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Natyanjali
Natyanjali is an annual dance festival commemorating Hindu deity Shiva. It originated around 1981, and started off as a relatively obscure event. It is currently organized by collaborative efforts of the Department of Tourism of Tamil Nadu and the Natyanjali Trust. Although celebrations are most prominent at its original venue, the 12th-century Chidambaram temple, they also occur in a wider spectrum across Tamil Nadu and Murugan temples. Mumbai also organize their own versions of the festival under the same banner. The current version lasts around 13 days, and various classical dance forms of all styles offer their art up to the god Nataraja. Senior gurus have been performing on Shivarathri night year after year. In 1968, V. P. Dhananjayan created Natyanjali, a bharatanatyam composition. It is from the Raga Mallika, Tala Mallika, and praises Ganesha, Saraswati, Vishnu, Shiva, and the gurus in Sanskrit Slokas, each with different talas and ragas. Natyanjali is connected to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nataraja Temple, Chidambaram
Thillai Nataraja Temple, also referred as the Chidambaram Nataraja Temple, is a Hindu temple dedicated to Nataraja, the form of Shiva as the lord of dance. This temple is located in Chidambaram, Tamil Nadu, India. This temple has ancient roots and a Shiva shrine existed at the site when the town was known as Thillai. Pal 1988, p. 19 Chidambaram, the name of the city literally means "stage of consciousness". The temple architecture symbolizes the connection between the arts and spirituality, creative activity and the divine.Chidambaram Encyclopædia Britannica The temple wall carvings display all the 108 karanas from the '''' by Bharata Muni, and these postures form a foundation of |
Shivarathri
Maha Shivaratri (IAST: Mahāśivarātri) is a Hindu festival celebrated annually in honour of the god Shiva. The name also refers to the night when Shiva performs the heavenly dance called Tandava. In every month of the luni-solar Hindu calendar, there is a ''Shivaratri'' – "night of Shiva" – on the day before new moon. But once a year, in late winter and before the arrival of Summer (February/March), this night is called "Maha Shivaratri" – "the Great Night of Shiva". This day falls in the month of Phalguna as per the North Indian Hindu calendar and in Magha as per the South Indian Hindu calendar (see Amanta and Purnimanta systems). It is a notable festival in Hinduism, and this festival is solemn and marks a remembrance of "overcoming darkness and ignorance" in life and the world. It is observed by remembering Shiva and chanting prayers, fasting, and meditating on ethics and virtues such as honesty, non-injury to others, charity, forgiveness, and the discovery of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chidambaram
Chidambaram is a town and municipality in Cuddalore district in the Indian state of Tamil Nadu, on the banks of the Vellar River where it meets the Bay of Bengal. It is the headquarters of the Chidambaram taluk. The town is believed to be of significant antiquity and has been ruled, at different times, by the Pallavas until ninth century, Medieval Cholas, Later Cholas, Later Pandyas, Vijayanagar Empire, Thanjavur Nayakas, Marathas and the British. The town is known for the Thillai Nataraja Temple and Thillai Kali Temple, and the annual chariot festival held in the months of December–January (In the Tamil month of Marghazhi known as "Margazhi Urchavam") and June to July (In the Tamil month of Aani known as "Aani Thirumanjanam"). One of the Divya Desams Divya Sri Govindaraja Perumal Temple (Thiruchitrakoodam) is a part of Thillai Nataraja Temple complex. Thiruvetkalam Shiva Temple, Vadakiruppu, Thirunelvayil Shiva Temple, Sivapuri and Tirukkazhippalai Palvannanathar Temple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva
Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as "The Destroyer" within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess ( Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash as well as a householder with his wife Parvati and his three children, Ganesha, Kartikeya and A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shloka
Shloka or śloka ( sa, श्लोक , from the root , Macdonell, Arthur A., ''A Sanskrit Grammar for Students'', Appendix II, p. 232 (Oxford University Press, 3rd edition, 1927). in a broader sense, according to Monier-Williams's dictionary, is "any verse or stanza; a proverb, saying"; but in particular it refers to the 32-line verse, derived from the Vedic ''anuṣṭubh'' metre, used in the ''Bhagavad Gita'' and many other works of classical Sanskrit literature. In its usual form it consists of four ''pādas'' or quarter-verses, of 8 syllables each, or (according to an alternative analysis) of two half-verses of 16 syllables each. The metre is similar to the Vedic ''anuṣṭubh'' metre, but with stricter rules. The ''śloka'' is the basis for Indian epic poetry, and may be considered the Indian verse form ''par excellence'', occurring as it does far more frequently than any other metre in classical Sanskrit poetry. The ''śloka'' is the verse-form generally used in the ''Maha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharatanatyam
