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Natya Sangeet
''Sangeet Natak'' in Marathi language literally means Musical Drama. As the name suggests, this form of drama combines prose as well as poetry in form of songs to convey the story. In a manner, they are very much similar to Musicals. ''Sangeet Natakas'' played a vital role in the development of Marathi theater and thus the Marathi cinema as well as Indian film industry. Sangeet Natak start with praise of Lord Natraja which is called as ''Naandi'' or ''Mangalaacharan'' or ''Suchakpad'' usually the famous one "Panchatunda Nararundamaldhar" from ''Sangeet Shakuntal''. They are popular for use of Indian classical music. The "Dramatic Music" is called Natya Sangeet, one of the two popular forms of vocal arts in Maharashtra and surrounding states. The other is Bhavageet. History The beginning Vishnudas Bhave is considered the founder of Marathi theater. In 1843, his group staged the first public performance of Marathi play ''Seeta Swayamvar'' (सीता स्वयंव ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhopal
Bhopal (; ) is the capital city of the Indian state of Madhya Pradesh and the administrative headquarters of both Bhopal district and Bhopal division. It is known as the ''City of Lakes'' due to its various natural and artificial lakes. It is also one of the greenest cities in India. It is the 16th largest city in India and 131st in the world. After the formation of Madhya Pradesh, Bhopal was part of the Sehore district. It was bifurcated in 1972 and a new district, Bhopal, was formed. Flourishing around 1707, the city was the capital of the former Bhopal State, a princely state of the British ruled by the Nawabs of Bhopal. Numerous heritage structures from this period include the Taj-ul-Masajid and Taj Mahal palace. In 1984, the city was struck by the Bhopal disaster, one of the worst industrial disasters in history. Bhopal has a strong economic base with numerous large and medium industries operating in and around the city. Bhopal is considered as one of the important fin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annasaheb Kirloskar
Balwant Pandurang Kirloskar (Devanagari: बळवंत पांडुरंग किर्लोस्कर) (31 March 1843 − 2 November 1885), popularly known as Annasaheb Kirloskar, was a Marathi playwright from Maharashtra, India. Kirloskar was born on March 31, 1843, at Gurlhosur in Belgaum district to a Karhade Brahmin family. After completing schooling in his native place, at the age of twenty, Annasaheb moved to Pune to pursue further education. His overwhelming interest, however, lay in theatre and he faced parental pressure for his continued disinterest in formal education. His father pressurised him to return to his native Belgaum. To support himself, Kirloskar then worked for eight years as a school teacher in Belgaum; he subsequently worked for a few years in the police department and then as a clerk in the revenue commissioner's office. Despite his lack of much formal education, Kirloskar was well-versed in Sanskrit literature. Marathi theater history In 184 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Rule In India
The British Raj (; from Hindi ''rāj'': kingdom, realm, state, or empire) was the rule of the British Crown on the Indian subcontinent; * * it is also called Crown rule in India, * * * * or Direct rule in India, * Quote: "Mill, who was himself employed by the British East India company from the age of seventeen until the British government assumed direct rule over India in 1858." * * and lasted from 1858 to 1947. * * The region under British control was commonly called India in contemporaneous usage and included areas directly administered by the United Kingdom, which were collectively called British India, and areas ruled by indigenous rulers, but under British paramountcy, called the princely states. The region was sometimes called the Indian Empire, though not officially. As ''India'', it was a founding member of the League of Nations, a participating nation in the Summer Olympics in 1900, 1920, 1928, 1932, and 1936, and a founding member of the United Nations in San ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sangeet Sharada
''Sangeet Sharada'' is an 1899 Marathi Sangeet Natak (Musical play), written and directed by playwright Govind Ballal Deval. The play is considered as the first play in Marathi to showcase the social problems and broke the norms by dealing with the subject of child marriage when dramatic literature in India mainly focused on historical-mythological narrations. Over the period of time, various stage actors like Bal Gandharva, Vishnupant Pagnis, Bhalchandra Pendharkar have performed the lead role of Sharada. Going with the format of Sangeet Natak, play had more than 50 songs, penned and composed by Govind Ballal Deval himself and music attained a cult status over the period of time. The play "is considered to be a pioneer in social drama in India" and gained the popularity in such a way that when the Child Marriage Restraint Act, proposed by Haribilas Sarda, also known "Sarda Act", was passed in 1929; it was mistaken to be named after the play as "Sharada Act". Plot Bhujanganath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramayana
The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit literature, Sanskrit Indian epic poetry, epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE. ''Ramayana'' is one of the two important epics of Hinduism, the other being the ''Mahabharata, Mahābhārata''. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Sita, the Princess of Janakpur, and Rama, a legendary prince of Ayodhya city in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the South Asia, Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned kin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the ''Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the '' Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical growth and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marathi People
The Marathi people (Marathi: मराठी लोक) or Marathis are an Indo-Aryan ethnolinguistic group who are indigenous to Maharashtra in western India. They natively speak Marathi, an Indo-Aryan language. Maharashtra was formed as a Marathi-speaking state of India in 1960, as part of a nationwide linguistic reorganization of the Indian states. The term "Maratha" is generally used by historians to refer to all Marathi-speaking peoples, irrespective of their caste; however, now it may refer to a Maharashtrian caste known as the Maratha. The Marathi community came into political prominence in the 17th century, when the Maratha Empire was established under Chhatrapati Shivaji; the Marathas are credited to a large extent for ending Mughal rule over India. History Ancient to medieval period During the ancient period, around 230 BC, Maharashtra came under the rule of the Satavahana dynasty, which ruled the region for 400 years.India Today: An Encyclopedia of Life in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Raj
The British Raj (; from Hindi ''rāj'': kingdom, realm, state, or empire) was the rule of the British Crown on the Indian subcontinent; * * it is also called Crown rule in India, * * * * or Direct rule in India, * Quote: "Mill, who was himself employed by the British East India company from the age of seventeen until the British government assumed direct rule over India in 1858." * * and lasted from 1858 to 1947. * * The region under British control was commonly called India in contemporaneous usage and included areas directly administered by the United Kingdom, which were collectively called British India, and areas ruled by indigenous rulers, but under British paramountcy, called the princely states. The region was sometimes called the Indian Empire, though not officially. As ''India'', it was a founding member of the League of Nations, a participating nation in the Summer Olympics in 1900, 1920, 1928, 1932, and 1936, and a founding member of the United Nations in San F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krushnaji Prabhakar Khadilkar
Krushnaji Prabhakar Khadilkar (Devanagari: कृष्णाजी प्रभाकर खाडिलकर) (25 November 1872 – 26 August 1948) was a Marathi writer from Maharashtra, India. George calls him "a prominent lieutenant of Lokmanya Tilak". He was editor of Kesari, Lokmanya and Navakal. The subject of navakal is political , trade and market price Khadilkar in the beginning of his career wrote prose-plays, but achieved "even greater recognition" with plays like ''Svayamvara'' – which had songs which were based on Indian classical music. The notability of his dramatic technique, in his fifteen plays, was to "endow ancient Hindu legends and tales with contemporary political significance". The Encyclopaedia of Indian Literature (Volume Two) (Devraj To Jyoti), remarks that while Annasaheb Kirloskar "laid the foundation of popular sangit natak", it saw its great rise and gradual decline with the advent of Khadilkar. It considers Khadilkar along with Bal Gandharva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Classical Music
Carnatic music, known as or in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu Texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulæ), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnatic and Hindustani mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, with no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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