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Ned Grossberg
''Max Headroom'' is an American satirical science fiction television series by Chrysalis Visual Programming and Lakeside Productions for Lorimar-Telepictures that aired in the United States on ABC from March 31, 1987, to May 5, 1988. The series is set in a futuristic dystopia ruled by an oligarchy of television networks, and features the character and media personality Max Headroom. The story is based on the Channel 4 British TV film produced by Chrysalis, '' Max Headroom: 20 Minutes into the Future''. Premise In the future, an oligarchy of television networks rules the world. Even the government functions primarily as a puppet of the network executives, serving mainly to pass laws—such as banning "off" switches on televisions—that protect and consolidate the networks' power. Television technology has advanced to the point that viewers' physical movements and thoughts can be monitored through their television sets. Almost all non-television technology has been discontin ...
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Science Fiction
Science fiction (sometimes shortened to Sci-Fi or SF) is a genre of speculative fiction which typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel universes, extraterrestrial life, sentient artificial intelligence, cybernetics, certain forms of immortality (like mind uploading), and the singularity. Science fiction predicted several existing inventions, such as the atomic bomb, robots, and borazon, whose names entirely match their fictional predecessors. In addition, science fiction might serve as an outlet to facilitate future scientific and technological innovations. Science fiction can trace its roots to ancient mythology. It is also related to fantasy, horror, and superhero fiction and contains many subgenres. Its exact definition has long been disputed among authors, critics, scholars, and readers. Science fiction, in literature, film, television, and other media, has beco ...
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Oligarchy
Oligarchy (; ) is a conceptual form of power structure in which power rests with a small number of people. These people may or may not be distinguished by one or several characteristics, such as nobility, fame, wealth, education, or corporate, religious, political, or military control. Throughout history, power structures considered to be oligarchies have often been viewed as tyrannical, relying on public obedience or oppression to exist. Aristotle pioneered the use of the term as meaning rule by the rich, for which another term commonly used today is plutocracy. In the early 20th century Robert Michels developed the theory that democracies, like all large organizations, tend to turn into oligarchies. In his "Iron law of oligarchy" he suggests that the necessary division of labor in large organizations leads to the establishment of a ruling class mostly concerned with protecting their own power. Minority rule The exclusive consolidation of power by a dominant religious or et ...
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Theora Jones
''Max Headroom'' is an American satirical science fiction television series by Chrysalis Visual Programming and Lakeside Productions for Lorimar-Telepictures that aired in the United States on ABC from March 31, 1987, to May 5, 1988. The series is set in a futuristic dystopia ruled by an oligarchy of television networks, and features the character and media personality Max Headroom. The story is based on the Channel 4 British TV film produced by Chrysalis, '' Max Headroom: 20 Minutes into the Future''. Premise In the future, an oligarchy of television networks rules the world. Even the government functions primarily as a puppet of the network executives, serving mainly to pass laws—such as banning "off" switches on televisions—that protect and consolidate the networks' power. Television technology has advanced to the point that viewers' physical movements and thoughts can be monitored through their television sets. Almost all non-television technology has been discontinu ...
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Blipvert
A blipvert is a very brief television advertisement, lasting one second. The word is a portmanteau of ''blip'', a brief sound, and ''advertisement''. The term and concept were used in the 1985 film '' Max Headroom: 20 Minutes into the Future'' and in '' Blipverts'', the first episode of the 1987 science fiction television show ''Max Headroom''. In the film and TV show, "blipverts" were new high-speed, concentrated, high-intensity television commercials lasting about three seconds. Their purpose was to prevent the channel-switching that may occur during standard-length commercials. They were invented as a MacGuffin to drive the plot. Real-life examples of compressed advertising Real life advertisements have been cited as benefiting from a "blipvert effect", in which viewers recall the advertisements better. Master Lock, which had already made the image of a padlock shot by a sharpshooter into a lasting advertising image with their ad in the Super Bowl in 1974, incorporated that ...
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Edison Carter
''Max Headroom'' is an American satirical science fiction television series by Chrysalis Visual Programming and Lakeside Productions for Lorimar-Telepictures that aired in the United States on ABC from March 31, 1987, to May 5, 1988. The series is set in a futuristic dystopia ruled by an oligarchy of television networks, and features the character and media personality Max Headroom. The story is based on the Channel 4 British TV film produced by Chrysalis, '' Max Headroom: 20 Minutes into the Future''. Premise In the future, an oligarchy of television networks rules the world. Even the government functions primarily as a puppet of the network executives, serving mainly to pass laws—such as banning "off" switches on televisions—that protect and consolidate the networks' power. Television technology has advanced to the point that viewers' physical movements and thoughts can be monitored through their television sets. Almost all non-television technology has been discontinue ...
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Ned Grossberg
''Max Headroom'' is an American satirical science fiction television series by Chrysalis Visual Programming and Lakeside Productions for Lorimar-Telepictures that aired in the United States on ABC from March 31, 1987, to May 5, 1988. The series is set in a futuristic dystopia ruled by an oligarchy of television networks, and features the character and media personality Max Headroom. The story is based on the Channel 4 British TV film produced by Chrysalis, '' Max Headroom: 20 Minutes into the Future''. Premise In the future, an oligarchy of television networks rules the world. Even the government functions primarily as a puppet of the network executives, serving mainly to pass laws—such as banning "off" switches on televisions—that protect and consolidate the networks' power. Television technology has advanced to the point that viewers' physical movements and thoughts can be monitored through their television sets. Almost all non-television technology has been discontin ...
