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Nelson Monument, Liverpool
The Nelson Monument is a monument to Admiral Horatio Nelson, in Exchange Flags, Liverpool, England. It was designed by Matthew Cotes Wyatt and sculpted by Richard Westmacott. It stands to the north of the Town Hall and was unveiled in 1813. History In 1805, Liverpool City Council resolved to commemorate Nelson's victory at the Battle of Trafalgar by erecting a monument and voted to pay £1,000 towards its design and construction. A public subscription fund was launched and within two months a total of £8,930 () had been reached; this included £750 from the underwriters at Lloyd's and £500 from the West India Association. It was agreed that the monument should be located in a prominent site near the Exchange. A competition for its design was arranged, and this was won by Matthew Cotes Wyatt, son of James Wyatt, the contract being signed in 1809. Matthew Wyatt was relatively inexperienced, and was assisted by Richard Westmacott. The first stone was laid on 15 July 1812, an ...
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Nelson Monument, Liverpool 6
Nelson may refer to: Arts and entertainment * ''Nelson'' (1918 film), a historical film directed by Maurice Elvey * ''Nelson'' (1926 film), a historical film directed by Walter Summers * ''Nelson'' (opera), an opera by Lennox Berkeley to a libretto by Alan Pryce-Jones * Nelson (band), an American rock band * ''Nelson'', a 2010 album by Paolo Conte People * Nelson (surname), including a list of people with the name * Nelson (given name), including a list of people with the name * Horatio Nelson, 1st Viscount Nelson (1758–1805), British admiral * Nelson Mandela, the first black South African president Fictional characters * Alice Nelson, the housekeeper on the TV series ''The Brady Bunch'' * Dave Nelson, a main character on the TV series '' NewsRadio'' * Emma Nelson, on the TV series ''Degrassi: The Next Generation'' * Foggy Nelson, law partner of Matt Murdock in the Marvel Comic Universe * Greg Nelson, on the American soap opera ''All My Children'' * Harriman Nelson, on t ...
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Pedestal
A pedestal (from French ''piédestal'', Italian ''piedistallo'' 'foot of a stall') or plinth is a support at the bottom of a statue, vase, column, or certain altars. Smaller pedestals, especially if round in shape, may be called socles. In civil engineering, it is also called ''basement''. The minimum height of the plinth is usually kept as 45 cm (for buildings). It transmits loads from superstructure to the substructure and acts as the retaining wall for the filling inside the plinth or raised floor. In sculpting, the terms base, plinth, and pedestal are defined according to their subtle differences. A base is defined as a large mass that supports the sculpture from below. A plinth is defined as a flat and planar support which separates the sculpture from the environment. A pedestal, on the other hand, is defined as a shaft-like form that raises the sculpture and separates it from the base. An elevated pedestal or plinth that bears a statue, and which is raised from th ...
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Laurel Wreath
A laurel wreath is a round wreath made of connected branches and leaves of the bay laurel (), an aromatic broadleaf evergreen, or later from spineless butcher's broom (''Ruscus hypoglossum'') or cherry laurel (''Prunus laurocerasus''). It is a symbol of triumph and is worn as a chaplet around the head, or as a garland around the neck. The symbol of the laurel wreath traces back to Ancient Greece. In Greek mythology, the god Apollo, who is patron of lyrical poetry, musical performance and skill-based athletics, is conventionally depicted wearing a laurel wreath on his head in all three roles. Wreaths were awarded to victors in athletic competitions, including the ancient Olympics; for victors in athletics they were made of wild olive tree known as ''" kotinos"'' (), (sc. at Olympia) – and the same for winners of musical and poetic competitions. In Rome they were symbols of martial victory, crowning a successful commander during his triumph. Whereas ancient laurel wreaths are mos ...
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Britannia
Britannia () is the national personification of Britain as a helmeted female warrior holding a trident and shield. An image first used in classical antiquity, the Latin ''Britannia'' was the name variously applied to the British Isles, Great Britain, and the Roman province of Britain during the Roman Empire. Typically depicted reclining or seated with spear and shield since appearing thus on Roman coins of the 2nd century AD, the classical national allegory was revived in the early modern period. On coins of the pound sterling issued by Charles II of England, Scotland, and Ireland, Britannia appears with her shield bearing the Union Flag. To symbolise the Royal Navy's victories, Britannia's spear became the characteristic trident in 1797, and a helmet was added to the coinage in 1825. By the 1st century BC, Britannia replaced Albion as the prevalent Latin name for the island of Great Britain. After the Roman conquest in 43 AD, ''Britannia'' also came to refer to the Roman ...
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Death (personification)
Death is frequently imagined as a personified force. In some mythologies, a character known as the Grim Reaper (usually depicted as a berobed skeleton wielding a scythe) causes the victim's death by coming to collect that person's soul. Other beliefs hold that the Spectre of Death is only a psychopomp, serving to sever the last ties between the soul and the body, and to guide the deceased to the afterlife, without having any control over when or how the victim dies. Death is most often personified in male form, although in certain cultures Death is perceived as female (for instance, Marzanna in Slavic mythology, or Santa Muerte in Mexico). By region Americas Latin America As is the case in many Romance languages (including French, Portuguese, Italian, and Romanian), the Spanish word for death, ''muerte,'' is a feminine noun. As such, it is common in Spanish-speaking cultures to personify death as a female figure. In Aztec mythology, Mictecacihuatl is the "Queen of Mictl ...
