stated that there are no hidden meanings and critiques in his works. Early life Koons was born in York, Pennsylvania, to Henry and Gloria Koons. His fatherWood, Gaby (June 3, 2007)"The wizard of odd" ''The Guardian''. was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Art
Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination of Medium (arts), materials, methods, concepts, and subjects that continue the challenging of boundaries that was already well underway in the 20th century. Diverse and eclectic, contemporary art as a whole is distinguished by the very lack of a uniform, organising principle, ideology, or "-ism". Contemporary art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, and nationality. In vernacular English, ''modern'' and ''contemporary'' are synonyms, resulting in some conflation and confusion of the terms ''modern art'' and ''contemporary art'' by non-specialists. Scope Some define contemporary art as art produced within "our lifetime," recognising tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Art
Japanese art covers a wide range of art styles and media, including ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ''ukiyo-e'' paintings and woodblock prints, ceramics, origami, and more recently manga and anime. It has a long history, ranging from the beginnings of human habitation in Japan, sometime in the 10th millennium BC, to the present-day country. Japan has been subject to sudden invasions of new ideas followed by long periods of minimal contact with the outside world. Over time the Japanese developed the ability to absorb, imitate, and finally assimilate those elements of foreign culture that complemented their aesthetic preferences. The earliest complex art in Japan was produced in the 7th and 8th centuries in connection with Buddhism. In the 9th century, as the Japanese began to turn away from China and develop indigenous forms of expression, the secular arts became increasingly important; until the late 15th century, both religious and sec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1990s In Art
Year 199 ( CXCIX) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was sometimes known as year 952 ''Ab urbe condita''. The denomination 199 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Mesopotamia is partitioned into two Roman provinces divided by the Euphrates, Mesopotamia and Osroene. * Emperor Septimius Severus lays siege to the city-state Hatra in Central-Mesopotamia, but fails to capture the city despite breaching the walls. * Two new legions, I Parthica and III Parthica, are formed as a permanent garrison. China * Battle of Yijing: Chinese warlord Yuan Shao defeats Gongsun Zan. Korea * Geodeung succeeds Suro of Geumgwan Gaya, as king of the Korean kingdom of Gaya (traditional date). By topic Religion * Pope Zephyrinus succeeds Pope Victor I, as the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1980s In Art
__NOTOC__ Year 198 (CXCVIII) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Sergius and Gallus (or, less frequently, year 951 ''Ab urbe condita''). The denomination 198 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire *January 28 **Publius Septimius Geta, son of Septimius Severus, receives the title of Caesar. **Caracalla, son of Septimius Severus, is given the title of Augustus. China *Winter – Battle of Xiapi: The allied armies led by Cao Cao and Liu Bei defeat Lü Bu; afterward Cao Cao has him executed. By topic Religion * Marcus I succeeds Olympianus as Patriarch of Constantinople (until 211). Births * Lu Kai (or Jingfeng), Chinese official and general (d. 269) * Quan Cong, Chinese general and advisor (d. 24 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postmodern Art
Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as intermedia, installation art, conceptual art and multimedia, particularly involving video are described as Postmodernism, postmodern. There are several characteristics which lend art to being postmodern; these include bricolage, the use of text prominently as the central artistic element, collage, abstract art, simplification, appropriation art, appropriation, performance art, the recycling of past styles and themes in a modern-day context, as well as the break-up of the barrier between fine arts, fine and high culture, high arts and low culture, low art and popular culture. Use of the term The predominant term for art produced since the 1950s is "contemporary art". Not all art labeled as contemporary art is postmodern, and the broader term encompasses both artists who continue to work in modernist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dada
Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (Zurich), Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up technique, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with Radical politics, radical left-wing and far-left politics. There is no consensus on the origin of the movement's name; a common story is that the German artis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Superflat
Superflat is a postmodern art movement, founded by the artist Takashi Murakami, which is influenced by manga and anime. However, superflat doesn't have an explicit definition because Takashi Murakami does not want to limit the movement, but rather leave room for it to grow and evolve over time. Superflat is also the name of a 2000 art exhibition, curated by Murakami, that toured West Hollywood, Minneapolis and Seattle. Description "Superflat" is used by Murakami to refer to various flattened forms in Japanese graphic art, animation, pop culture and fine arts, as well as the "shallow emptiness of Japanese consumer culture." Superflat has been embraced by American artists, who have created a hybrid called "SoFlo Superflat". Murakami defines ''Superflat'' in broad terms, so the subject matter is very diverse. Some works explore the consumerism and sexual fetishism that is prevalent in post-war Japanese culture. This often includes lolicon art, which is parodied by works such as thos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaporwave
Vaporwave is a microgenre of electronic music, visual art style, and Internet meme that emerged in the early 2010s. It is defined partly by its slowed-down, chopped and screwed samples of smooth jazz, elevator music, elevator, contemporary R&B, R&B, and lounge music from the 1980s and 1990s. The surrounding subculture is sometimes associated with an ambiguous or satirical take on consumer capitalism and pop culture, and tends to be characterized by a nostalgic or surrealist engagement with the popular entertainment, technology and advertising of previous decades. Visually, it incorporates early Internet imagery, late 1990s web design, glitch art, anime, 3D rendering, 3D-rendered objects, and cyberpunk tropes in its cover artwork and music videos. Vaporwave originated as an ironic variant of chillwave, evolving from hypnagogic pop as well as similar retro-revivalist and post-Internet motifs that had become fashionable in underground digital music and art scenes of the era, su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenji Yanobe
Kenji Yanobe (ヤノベケンジ ''Yanobe Kenji'') is a Japanese contemporary artist known for his upbeat yet dystopian artwork. His sculpture simulates consumer products designed for survival after a nuclear holocaust. He is a professor at Kyoto University of Art and Design. He is also the director of Ultra Factory there. He was born in Ibaraki City, Osaka. After graduating from high school, he studied at Kyoto City University of Arts in 1989, majoring in sculpture. After studying at the Royal College of Art in England for a short time, he completed the Graduate School of Kyoto City University of Arts in 1991. Artwork Yanobe's sculptures closely fit a modern Japanese consumer aesthetic. His pieces, often based on robots, appear to be the products of the most modern industrial design: bright colors, polished metal, articulable joints, and shiny finish. However, they betray a fear of nuclear war. Yanobe's artwork includes brightly colored hazmat suits and tiny action figures ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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