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Blipverts (Max Headroom)
"Blipverts" is the first regular episode of the science-fiction television series ''Max Headroom''. Production details "Blipverts" was the reworked version of the original ''20 Minutes Into the Future'' film. The only actor other than Matt Frewer to appear in both versions of the story was Amanda Pays (as Theora Jones, Edison Carter's "controller"). W. Morgan Sheppard would reprise his role as Blank Reg later on in the series (but not in this episode), making him the only other actor to have thus crossed over. All other roles were recast, and several characters (most notably Bryce Lynch) were made far less sinister. Also, in the original film the character of Max Headroom existed as a physical hardware unit, which in the end was "stolen" by Blank Reg and his underachieving pirate network, "Big-Time TV", and went to work for them; but in "Blipverts" and for the rest of the series it was established that Max existed only as software, an independently acting computer program wh ...
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Hacker (computer Security)
A security hacker is someone who explores methods for breaching defenses and exploiting weaknesses in a computer system or network. Hackers may be motivated by a multitude of reasons, such as profit, protest, information gathering, challenge, recreation, or evaluation of a system weaknesses to assist in formulating defenses against potential hackers. The subculture that has evolved around hackers is often referred to as the "computer underground". Longstanding controversy surrounds the meaning of the term "hacker." In this controversy, computer programmers reclaim the term ''hacker'', arguing that it refers simply to someone with an advanced understanding of computers and computer networks and that ''cracker'' is the more appropriate term for those who break into computers, whether computer criminals ( black hats) or computer security experts ( white hats). A 2014 article noted that "the black-hat meaning still prevails among the general public". History Birth of subcult ...
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Child Prodigy
A child prodigy is defined in psychology research literature as a person under the age of ten who produces meaningful output in some domain at the level of an adult expert. The term is also applied more broadly to young people who are extraordinarily talented in some field. The term ''Wunderkind'' (from German ''Wunderkind''; literally "wonder child") is sometimes used as a synonym for child prodigy, particularly in media accounts. ''Wunderkind'' also is used to recognize those who achieve success and acclaim early in their adult careers. Examples Memory capacity of prodigies PET scans performed on several mathematics prodigies have suggested that they think in terms of long-term working memory (LTWM). This memory, specific to a field of expertise, is capable of holding relevant information for extended periods, usually hours. For example, experienced waiters have been found to hold the orders of up to twenty customers in their heads while they serve them, but perform only ...
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George Coe
George Coe (born George Julian Cohen; May 10, 1929 – July 18, 2015) was an American actor. He was a cast member for the first season of ''Saturday Night Live'' and voiced the character of Woodhouse in ''Archer''. Early life Coe was born in Jamaica, Queens, New York. Career His Broadway theater career began in 1957 and included turns as "M. Lindsey Woolsey" opposite Angela Lansbury in the original production of ''Mame''; as "Owen O'Malley" in ''On The Twentieth Century'', and creating the role of David in the original Broadway production of '' Company''. Coe was an original member of the " Not Ready For Prime Time Players", the original cast of ''Saturday Night Live''. He was only credited as a cast member for the first show, October 11, 1975. Coe was used in several other episodes of ''SNL'', but was never again credited. In 1979 he appeared as the head of Dustin Hoffman's character's advertising firm in the Academy Award-winning ''Kramer vs. Kramer''. Coe was nominated ...
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Television Pilot
A television pilot (also known as a pilot or a pilot episode and sometimes marketed as a tele-movie), in United States television, is a standalone episode of a television series that is used to sell a show to a television network or other distributor. A pilot is created to be a testing ground to gauge whether a series will be successful. It is, therefore, a test episode for the intended television series, an early step in the series development, much like pilot studies serve as precursors to the start of larger activity. A successful pilot may be used as the series premiere, the first aired episode of a new show, but sometimes a series' pilot may be aired as a later episode or never aired at all. Some series are commissioned straight-to-series without a pilot. On some occasions, pilots that were not ordered to series may also be broadcast as a standalone television film or special. A "backdoor pilot" is an episode of an existing series that heavily features supporting characters ...
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Televangelist
Televangelism (wikt:tele-, tele- "distance" and "evangelism," meaning "Christian ministry, ministry," sometimes called teleministry) is the use of media, specifically radio and television, to communicate Christianity. Televangelists are minister (Christianity), ministers, whether official or self-proclaimed, who devote a large portion of their ministry to television broadcasting. Some televangelists are also regular pastors or ministers in their own places of worship (often a megachurch), but the majority of their followers come from TV and radio audiences. Others do not have a conventional congregation, and work primarily through television. The term is also used derisively by critics as an insinuation of aggrandizement by such ministers. Televangelism began as a uniquely American phenomenon, resulting from a Television in the United States, largely deregulated media where access to television networks and cable TV is open to virtually anyone who can afford it, combined with a Ch ...
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