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Narumi-juku
was the fortieth of the 53 Stations of the Tōkaidō, fifty-three stations of the Tōkaidō (road), Tōkaidō. It is located in former Owari Province in what is now part of the Midori-ku, Nagoya, Midori-ku section of the city of Nagoya, Aichi, Nagoya, in Aichi Prefecture, Japan. History Narumi-juku had a population of 3,643 people at its peak.Tōkaidō Shukuba Walking Guide Aichi Prefecture. Accessed December 17, 2007. The shukuba, post station also had 847 buildings, including one ''honjin'', two ''wakihonjin'' and 68 ''hatago''. The classic ukiyo-e print by Andō Hiroshige (Hōeidō edition) from 1831 to 1834 depicts travellers passing by open-fronted shops selling tie-died cloth, typically used for making ''yukata'' summer kimono, which was a local speciality ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Midori-ku, Nagoya
is one of the 16 wards of the city of Nagoya in Aichi Prefecture, Japan. As of 1 October 2019, the ward had an estimated population of 247,475 and a population density of 6,528 persons per km2. The total area was 37.91 km2. It is the largest of the wards of Nagoya in terms of population. Geography Midori Ward is the southeast portion of the city of Nagoya. Surrounding municipalities * Tenpaku Ward * Minami Ward * Tōkai *Ōbu * Nisshin *Toyoake * Tōgō History The area of what is now Midori Ward was the site of the Battle of Okehazama during the Sengoku period, between the forces of Oda Nobunaga and Imagawa clan. All of what is now Midori Ward was part of the holdings of Owari Domain during the Edo period. The Tōkaidō post town of Narumi-juku prospered under the Tokugawa shogunate. After the Meiji Restoration, the area was organized into villages under Aichi District or northern Chita District within Aichi Prefecture. Narumi became a town in 1889, followed by Arimat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miya-juku
was the forty-first of the fifty-three stations of the Tōkaidō. It is located in former Owari Province in what is now part of the Atsuta-ku section of the city of Nagoya, in Aichi Prefecture, Japan. It was six km from Narumi-juku, the preceding post station.Tokaido 53: Miya-juku (Nagoya) . Tōkaidō no Tabi. Accessed March 7, 2008. History In addition to being a post station on the Tōkaidō, Miya-juku was also part of the Minoji (a minor route which runs to Tarui-juku on the Nakasendō) and the[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
53 Stations Of The Tōkaidō
The are the rest areas along the Tōkaidō, which was a coastal route that ran from Nihonbashi in Edo (modern-day Tokyo) to Sanjō Ōhashi in Kyoto.. There were originally 53 government post stations along the Tōkaidō, where travelers had to present traveling permits at each station if wanting to cross. In 1619, the Ōsaka Kaidō (大阪街道) was developed to extend the Tōkaidō so that it would reach Kōraibashi in modern-day Osaka is a designated city in the Kansai region of Honshu in Japan. It is the capital of and most populous city in Osaka Prefecture, and the third most populous city in Japan, following Special wards of Tokyo and Yokohama. With a population of .... Instead of going to Sanjō Ōhashi, travelers would leave from Ōtsu-juku and travel towards Fushimi-juku. Because of the addition of these four post towns, the Tōkaidō is occasionally referred to as having 57 stations. Another name for this extension was Kyōkaidō (京街道). The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chiryū-juku
was the thirty-ninth of the fifty-three stations of the Tōkaidō. It is located in the present-day city of Chiryū in Aichi Prefecture, Japan. It was the westernmost post town in Mikawa Province, and was from Nihonbashi, the start of the Tōkaidō, so it took approximately 10 days to for average travellers to reach. History Chiryū-juku was noted for a famed Shinto shrine, the Chiryū Daimyōjin, and also for its flourishing horse market, held in late April to early May of each year. Tokugawa Ieyasu ordered that the post station plant pine trees along through route of the highway before and after the town. The classic ukiyo-e print by Andō Hiroshige (Hōeidō edition) from 1831 to 1834 depicts horses, and also one of the pine trees. Hiroshige entitled the work . Despite the construction of railroads following the Meiji restoration the horse market continued into the Shōwa period, and most of the pine trees survived until the 1959 Isewan Typhoon. Neighboring post ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hatago
were Edo period lodgings for travelers at '' shukuba'' (post stations) along the national highways, including the Edo Five Routes and the subroutes. In addition to a place to rest, ''hatago'' also offered meals and other foods to the travelers. They were also called . Name origin ''Hatago'' means "traveling basket." The word itself originally derived from baskets that contained food for horses and were carried by travelers. From there, it became a tool with which travelers were carry their own food and goods. Shops that began preparing and selling food for travelers gained the suffix , meaning "shop," but this was eventually shortened to just ''hatago''. Preserved ''hatago'' Because many post stations along the Tōkaidō, Nakasendō and other historical routes have been either preserved or rebuilt, there are many traditional ''hatago'' still in existence today. While some have only been preserved as public buildings and museums, others have continued to operate for the past ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meiji Period
