|
Neo-Dada Organizers
, often shortened to , was a short-lived but influential Japanese Neo-Dadaist art collective formed by Masunobu Yoshimura in 1960. Composed of a small group of young, up-and-coming artists who met periodically at Yoshimura's "White House" atelier in Shinjuku, the Neo-Dada Organizers engaged in all manner of visual and performance artworks, but specialized in producing disturbing, impulsive spectacles, often involving physical destruction of objects, that the art critic Ichirō Hariu deemed "savagely meaningless," and that inspired another art critic, Yoshiaki Tōno, to coin the term "anti-art" (''han-geijutsu''). Examples included filling galleries with piles of garbage, smashing furniture to the beat of jazz music, and prancing the streets of Tokyo in various states of dress and undress. Using the human body as their medium of art, their violent performances reflected both their dissatisfaction with the restrictive environment of the Japanese art world at the time, as well as conte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-Dada
Neo-Dada was a movement with audio, visual and literary manifestations that had similarities in method or intent with earlier Dada artwork. It sought to close the gap between art and daily life, and was a combination of playfulness, iconoclasm, and appropriation. In the United States the term was popularized by Barbara Rose in the 1960s and refers primarily, although not exclusively, to work created in that and the preceding decade. There was also an international dimension to the movement, particularly in Japan and in Europe, serving as the foundation of Fluxus, Pop Art and Nouveau réalisme. Neo-Dada has been exemplified by its use of modern materials, popular imagery, and absurdist contrast. It was a reaction to the personal emotionalism of Abstract Expressionism and, taking a lead from the practice of Marcel Duchamp and Kurt Schwitters, denied traditional concepts of aesthetics. Trends Interest in Dada followed in the wake of documentary publications, such as Robert Moth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Informel
Informalism or Art Informel is a pictorial movement from the 1943–1950s, that includes all the abstract and gestural tendencies that developed in France and the rest of Europe during the World War II, similar to American abstract expressionism started 1946. Several distinguishing trends are identified within the movement such as lyrical abstraction, matter painting, New Paris School, tachisme and art brut. The French art critic Michel Tapié coined the term "art autre" (other art) in the homonymous book published in 1952 in relation to non-geometric abstract art. It was instrumental in improving the concept of abstract art in France during the Early 1950s. Its use in the expression of political ideologies in South America during the Early 1950s was quite common, as it was seen as the main way to show support for the changing political climate. Pictorial practices Within this tendency, each artist allows full freedom of expression to the unforeseen quality of materials (a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katakana
is a Japanese syllabary, one component of the Japanese writing system along with hiragana, kanji and in some cases the Latin script (known as rōmaji). The word ''katakana'' means "fragmentary kana", as the katakana characters are derived from components or fragments of more complex kanji. Katakana and hiragana are both kana systems. With one or two minor exceptions, each syllable (strictly mora) in the Japanese language is represented by one character or ''kana'' in each system. Each kana represents either a vowel such as "''a''" (katakana ア); a consonant followed by a vowel such as "''ka''" (katakana カ); or "''n''" (katakana ン), a nasal sonorant which, depending on the context, sounds either like English ''m'', ''n'' or ''ng'' () or like the nasal vowels of Portuguese or Galician. In contrast to the hiragana syllabary, which is used for Japanese words not covered by kanji and for grammatical inflections, the katakana syllabary usage is comparable to italics in En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sogetsu Art Center
The Sōgetsu Art Center (SAC) was a Tokyo-based experimental art space. The center was established in 1958 and its activities ceased in 1971. It was founded by Sōfū Teshigahara, creator of the ''Sōgetsu-ryū'' (草月流), a school of ikebana (Japanese floral art), that he founded in 1927. It was directed by Teshigahara's son, Hiroshi Teshigahara. It is considered a major hub for post-war Japanese art, especially for experimental and avant-garde activities. The SAC was a pivotal venue for those involved in the phenomenon of Tokyo pop, whether Japanese or international. Events held there brought together musicians, visual artists, designers, critics and curators around multidisciplinary and collaborative events, on the margins of conventional art institutions. Activities at SAC converged towards a search for new forms of expression, at the crossroads of different artistic genres. The SAC was also an international platform, providing a venue in which the Japanese art world witn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomoyoshi Murayama
was a Japanese artist, play writer, novelist and drama producer active during the Shōwa period in Japan. Early life Murayama was born in the Kanda Suehiro district of Tokyo. His father, who was a medic in the Imperial Japanese Navy, died when he was nine years old. His mother became a fervent Christian after having been converted by Uchimura Kanzo, and was active in the pacifist movement. Murayama was initially encouraged towards watercolors and traditional Japanese painting, but was later drawn to philosophy, particularly the works of German philosophers Arthur Schopenhauer and Nietzsche. He converted to Christianity himself after being assaulted by fellow students for echoing his mother's pacifist views. Murayama started out his career after the Westernization campaign of the Meiji era (1868-1912). Murayama entered Tokyo Imperial University in 1921 with the intention of studying philosophy, but soon left to study art and drama at the Humboldt University of Berlin, German ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dadaism
Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with radical left-wing and far-left politics. There is no consensus on the origin of the movement's name; a common story is that the German artist Richard Huelsenbeck slid a paper knife (letter-opener) at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Rauschenberg
Milton Ernest "Robert" Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. Rauschenberg is well known for his Combines (1954–1964), a group of artworks which incorporated everyday objects as art materials and which blurred the distinctions between painting and sculpture. Rauschenberg was both a painter and a sculptor, but he also worked with photography, printmaking, papermaking and performance. Rauschenberg received numerous awards during his nearly 60-year artistic career. Among the most prominent were the International Grand Prize in Painting at the 32nd Venice Biennale in 1964 and the National Medal of Arts in 1993. Rauschenberg lived and worked in New York City and on Captiva Island, Florida, until his death on May 12, 2008. Life and career Rauschenberg was born Milton Ernest Rauschenberg in Port Arthur, Texas, the son of Dora Carolina (née Matson) and Ernest R. Rauschenberg. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jasper Johns
Jasper Johns (born May 15, 1930) is an American painter, sculptor, and printmaker whose work is associated with abstract expressionism, Neo-Dada, and pop art. He is well known for his depictions of the American flag and other US-related topics. Johns's works regularly sell for millions of dollars at sale and auction, including a reported $110 million sale in 2010. At multiple times works by Johns have held the title of most paid for a work by a living artist. Johns has received many honors throughout his career, including the National Medal of Arts in 1990 and Presidential Medal of Freedom in 2011. He was elected to the American Philosophical Society in 2007. In 2018, ''The New York Times'' called him the United States' "foremost living artist." Life Born in Augusta, Georgia, Jasper Johns spent his early life in Allendale, South Carolina, with his paternal grandparents after his parents' marriage failed. He then spent a year living with his mother in Columbia, South C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ARTnews
''ARTnews'' is an American visual-arts magazine, based in New York City. It covers art from ancient to contemporary times. ARTnews is the oldest and most widely distributed art magazine in the world. It has a readership of 180,000 in 124 countries. It includes news dispatches from correspondents, investigative reports, reviews of exhibitions, and profiles of artists and collectors. History and operations The magazine was founded by James Clarence Hyde in 1902 as ''Hydes Weekly Art News'' and was originally published eleven times a year. From vol. 3, no. 52 (November 5, 1904) to vol. 21, no. 18 (February 10, 1923), the magazine was published as ''American Art News''. From February 1923 to the present, the magazine has been published as ''The Art News'' then ''ARTnews''. The magazine's art critics and correspondents include Arthur Danto, Linda Yablonsky, Barbara Pollock, Margarett Loke, Hilarie Sheets, Yale School of Art dean Robert Storr, Doug McClemont and Museum of Modern Ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arts Magazine
''Arts Magazine'' was a prominent monthly magazine devoted to fine art. It was established in 1926 and last published in 1992. History Early years Launched in 1926 and originally titled ''The Art Digest,'' it was printed semi-monthly from October to May and monthly from June to September. Its stated purpose was to provide complete coverage of arts exhibitions in America, collated from all relevant news sources. Growth ''Art Digest'' was later purchased by James N. Rosenberg and Jonathan Marshall (who would subsequently own and publish the '' Scottsdale Daily Progress'' newspaper). In 1954, the title was changed to Arts Digest; then, in 1955, the title was changed to ''ARTS''. The word "Digest" was dropped (as explained by Marshall in the September 15, 1955 issue) due to newer features, design modernization, and a widening audience. "We realized that there was a great need in this country for a serious art magazine to serve the growing public," the announcement stated. "Perhaps," ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Rosenblum
Robert Rosenblum (July 24, 1927 – December 6, 2006) was an American art historian and curator known for his influential and often irreverent scholarship on European and American art of the mid-eighteenth to 20th centuries. Biography Rosenblum was born in New York City and studied art history at Queens College and Yale University and, in 1956, received his Ph.D. from New York University's Institute of Fine Arts. Rosenblum's many publications include ''Cubism and Twentieth Century Art'' (1960), ''Transformations in Late Eighteenth Century Art'' (1967), ''Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko'' (1973), and ''Nineteenth Century Art'' (co-authored with H.W. Janson, 1984). However, he is perhaps best known for his innovations in curatorial practice, such as his inclusion of non-canonical works and his rejection of standard chronological ordering. Rosenblum held teaching positions at Princeton University, the University of Michigan, Yale University ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