Bharatanatyam () is a major form of Indian classical dance that originated in Tamil Nadu. It is one of the eight widely recognized Indian classical dance forms, and expresses South Indian religious themes and spiritual ideas, particularly of Shaivism and in general of Hinduism.Bharata-natyam ''Encyclopædia Britannica''. 2007 A description of Bharatanatyam from the 2nd century CE can be found in the ancient Tamil epic ''Silappatikaram'', while temple sculptures of the 6th to 9th century CE suggest it was a highly refined performance art by the mid-1st millennium CE. Bharatanatyam is the oldest classical dance tradition in India. Bharatanatyam is the state dance form of Tamil Nadu. Bharatanatyam contains different types of ''baanis''. ''Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thaipoosam
Thaipusam or Thaipoosam (Tamil: தைப்பூசம், ''taippūcam'' ?), is a festival celebrated by the Hindu Tamil community on the full moon in the Tamil month of ''Thai'' (January/February), usually coinciding with Pushya star, known as Poosam in Tamil. The festival is also observed among Hindu Keralites and is vernacularly called Thaipooyam (Malayalam: തൈപ്പൂയം). It is mainly observed in countries where there is a significant presence of Tamil community such as India, Sri Lanka, Malaysia, Mauritius, as well as other places where ethnic Tamils reside as a part of the local Indian diaspora population such as Canada, Singapore, South Africa, the United States, Réunion, Indonesia, Thailand, Myanmar, Trinidad and Tobago, Guyana, Suriname, Jamaica and the other parts of the Caribbean. It is a national holiday in many countries such as Malaysia, Sri Lanka and Mauritius. In India its a state holiday in Tamil Nadu. In certain states of Malaysia and in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sheik Chinna Moulana
Sheik Chinna Moulana (12 May 1924, Karavadi Prakasham, Andhra Pradesh – 13 April 1999, Srirangam, Tamil Nadu), popularly known as Sheik, was a legendary nadhaswaram player in the Carnatic tradition. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 1998. He achieved high position through his outstanding control over the instrument, rendering the Krities in the Gayaki style and for his extraordinary style of Raga Alapana. Tradition Sheik Chinna Moulana hails from a family of music (nadhaswaram players). The ancient and traditional art of nadhaswaram playing had been preserved and fostered by the ancestors of Sheik Chinna Moulana, for the past 300 years. Following is list of the doyens who contributed to Chinna Moulana's tradition. 1. Vidhwan Adam Sahib – known for his expertise in the "Ragha – Devagandhari". 2. Vidhwan RasavAripalem Kasim sahib – deeply learned and could answer any doubts on music. 3. Kommur Pitcha sahib – enriched t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sirkazhi Govindarajan
Sirkazhi Govindarajan (19 January 1933 – 24 March 1988) was an Indian Tamil Carnatic vocalist and a leading playback singer of Indian cinema. Early life Govindarajan, was born on 19 January 1933 at Sirkazhi (a small town in present day Mayiladuthurai district, Tamil Nadu Tamil Nadu (; , TN) is a States and union territories of India, state in southern India. It is the List of states and union territories of India by area, tenth largest Indian state by area and the List of states and union territories of India ...; famed birthplace of Sambandar, one of the 63 Nayanars of the Saiva faith) to Siva Chidambaram and Avayambal Ammal. At the age of eight, Govindarajan began to perform at the Tirupurasundari Temple on the occasion of the Gnana Paal Festival. Musical education He graduated from the Tamil Isai Sangam, Tamil Isai College in Chennai (Madras) in 1949 with the degree 'Isaimani'. He also graduated with the Degree of 'Sangeetha Vidwan'. At the same time, he start ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu Texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulæ), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar (raga), Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala ( IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedic era texts of Hinduism, such as the '' Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct till about the 16th century. There on, during the tumultuous period of Islamic rul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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