Naïs Gillet
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Naïs Gillet
''Naïs'' is an opera by Jean-Philippe Rameau first performed on 22 April 1749 at the Opéra in Paris. It takes the form of a '' pastorale héroïque'' in three acts and a prologue. The librettist was Louis de Cahusac, in the fourth collaboration between him and Rameau. The work bears the subtitle ''Opéra pour La Paix'', which refers to the fact that Rameau composed the opera on the occasion of the Treaty of Aix-la-Chapelle, at the conclusion of the War of the Austrian Succession. Its original title was ''Le triomphe de la paix'', but criticism of the terms of the treaty led to a change in the title.Sadler, Graham, "''Naïs'', Rameau's 'Opéra pour la Paix'" (July 1980). ''The Musical Times'', 121 (1649): pp. 431-433. The story concerns the god Neptune, who is in love with the nymph Naïs and disguises himself as a mortal to try to win her over. This takes place at the Isthmian Games at Corinth, coincidentally a festival dedicated to Neptune. The god's rivals for the affec ...
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Portrait Of Jean-Philippe Rameau - Joseph Aved
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitu ...
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Marie Fel
Marie Fel (24 October 1713 – 2 February 1794) was a French opera singer and a daughter of the organist Henri Fel. Marie Fel was born at Bordeaux. She made her debut at the Paris Opera in 1733 and sang regularly at the Concert Spirituel. In a career that lasted 35 years, she sang in all the operas of Rameau along with Pierre Jélyotte, created roles in those of Mondonville, and participated in revivals of those of Lully and Campra. She retired from the stage in 1758, but continued to perform in concert until 1769. She died in Paris. She had a long-term relationship with the painter Quentin de La Tour, who painted her portrait. "The greatest personalities of her age sought her good graces and gave her lively proofs of their affections," including men of letters such as the Baron von Grimm and the Encyclopédiste Louis de Cahusac.Emile Campardon, L’Académie Royale de Musique au XVIII Siècle: Documents inédites découverts aux Archives Nationales (Paris: Berger-Levraul ...
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György Vashegyi
György Vashegyi (born 1970) is a Hungarian harpsichordist and conductor. He founded the Purcell Choir in 1990 for a performance of ''Dido and Aeneas''. From November 2017 he was elected President of the Hungarian Academy of Arts (MMA, Magyar Művészeti Akadémia), founded 1992.György Vashegyi is the new President of MMA
"Prime Minister Viktor Orbán congratulated György Vashegyi in a letter, in which he wrote: "Culture is an expression of the strength of a nation, the embodiment of its intellectual radiation, and a pledge of its survival."


Selected recordings

* - ''Messe à 8 vo ...
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Hugo Reyne
Hugo Reyne (born in 1961) is a contemporary French recorder player, oboist and conductor. He is the founder and music director of La Simphonie du Marais. Biography Born in Paris, Hugo Reyne began learning the flute and oboe at a very young age. In 1984, he won the first prize for chamber music at the Bruges International Chamber Music Competition. In the 1980s, Hugo Reyne played flute and oboe in most of the Parisian baroque ensembles, and from 1983 to 1996 he played the 1st flute at the Arts Florissants under the direction of William Christie. He has worked with conductors such as Frans Brüggen, Philippe Herreweghe, Gustav Leonhardt and Jordi Savall. In 1987 he founded his historical interpretation ensemble, La Simphonie du Marais and was particularly interested in French lyrical music. Since 2003 Hugo Reyne has been artistic director of the Musiques at the festival in Saint-Sulpice-le-Verdon. Hugo Reyne devotes a large part of his time to musicological research, ...
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La Simphonie Du Marais
La Simphonie du Marais is a French music ensemble established in 1987 by recorder player Hugo Reyne. Today, it is located in the Logis de la Chabotterie of Saint-Sulpice-le-Verdon in Vendée. It performs exclusively vocal and instrumental Baroque music ( Rameau, Lully, Delalande…). External links ''La Simphonie du Marais célèbre son 30ème anniversaire cet automne''on France Musique Biographie de la Simphonie du Maraison simphonie-du-marais.org La Simphonie du Maraison Ouest France Official websiteLa Simphonie du Maraison Vendee.fr La Simphonie du Maraison Discogs Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the ... La Simphonie du Marais - Delalande : Les Soupers du roion YouTube {{DEFAULTSORT:Simphonie du Marais Baroque music groups ...
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Jean-Paul Fouchécourt
file:JP Fouchécourt 03900.jpg, 2015 Jean-Paul Fouchécourt is a French people, French tenor, mostly as an opera singer. He was born on 30 August 1958 at Blanzy in the Bourgogne, Burgundy region. He is best known for singing French Baroque music, especially the parts called in French ''haute-contre'', written for a very high tenor voice with no falsetto singing. Life and career Specialist in French Baroque repertory, Jean-Paul Fouchécourt has gained his international reputation with his portrayal of the title role ''Platée'' by Rameau, Arnalta in ''l’Incoronazione di Poppea'' by Monteverdi, the four servants in the ''Tales of Hoffmann'' by Offenbach and le Mari in the ''Mamelles de Tirésias'' by Poulenc. He combines excellent musicality with a strong stage presence. After studying the classical saxophone and conducting, Jean-Paul Fouchécourt decided to become a singer after a workshop with Cathy Berberian in 1982. He began his career with Les Arts Florissants (ensemble), Les ...