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Nike (mythology)
In Greek mythology, Nike (; grc, Νίκη, lit=victory, ancient: , modern: ) was a goddess who personified victory in any field including art, music, war, and athletics. She is often portrayed in Greek art as Winged Victory in the motion of flight; however, she can also appear without wings as "Wingless Victory" when she is being portrayed as an attribute of another deity such as Athena.Suidas. ''The Suda on Line: Byzantine Lexicography''. Translated by Whitehead, David, et al. (2014). Accessed 9 December 2022. https://www.cs.uky.edu/~raphael/sol/sol-html/ In Greek literature Nike is described as both an attribute and attendant to the gods Zeus and Athena. Nike gained this honored role beside Zeus during the Titanomachy where she was one of the first gods to offer her allegiance to Zeus. At Athens, Nike became a servant to Athena as well as an attribute of her due to the prominent status Athena held in her patron city. The fusion of the two goddesses at Athens has contributed to ...
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England Expects That Every Man Will Do His Duty
"England expects that every man will do his duty" was a signal sent by Vice-Admiral of the Royal Navy Horatio Nelson, 1st Viscount Nelson from his flagship as the Battle of Trafalgar was about to commence on 21 October 1805. During the battle, as Nelson's fleet closed in on the allied fleet, he ordered Lieutenant John Pasco to signal the British fleet as soon as possible. After Pasco suggested some changes, and Nelson agreeing to them, the signal was sent at around 11:45 a.m. on 21 October 1805 and relayed using a numeric flag code known as the " Telegraphic Signals of Marine Vocabulary". Although there was much confusion surrounding the precise wording of the signal in the aftermath of the battle, the significance of the victory and Nelson's death during the battle led to the phrase becoming a standard representation of a militant English spirit of courage and virtue in the face of conflict. It has been regularly quoted, paraphrased and referenced up to the modern day. ...
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Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed just with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves and gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative aspect. A building's projecti ...
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Festoon
A festoon (from French ''feston'', Italian ''festone'', from a Late Latin ''festo'', originally a festal garland, Latin ''festum'', feast) is a wreath or garland hanging from two points, and in architecture typically a carved ornament depicting conventional arrangement of flowers, foliage or fruit bound together and suspended by ribbons. The motif is sometimes known as a swag when depicting fabric or linen.Sturgis, pp. 22-23 In modern English the verb forms, especially "festooned with", are often used very loosely or figuratively to mean having any type of fancy decoration or covering. Origins and design Its origin is probably due to the representation in stone of the garlands of natural flowers, etc., which were hung up over an entrance doorway on fête days, or suspended around an altar. The design was largely employed both by the Ancient Greeks and Romans and formed the principal decoration of altars, friezes and panels. The ends of the ribbons are sometimes formed into b ...
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Bas-relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ...
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Battle Of Copenhagen (1801)
The Battle of Copenhagen of 1801 (Danish: ''Slaget på Reden''), also known as the First Battle of Copenhagen to distinguish it from the Second Battle of Copenhagen in 1807, was a naval battle in which a British fleet fought and defeated a smaller force of the Dano-Norwegian Navy anchored near Copenhagen on 2 April 1801. The battle came about over British fears that the powerful Danish fleet would ally with France, and a breakdown in diplomatic communications on both sides. As the British ships entered the harbour of the Danish fleet, several of its ships stationed in the city's inlet forming a blockade. The Danish fleet defended the capital with these ships and bastions on both sides of the harbour inlet. It was the second attempt by the British to try to prevent a Franco-Danish alliance, as the British had already entered Øresund with a fleet in August 1800, in order to persuade Denmark not to ally with France. The Danes agreed to the British terms upon hearing news of the ...
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Battle Of The Nile
The Battle of the Nile (also known as the Battle of Aboukir Bay; french: Bataille d'Aboukir) was a major naval battle fought between the British Royal Navy and the Navy of the French Republic at Aboukir Bay on the Mediterranean coast off the Nile Delta of Egypt from the 1st to the 3rd of August 1798. The battle was the climax of a naval campaign that had raged across the Mediterranean during the previous three months, as a large French convoy sailed from Toulon to Alexandria carrying an expeditionary force under General Napoleon Bonaparte. The British fleet was led in the battle by Rear-Admiral Sir Horatio Nelson; they decisively defeated the French under Vice-Admiral François-Paul Brueys d'Aigalliers. Bonaparte sought to invade Egypt as the first step in a campaign against British India, as part of a greater effort to drive Britain out of the French Revolutionary Wars. As Bonaparte's fleet crossed the Mediterranean, it was pursued by a British force under Nelson who had ...
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