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National University Of Music Bucharest
The National University of Music Bucharest ( ro, Universitatea Naţională de Muzică București, UNMB) is a university-level school of music located in Bucharest, Romania. Established as a school of music in 1863 and reorganized as an academy in 1931, it has functioned as a public university since 2001. It also offered training in drama until 1950, when this function was taken over by two institutes which were later reunited as the UNATC. Structure The National University of Music is divided into two faculties: the Faculty of Composition, Musicology and Musical Pedagogy and the Faculty of Performing Arts. Administratively, it is divided into the Department of Scientific Research and Artistic Activities, the Department of International Relations and European Programs, the Teacher Training Department, the Music Shows Department, and the Low-Residency Program Department (''see also Education in Romania''). [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bucharest
Bucharest ( , ; ro, București ) is the capital and largest city of Romania, as well as its cultural, industrial, and financial centre. It is located in the southeast of the country, on the banks of the Dâmbovița River, less than north of the Danube River and the Bulgarian border. Bucharest was first mentioned in documents in 1459. The city became the capital of Romania in 1862 and is the centre of Romanian media, culture, and art. Its architecture is a mix of historical (mostly Eclectic, but also Neoclassical and Art Nouveau), interbellum ( Bauhaus, Art Deco and Romanian Revival architecture), socialist era, and modern. In the period between the two World Wars, the city's elegant architecture and the sophistication of its elite earned Bucharest the nickname of 'Paris of the East' ( ro, Parisul Estului) or 'Little Paris' ( ro, Micul Paris). Although buildings and districts in the historic city centre were heavily damaged or destroyed by war, earthquakes, and even Nic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carol II Of Romania
Carol II (4 April 1953) was King of Romania from 8 June 1930 until his forced abdication on 6 September 1940. The eldest son of Ferdinand I, he became crown prince upon the death of his grand-uncle, King Carol I in 1914. He was the first of the Hohenzollern kings of Romania to be born in the country; both of his predecessors had been born in Germany and came to Romania only as adults. As such, he was the first member of the Romanian branch of the Hohenzollerns who spoke Romanian as his first language, and was also the first member of the royal family to be raised in the Orthodox faith. Carol was also a fan of football, being the Romanian Football Federation's president for almost one year from 1924 until 1925. Carol's first controversy was his desertion from the army during World War I, followed by his marriage to Zizi Lambrino, which resulted in two attempts to give up the rights of succession to the royal crown of Romania, refused by King Ferdinand. After the dissolution ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Of Romania
The King of Romania (Romanian: ''Regele României'') or King of the Romanians (Romanian: ''Regele Românilor''), was the title of the monarch of the Kingdom of Romania from 1881 until 1947, when the Romanian Workers' Party proclaimed the Romanian People's Republic following Michael I's forced abdication. History The state had been internationally recognized as a principality since 1862, after the creation of the United Principalities, a personal union between Moldavia and Wallachia, at that time vassal states of the Ottoman Empire. Alexander I became ''domnitor'' (ruling prince) after the official unification of the two formerly separate states, being elected prince of both states in 1859. He was deposed in 1866 by a broad coalition of the main political parties, after which parliament offered the throne to Prince Karl of Hohenzollern-Sigmaringen who subsequently became the new "Domnitor of Romania" (as Carol I). Romania's independence from the Ottoman Empire was recognized in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music History
Music history, sometimes called historical musicology, is a highly diverse subfield of the broader discipline of musicology that studies music from a historical point of view. In theory, "music history" could refer to the study of the history of any type or genre of music (e.g., the history of Indian music or the history of rock). In practice, these research topics are often categorized as part of ethnomusicology or cultural studies, whether or not they are ethnographically based. The terms "music history" and "historical musicology" usually refer to the history of the notated music of Western elites, sometimes called "art music" (by analogy to art history, which tends to focus on elite art). The methods of music history include source studies (esp. manuscript studies), paleography, philology (especially textual criticism), style criticism, historiography (the choice of historical method), musical analysis, and iconography. The application of musical analysis to further these ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesthetics Of Music
Aesthetics of music () is a branch of philosophy that deals with the nature of art, beauty and taste in music, and with the creation or appreciation of beauty in music. In the pre-modern tradition, the aesthetics of music or musical aesthetics explored the mathematical and cosmological dimensions of rhythmic and harmonic organization. In the eighteenth century, focus shifted to the experience of hearing music, and thus to questions about its beauty and human enjoyment (''plaisir'' and ''jouissance'') of music. The origin of this philosophic shift is sometimes attributed to Baumgarten in the 18th century, followed by Kant. Aesthetics is a sub-discipline of philosophy. In the 20th century, important contributions to the aesthetics of music were made by Peter Kivy, Jerrold Levinson, Roger Scruton, and Stephen Davies. However, many musicians, music critics, and other non-philosophers have contributed to the aesthetics of music. In the 19th century, a significant debate arose between ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestration
Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orchestration is the assignment of different instruments to play the different parts (e.g., melody, bassline, etc.) of a musical work. For example, a work for solo piano could be adapted and orchestrated so that an orchestra could perform the piece, or a concert band piece could be orchestrated for a symphony orchestra. In classical music, composers have historically orchestrated their own music. Only gradually over the course of music history did orchestration come to be regarded as a separate compositional art and profession in itself. In modern classical music, composers almost invariably orchestrate their own work. However, in musical theatre, film music and other commercial media, it is customary to use orchestrators and arrangers to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interwar Period
In the history of the 20th century, the interwar period lasted from 11 November 1918 to 1 September 1939 (20 years, 9 months, 21 days), the end of the World War I, First World War to the beginning of the World War II, Second World War. The interwar period was relatively short, yet featured many significant social, political, and economic changes throughout the world. Petroleum-based energy production and associated mechanisation led to the prosperous Roaring Twenties, a time of both social mobility and economic mobility for the middle class. Automobiles, electric lighting, radio, and more became common among populations in the developed world. The indulgences of the era subsequently were followed by the Great Depression, an unprecedented worldwide economic downturn that severely damaged many of the world's largest economies. Politically, the era coincided with the rise of communism, starting in Russia with the October Revolution and Russian Civil War, at the end of World War I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfons Castaldi
Alphons (Latinized ''Alphonsus'', ''Adelphonsus'', or ''Adefonsus'') is a male given name recorded from the 8th century (Alfonso I of Asturias, r. 739–757) in the Christian successor states of the Visigothic kingdom in the Iberian peninsula. In the later medieval period it became a standard name in the Hispanic and Portuguese royal families. It is derived from a Gothic name, or a conflation of several Gothic names; from ''*Aþalfuns'', composed of the elements ''aþal'' "noble" and ''funs'' "eager, brave, ready", and perhaps influenced by names such as ''*Alafuns'', ''*Adefuns'' and ''* Hildefuns''. It is recorded as ''Adefonsus'' in the 9th and 10th century, and as ''Adelfonsus'', ''Adelphonsus'' in the 10th to 11th. The reduced form ''Alfonso'' is recorded in the late 9th century, and the Portuguese form ''Afonso'' from the early 11th. and ''Anfós'' in Catalan from the 12th Century until the 15th. Variants of the name include: ''Alonso'' (Spanish), ''Alfonso'' (Spanish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony ( melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