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Mireille Delunsch
Mireille Delunsch (born 2 November 1962) is a French soprano. She was born in Mulhouse, and studied musicology and voice at the Conservatoire de Strasbourg. Her debut was at the Opéra national du Rhin in Mulhouse, in Mussorgsky's '' Boris Godunov''. Her repertory is wide, from Baroque opera to 20th-century art songs, with an emphasis on French music. She is well known for the operas she has sung under the direction of French conductor Marc Minkowski. Recordings Among the operas Delunsch has recorded with Minkowski are: *''La dame blanche'' by Boïeldieu (1996, released 1997, EMI Classics) - ''Jenny'' *'' Armide'' by Gluck (1996, released 1999, Archiv) - ''Armide'' *'' Dardanus'' by Rameau (1998, released 2000, Archiv) - ''Vénus'' *'' Iphigénie en Tauride'' by Gluck (1999, released 2001, Archiv) - ''Iphigénie'' *'' Orphée et Eurydice'' (French version) by Gluck (2002, released 2004, Archiv) - ''Eurydice'' and DVD/TV broadcast *''L'incoronazione di Poppea'' by Monteverdi ( ...
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John Tomlinson (bass)
Sir John Rowland Tomlinson (born 22 September 1946) is an English Bass (voice type), bass. Tomlinson was born in Oswaldtwistle, Lancashire, England. He trained as a civil engineer at Manchester University before deciding on a career in opera at age 21. He studied with Patrick McGuigan at the Royal Northern College of Music and with Otakar Kraus. He is now President of the RNCM. Whilst studying at the RNCM, he was a member of the Manchester Universities Gilbert and Sullivan Society (MUGSS). He sings regularly with the Royal Opera, London, Royal Opera and English National Opera, and has appeared with all the major British opera companies. He sang at the Bayreuth Festival in Germany every year from 1988 to 2006, as Wotan, the Wanderer, King Marke, Titurel, Gurnemanz, Hagen and the Dutchman. In 2008, he created the title role in Harrison Birtwistle's opera The Minotaur (opera), ''The Minotaur'' at the Royal Opera House. Honours * He was given an Honorary title (academic), Honorary ...
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Isthmian Games
Isthmian Games or Isthmia (Ancient Greek: Ἴσθμια) were one of the Panhellenic Games of Ancient Greece, and were named after the Isthmus of Corinth, where they were held. As with the Nemean Games, the Isthmian Games were held both the year before and the year after the Olympic Games (the second and fourth years of an Olympiad), while the Pythian Games were held in the third year of the Olympiad cycle. Origin The Games were reputed to have originated as funeral games for Melicertes (also known as Palaemon), instituted by Sisyphus, legendary founder and king of Corinth, who discovered the dead body and buried it subsequently on the Isthmus. In Roman times, Melicertes was worshipped in the region. Another likely later myth held that Theseus, legendary king of Athens, expanded Melicertes' funeral games from a closed nightly rite into fully-fledged athletic-games event which was dedicated to Poseidon, open to all Greeks, and was at a suitable level of advancement and popularity ...
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Bari-tenor
Baritenor (also rendered in English language sources as bari-tenor or baritenore) is a portmanteau (blend) of the words "baritone" and "tenor." It is used to describe both baritone and tenor voices. In ''Webster's Third New International Dictionary'' it is defined as "a baritone singing voice with virtually a tenor range." However, the term was defined in several late 19th century and early 20th century music dictionaries, such as ''The American History and Encyclopedia of Music'', as "a low tenor voice, almost barytone sic.html"_;"title="'sic">'sic''" _In_opera Baritenor_(or_its_Italian_language.html" "title="sic">'sic''.html" ;"title="sic.html" ;"title="'sic">'sic''">sic.html" ;"title="'sic">'sic''" In opera Baritenor (or its Italian language">Italian form, ''baritenore'') is still used today to describe a type of tenor voice which came to particular prominence in Rossini's operas. It is characterized by a dark, weighty lower octave and a ringing upper one but with sufficient ...
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Proteus
In Greek mythology, Proteus (; Ancient Greek: Πρωτεύς, ''Prōteus'') is an early prophetic sea-god or god of rivers and oceanic bodies of water, one of several deities whom Homer calls the "Old Man of the Sea" ''(hálios gérôn)''. Some who ascribe a specific domain to Proteus call him the god of "elusive sea change", which suggests the constantly changing nature of the sea or the liquid quality of water. He can foretell the future, but, in a mytheme familiar to several cultures, will change his shape to avoid doing so; he answers only to those who are capable of capturing him. From this feature of Proteus comes the adjective protean, meaning "versatile", "mutable", or "capable of assuming many forms". "Protean" has positive connotations of flexibility, versatility and adaptability. Name origin Proteus' name suggests the "first" (from Greek "πρῶτος" ''prōtos'', "first"), as ''prōtogonos'' (πρωτόγονος) is the "primordial" or the "firstborn". It is ...
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