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Nearchos (painter)
Nearchos (Greek language, Greek: Νέαρχος) was an Attica, Attic potter and vase painter of the black-figure pottery, black figure style, active in Athens c. 570 to 555 BC. In some stylistic terms, particularly his fine drawings, Nearchos seems closely connected to the Painter of Acropolis 606. Unlike his contemporaries, he achieved figures with a striking sense of dignity, comparable to those painted much later by Exekias. Especially striking is a ''kantharos'', probably both shaped and painted by Nearchos, which depicts Achilles harnessing his horses. ''Kantharoi'' were one of his favourite shapes, and he signed them as both potter and painter. He also introduced some innovations, such as the attempt to render a horse's body in white paint. Not all his experiments can be considered successful. A further vessel that exemplifies his artistic mastery is an ''aryballos'' in the Corinthian vase painting, Corinthian style, decorated with a frieze of pygmy, pygmies and common cra ...
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Terracotta Aryballos (oil Flask) MET DP218738
Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based ceramic glaze, unglazed or glazed ceramic where the pottery firing, fired body is porous. In applied art, craft, construction, and architecture, terracotta is the term normally used for sculpture made in earthenware and also for various practical uses, including bowl (vessel), vessels (notably flower pots), water and waste water pipes, tile, roofing tiles, bricks, and surface embellishment in building construction. The term is also used to refer to the natural Terra cotta (color), brownish orange color of most terracotta. In archaeology and art history, "terracotta" is often used to describe objects such as figurines not made on a potter's wheel. Vessels and other objects that are or might be made on a wheel from the same material are called earthenware pottery; the choice of term depends on the type of object rather than the material or firing technique. Unglazed ...
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Aryballos
An aryballos (Greek: ἀρύβαλλος; plural aryballoi) was a small spherical or globular flask with a narrow neck used in Ancient Greece."aryballos" in ''The New Encyclopædia Britannica''. Chicago: Encyclopædia Britannica Inc., 15th edn., 1992, Vol. 1, p. 611. It was used to contain perfume or oil, and is often depicted in vase paintings being used by athletes during bathing. In these depictions, the vessel is at times attached by a strap to the athlete's wrist, or hung by a strap from a peg on the wall. The shape of the aryballos originally came from the oinochoe of the Geometric period of the 9th century BCE, a globe-shaped wine jar. By the Proto-Corinthian period of the following century, it had attained its definitive shape, going from spherical to ovoid to conical, and finally back to spherical. This definitive form has a wide, flat mouth, and a single small handle. Some later variations have bell-shaped mouths, a second handle, and/or a flat base. Potters also created ...
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Ancient Greek Vase Painters
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood at ...
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John Beazley
Sir John Davidson Beazley, (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was Professor of Classical Archaeology and Art at the University of Oxford from 1925 to 1956. Early life Beazley was born in Glasgow, Scotland on 13 September 1885, to Mark John Murray Beazley (died 1940) and Mary Catherine Beazley née Davidson (died 1918). He was educated at King Edward VI School, Southampton and Christ's Hospital, Sussex. He then attended Balliol College, Oxford where he read Literae Humaniores: he received firsts in both Mods and Greats. He graduated with a Bachelor of Arts (BA) degree in 1907. While at Oxford he became a close friend of the poet James Elroy Flecker. Academic career After graduating, Beazley spent time at the British School at Athens. He then returned to University of Oxford as a student (equivalent to fellow) and tutor in Classics at Christ Church. ...
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Little-Master Cup
Little-master cups are a type of Attica, Attic black-figure vase painting, black-figure cups, produced around the middle and third quarter of the sixth century BC. Their name is based on their fine small-format decoration. Little-master cups are later in origin than Siana cups, but both types were produced over a considerable period of time. The Little Masters (Greek vase painting), Little masters painted only the small upper frieze above the carination of the cup, at times also the lip or handle areas. It is probably that only few of the painters of Siana cups also painted Little-master cups. One of the first artists to introduce the Little-master cup in Athens was Kleitias. The change in decoration went along with a lengthening of the cup foot. The dedicated painters of Little-master cups rarely painted larger formas, whereas painters primarily specialised in large vases are known to also have painted Little-master cups. Stylistic comparison between larger and smaller formats of ...
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Common Crane
The common crane (''Grus grus''), also known as the Eurasian crane, is a bird of the family Gruidae, the cranes. A medium-sized species, it is the only crane commonly found in Europe besides the demoiselle crane (''Grus virgo'') and the Siberian crane (''Leucogeranus leucogeranus''). Along with the sandhill (''Antigone canadensis'') and demoiselle cranes and the brolga (''Antigone rubicunda''), it is one of only four crane species not currently classified as threatened with extinction or conservation dependent on the species level. Despite the species' large numbers, local extinctions and extirpations have taken place in part of its range, and an ongoing reintroduction project is underway in the United Kingdom. Taxonomy The first formal description of the common crane was by the Swedish naturalist Carl Linnaeus in 1758 in the tenth edition of his ''Systema Naturae'' under the binomial name ''Ardea grus''. The current genus ''Grus'' was erected by the French zoologist Mathuri ...
