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Narukami (play)
''Narukami'' (鳴神) is a kabuki play written by Tsuuchi Hanjūrō, Yasuda Abun and Nakata Mansuke and first performed in 1742. The original version of ''Narukami'' dates from 1684, and it was one of the Kabuki Jūhachiban, a set of plays associated with the Ichikawa Danjūrō line of actors and the ''aragoto'' style of acting. This version was written by Ichikawa Danjūrō I, but it has been replaced by the 1742 play and is no longer performed in its original form. In its current form, ''Narukami'' is act IV of the five-part play ''Narukami Fudo Kitayama Zakura''. Nowadays ''Narukami'' is staged alone, and the whole play is only revived from time to time (once in 1967 and once in 2008). ''Narukami'' is now a popular play frequently performed. It has been translated into English. Characters * Narukami - a Buddhist saint * Taema - a princess sent by Emperor of Japan, the Emperor * Hakuunbō - an acolyte of Narukami * Kokuunbō - an acolyte of Narukami * Acolytes * Kuroko, St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Kunisada
Utagawa Kunisada ( ja, 歌川 国貞; 1786 – 12 January 1865), also known as Utagawa Toyokuni III (, ), was a Japanese ukiyo-e artist. He is considered the most popular, prolific and commercially successful designer of ukiyo-e woodblock printing in Japan, woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Utagawa Kuniyoshi, Kuniyoshi. Evaluation of Kunisada in art history At the end of the Edo period (1603–1867), Hiroshige, Kuniyoshi and Kunisada were the three best representatives of the Japanese color woodcut in Edo (capital city of Japan, now Tokyo). However, among European and American collectors of Japanese prints, beginning in the late 19th and early 20th century, all three of these artists were actually regarded as rather inferior to the greats of classical ukiyo-e, and therefore as having contributed considerably to the downfall of their art. For this reason, some referred to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aragoto
, or 'rough style', is a style of kabuki acting that uses exaggerated, dynamic (forms or movements) and speech. roles are characterised by the bold red or blue makeup () worn by actors, as well as their enlarged and padded costumes. The term is an abbreviation of the term , which literally means "wild-warrior style". The style was created and pioneered by Ichikawa Danjūrō I, a kabuki actor in the Edo period (1603-1867), and has come to be epitomized by his successors in the Ichikawa Danjūrō line of kabuki actors. Roles such as the leads in and are particularly representative of the style. is often contrasted with the ("soft" or "gentle") style, which emerged around the same time but focuses on more naturalistic drama. It is also contrasted with or "female-like style". Notable Aragotoshi * The Ichikawa Danjūrō line ** Ichikawa Danjūrō I ** Ichikawa Danjūrō II ** Ichikawa Danjūrō III ** Ichikawa Danjūrō IV ** Ichikawa Danjūrō V ** Ichikawa Danjūrō VI ** ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki Plays
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ''Kabuki'' is therefore sometimes transl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1742 Plays
Year 174 ( CLXXIV) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Gallus and Flaccus (or, less frequently, year 927 '' Ab urbe condita''). The denomination 174 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Empress Faustina the Younger accompanies her husband, Marcus Aurelius, on various military campaigns and enjoys the love of the Roman soldiers. Aurelius gives her the title of ''Mater Castrorum'' ("Mother of the Camp"). * Marcus Aurelius officially confers the title ''Fulminata'' ("Thundering") to the Legio XII Fulminata. Asia * Reign in India of Yajnashri Satakarni, Satavahana king of the Andhra. He extends his empire from the center to the north of India. By topic Art and Science * ''Meditations'' by Marcus Aurelius ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kuroko
are stagehands in traditional Japanese theatre, who dress all in black. Lexical background 黒衣 primarily read kurogo, differentiating from the other readings kokui/kokue/kuroginu "black clothes", the go/gi suffix underlining the wearing intent. Another synonym for the stagehands was also 黒具 kurogo "black instrument" as they were meant to serve the performance. Over time the non voiced mispronounciation kuroko also started being popularly used, and needed its own spelling that took the simple 子 ko character as an ateji (sound only), making the 黒子 kuroko word. Originally though 黒子 was read hokuro and meant "beauty spot". By contamination nowadays the two readings kuroko/kurogo are both available for the two spellings 黒衣/黒子. Description In kabuki, the ''kuroko'' serve many of the same purposes as running crew. They move scenery and props on stage, aiding in scene changes and costume changes. They will also often play the role of animals, will-o-the-wisp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emperor Of Japan