The is an era of Japanese history that extended from October 23, 1868 to July 30, 1912. The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded to the reign of Emperor Meiji. It was preceded by the Keiō era and was succeeded by the Taishō era, upon the accession of Emperor Taishō. The rapid modernization during the Meiji era was not without its opponents, as the rapid changes to society caused many disaffected traditionalists from the former samurai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kimono
The is a traditional Japanese garment and the national dress of Japan. The kimono is a wrapped-front garment with square sleeves and a rectangular body, and is worn left side wrapped over right, unless the wearer is deceased. The kimono is traditionally worn with a broad sash, called an , and is commonly worn with accessories such as zōri sandals and socks. Kimono have a set method of construction and are typically made from a long, narrow bolt of cloth known as a , though Western-style fabric bolts are also sometimes used. There are different types of kimono for men, women, and children, varying based on the occasion, the season, the wearer's age, and – less commonly in the modern day – the wearer's marital status. Despite the kimono's reputation as a formal and difficult-to-wear garment, there are types of kimono suitable for both formal and informal occasions. The way a person wears their kimono is known as . Though previously been the most common Japanese gar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yukata
A is an unlined cotton summer kimono, worn in casual settings such as summer festivals and to nearby bathhouses. Originally worn as bathrobes, their modern use is much broader, and are a common sight in Japan during summer. Though are traditionally indigo and white in colour, modern commonly feature multicoloured designs, and are designed to be machine washable. They are similar in appearance to the , a unisex short-sleeved kimono-like garment worn by guests at traditional inns. Construction and wear are worn by men and women. Like other forms of traditional Japanese clothing, are made with straight seams and wide sleeves. Men's are distinguished by the shorter sleeve extension of approximately from the armpit seam, compared to the longer sleeve extension in women's . A standard ensemble consists of a , and sandals or geta worn without socks. The outfit may be accessorised with a foldable or fixed hand fan and the addition of a traditional carry bag known as a , used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andō Hiroshige
Utagawa Hiroshige (, also ; ja, 歌川 広重 ), born Andō Tokutarō (; 1797 – 12 October 1858), was a Japanese ''ukiyo-e'' artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series '' The Fifty-three Stations of the Tōkaidō'' and for his vertical-format landscape series '' One Hundred Famous Views of Edo''. The subjects of his work were atypical of the ''ukiyo-e'' genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series '' Thirty-six Views of Mount Fuji'' by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of '' bokashi'' (color gradation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. The term translates as "picture of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment of kabuki theatre, geisha, and courtesans of the pleasure districts; the term ("floating world") came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the ''chōnin'' class, who had become wealthy enough to afford to decorate their homes with them. The earliest ukiyo-e works eme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Honjin
The ''honjin'' at Inaba Kaidō's Ōhara-shuku.">Ōhara-shuku.html" ;"title="Inaba Kaidō's Ōhara-shuku">Inaba Kaidō's Ōhara-shuku. is the Japanese word for an inn for government officials, generally located in post stations (''shukuba'') during the later part of the Edo period. Evolution of ''Honjin'' Originally, ''honjin'' were places from which generals directed battles and, therefore, were fleeting in nature. However, as commanders began to transform the ''honjin'' into temporary lodgings during battle and travel, ''honjin'' came to be places where ''daimyō'' and other representatives of the shogunate, including '' hatamoto'', '' monzeki'', etc., were allowed to stay during their travels. Many of the ''honjin'' were actually personal residences of village and town leaders. As such, they received official designations from the government and expanded their residences to include walls, gates and other features. Because of their cooperation, the owners of the ''honjin'' also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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