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Pygmy
In anthropology, pygmy peoples are ethnic groups whose average height is unusually short. The term pygmyism is used to describe the phenotype of endemic short stature (as opposed to disproportionate dwarfism occurring in isolated cases in a population) for populations in which adult men are on average less than tall. The term is primarily associated with the African Pygmies, the hunter-gatherers of the Congo Basin (comprising the Bambenga, Bambuti and Batwa). The terms "Asiatic Pygmies" and "Oceanian pygmies" have been used to describe the Negrito populations of Southeast Asia and Australo-Melanesian peoples of short stature. The Taron people of Myanmar are an exceptional case of a "pygmy" population of East Asian phenotype. Etymology The term ''pygmy'', as used to refer to diminutive people, derives from Greek πυγμαῖος ''pygmaios'' via Latin ''Pygmaei'' (sing. ''Pygmaeus''), derived from πυγμή – meaning a short forearm cubit, or a measure of length corres ...
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Corinthian Vase Painting
Corinthian or Corinthians may refer to: *Several Pauline epistles, books of the New Testament of the Bible: **First Epistle to the Corinthians **Second Epistle to the Corinthians **Third Epistle to the Corinthians (Orthodox) *A demonym relating to the port of Corinth or the regional unit of Corinthia in Greece *Corinthian order, a classical order of ancient Greek and Roman architecture *Residents or people from the town of Corinth (town), New York *The League of Corinth, a federation of ancient Greek states *Corinthian Colleges, a post secondary education company in North America currently under criminal investigation in the US. *Corinthian (comics), a character in ''The Sandman'' comics *The Corinthian (novel), novel by Georgette Heyer *The Corinthian (New York), a skyscraper in New York City *The Corinthian helmet, a style of helmet worn by hoplites in classical Greece *Corinthian leather, a marketing term used by Chrysler *Corinthian (horse), American racehorse, a 2007 Breeders' ...
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Achilles
In Greek mythology, Achilles ( ) or Achilleus ( grc-gre, Ἀχιλλεύς) was a hero of the Trojan War, the greatest of all the Greek warriors, and the central character of Homer's ''Iliad''. He was the son of the Nereid Thetis and Peleus, king of Phthia. Achilles' most notable feat during the Trojan War was the slaying of the Trojan prince Hector outside the gates of Troy. Although the death of Achilles is not presented in the ''Iliad'', other sources concur that he was killed near the end of the Trojan War by Paris, who shot him with an arrow. Later legends (beginning with Statius' unfinished epic ''Achilleid'', written in the 1st century AD) state that Achilles was invulnerable in all of his body except for one heel, because when his mother Thetis dipped him in the river Styx as an infant, she held him by one of his heels. Alluding to these legends, the term " Achilles' heel" has come to mean a point of weakness, especially in someone or something with an otherwise strong ...
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Greek Language
Greek ( el, label=Modern Greek, Ελληνικά, Elliniká, ; grc, Ἑλληνική, Hellēnikḗ) is an independent branch of the Indo-European family of languages, native to Greece, Cyprus, southern Italy (Calabria and Salento), southern Albania, and other regions of the Balkans, the Black Sea coast, Asia Minor, and the Eastern Mediterranean. It has the longest documented history of any Indo-European language, spanning at least 3,400 years of written records. Its writing system is the Greek alphabet, which has been used for approximately 2,800 years; previously, Greek was recorded in writing systems such as Linear B and the Cypriot syllabary. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic, and many other writing systems. The Greek language holds a very important place in the history of the Western world. Beginning with the epics of Homer, ancient Greek literature includes many works of lasting impo ...
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Kantharos
A ''kantharos'' ( grc, κάνθαρος) or cantharus is a type of ancient Greek cup used for drinking. Although almost all surviving examples are in Greek pottery, the shape, like many Greek vessel types, probably originates in metalwork. In its iconic "Type A" form, it is characterized by its deep bowl, tall pedestal foot, and pair of high-swung handles which extend above the lip of the pot. The Greek words ''kotylos'' (κότῦλος, masculine) and ''kotyle'' (κοτύλη, feminine) are other ancient names for this same shape. The ''kantharos'' is a cup used to hold wine, possibly for drinking or for ritual use or offerings. The ''kantharos'' seems to be an attribute of Dionysos, the god of wine, who was associated with vegetation and fertility. As well as a banqueting cup, they could be used in pagan rituals as a symbol of rebirth or resurrection, the immortality offered by wine, "removing in moments of ecstasy the burden of self-consciousness and elevating man to t ...
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Exekias
Exekias ( grc, Ἐξηκίας, ''Exēkías'') was an ancient Greek vase painter and potter who was active in Athens between roughly 545 BC and 530 BC. Exekias worked mainly in the black-figure technique, which involved the painting of scenes using a clay slip that fired to black, with details created through incision. Exekias is regarded by art historians as an artistic visionary whose masterful use of incision and psychologically sensitive compositions mark him as one of the greatest of all Attic vase painters. The Andokides painter and the Lysippides Painter are thought to have been students of Exekias. Background The works of Exekias are distinguished by their innovative compositions, precise draughtsmanship, and subtle psychological characterization, all of which transcend the inherent challenges of the black-figure technique. John Boardman, the eminent historian of Greek art, described Exekias' style as follows: "The hallmark of his style is a near statuesque dignit ...
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