The Emperor of Japan is the monarch and the head of the Imperial House of Japan, Imperial Family of Japan. Under the Constitution of Japan, he is defined as the symbol of the Japanese state and the unity of the Japanese people, and his position is derived from "the will of the people with whom resides sovereign power". Imperial Household Law governs the line of Succession to the Japanese throne, imperial succession. The emperor is sovereign immunity, immune from prosecution by the Supreme Court of Japan. He is also the head of the Shinto religion. In Japanese language, Japanese, the emperor is called , literally "Emperor of heaven or "Heavenly Sovereign". The Japanese Shinto religion holds him to be the direct descendant of the sun goddess Amaterasu. The emperor is also the head of all national Orders, decorations, and medals of Japan, Japanese orders, decorations, medals, and awards. In English, the use of the term for the emperor was once common but is now considered obsolete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhist
Buddhism ( , ), also known as Buddha Dharma and Dharmavinaya (), is an Indian religion or philosophical tradition based on teachings attributed to the Buddha. It originated in northern India as a -movement in the 5th century BCE, and gradually spread throughout much of Asia via the Silk Road. It is the world's fourth-largest religion, with over 520 million followers (Buddhists) who comprise seven percent of the global population. The Buddha taught the Middle Way, a path of spiritual development that avoids both extreme asceticism and hedonism. It aims at liberation from clinging and craving to things which are impermanent (), incapable of satisfying ('), and without a lasting essence (), ending the cycle of death and rebirth (). A summary of this path is expressed in the Noble Eightfold Path, a training of the mind with observance of Buddhist ethics and meditation. Other widely observed practices include: monasticism; " taking refuge" in the Buddha, the , and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ichikawa Danjūrō I
was an early kabuki actor in Japan. He remains today one of the most famous of all kabuki actors and is considered one of the most influential. His many influences include the pioneering of the ''aragoto'' style of acting which came to be largely associated with Edo kabuki and with Danjūrō and his successors in the Ichikawa Danjūrō line. Like many actors, Danjūrō also dabbled in playwriting, which he did under the '' haimyō'' (poetry name) Mimasuya Hyōgo. "Mimasu" (三升) is the name for the '' mon'' of the Ichikawa family; many actors in the Danjūrō line have since used "Mimasu" or "Sansho", an alternate reading of the same characters, as their ''haimyō''. Lineage As the originator of the most celebrated and prestigious stage name in kabuki, there have been a great many descendants of Danjūrō I in the kabuki world, some of them quite famous and accomplished themselves. Danjūrō's father, Horikoshi Juzō, was not involved in the theatre, but was an '' otokodat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ichikawa Danjūrō
is a stage name taken on by a series of Kabuki actors of the Ichikawa family. Most of these were blood relatives, though some were adopted into the family. It is a famous and important name, and receiving it is an honor. There are a number of roles that the line of Danjūrō specialize in, as well as a series of plays, the ''Kabuki Jūhachiban'' (The Kabuki Eighteen), which showcase the specialties of the Ichikawa family. Danjūrō, like other actors' names, is bestowed (or given up) at grand naming ceremonies called ''shūmei'' in which a number of actors formally change their names. The name Danjūrō is generally taken at the peak of an actor's career; another name may be taken after retirement. Prior to taking the name Danjūrō, an actor frequently had the names Matsumoto Kōshirō, Ichikawa Shinnosuke, or Ichikawa Ebizō. The design of the Ichikawa family ''mon'', three squares nested inside one another, is called . Some of the actors in this line used "Sanshō" as their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki Jūhachiban
The , or Eighteen Best Kabuki Plays, is a set of kabuki plays, strongly associated with the Ichikawa Danjūrō line of actors ever since their premieres. These works were chosen and assembled as "the eighteen" by actor Ichikawa Danjūrō VII (1800-1832). The pieces were considered to be seminal representations of the ''aragoto'' style in the repertoire.Nussbaum, Louis Frédéric ''et al.'' (2005). "Kabuki Jūhachiban" in The Danjūrō line has continued to dominate the leading roles, and the printing and production of these plays ever since. ''Shibaraku'', ''Narukami'', ''Sukeroku'', ''Ya-no-Ne'', and ''Kanjinchō'' are still considered among the greatest of all kabuki plays, and are performed at least once a year. These plays are also often performed for ''shūmei'', auspicious naming ceremonies in which actors who receive new names, particularly those receiving the illustrious name "Ichikawa Danjūrō", perform in these great plays which are strongly associated with that linea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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