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Namaskara
''Namaste'' (, Devanagari: नमस्ते), sometimes called ''namaskar'' and ''namaskaram'', is a customary Hindu non-contact manner of respectfully greeting and honouring a person or group, used at any time of day. It is found on the Indian subcontinent, and among the Nepalese and Indian diaspora. ''Namaste'' is usually spoken with a slight bow and hands pressed together, palms touching and fingers pointing upwards, thumbs close to the chest. This gesture is called ''añjali mudrā''; the standing posture incorporating it is ''pranamasana''. Etymology, meaning and origins ''Namaste'' (''Namas'' + ''te'') is derived from Sanskrit and is a combination of the word ''namas'' and the second person dative pronoun in its enclitic form, '' te''.Thomas Burrow, ''The Sanskrit Language'', pp. 263–268 The word ''namaḥ'' takes the sandhi form ''namas'' before the sound ''te''.Thomas Burrow, ''The Sanskrit Language'', pp. 100–102 It is found in the Vedic literature. ''Nam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Añjali Mudrā
Añjali Mudrā ( sa, अञ्जलि मुद्रा), is a hand gesture mainly associated with Indian religions and arts, encountered throughout Asia and beyond. It is a part of Indian classical dance postures such as Bharatanatyam, yoga practice, and forms part of the greeting Namaste. Among the performance arts, Anjali Mudra is a form of non-verbal, visual communication to the audience. It is one of 24 samyukta mudras of the Indian classical arts. There are several forms of the Anjali Mudra such as the ''brahmanjali''. The gesture is incorporated into many yoga asanas. The modern yoga pose praṇāmāsana ( sa, प्रणामासन, links=no) involves standing upright, with the hands in Añjali Mudrā. As a gesture, it is widely used as a sign of respect or a silent greeting in India, Sri Lanka, Nepal, Bhutan, Burma, Thailand, Laos, Cambodia, and Indonesia. It is also used among East Asian Buddhists, Chinese religionists, and Shintoists and adherents of similar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thrichittatt Maha Vishnu Temple
The Thrichittatt Mahavishnu Temple (also called Thiruchenkundrur and Imayavarappan temple) is a Hindu temple dedicated to Supreme God Vishnu and located in Chengannur, Alappuzha District, Kerala, South India. Constructed in the Kerala style of architecture, the temple is glorified in the ''Divya Prabandha'', by Nammalwar, one of the saint poets of the 8th century. It is one of the 108 ''Divyadesam'' dedicated to Krishna, an avatar of Vishnu, who is worshipped as Imayavarappan. The nearest railway station to the temple is located in Chengannur, while the nearest airports are Trivandrum International Airport and Nedupumpassery Airport Ernakulam. It is one of the five ancient shrines in the Chengannur area of Kerala, connected with the legend of Mahabharata, where the five Pandavas are believed to have built one temple each; Thrichittatt Maha Vishnu Temple by Yudhishthira, Puliyur Mahavishnu Temple by Bheema, Aranmula Parthasarathy Temple by Arjuna, Thiruvanvandoor Mahavishnu Te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Upachara
In Hinduism, ''upachara'' (Sanskrit: उपचार; service or courtesy) refers to the offerings and services made to a deity as part of worship. List Krishnananda Agamavagisha states in the Brihat Tantrasara that the main worship is conducted with 5, 10, 16 or 18 articles. These are Panchopachara This is the most basic mode. It includes #''Gandha'' : Frangrant items like agarwood, musk & sandalwood #''Pushpa'' : Flowers & leaves #''Dhupa'' : Incense #'' Dipa'': offering of lamps/ light #''Naivedya'' : Food consisting of uncooked(like fruits & milk) & cooked(like payasam, boiled rice, vegetables, curry & dal) dishes Dashopachara Alongside the 5 articles mentioned above, it also includes 5 additional items which are #''Padya'' : Water for washing feet #''Arghya'' : An offering consisting of water, durva, flowers & raw rice grains given in the hands of a guest in ancient times as a sign of reception & respect #''Achamaniya'' : Water for rinsing lips for achamana #''Madhuparka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
T–V Distinction
The T–V distinction is the contextual use of different pronouns that exists in some languages and serves to convey formality or familiarity. Its name comes from the Latin pronouns '' tu'' and '' vos''. The distinction takes a number of forms and indicates varying levels of politeness, familiarity, courtesy, age or even insult toward the addressee. The field that studies and describes this phenomenon is sociolinguistics. Many languages lack this type of distinction, instead relying on other morphological or discourse features to convey formality. English historically contained the distinction, using the pronouns '' thou'' and ''you'', but the familiar ''thou'' largely disappeared from the era of Early Modern English onward, with the exception of a few dialects. Additionally, British commoners historically spoke to nobility and royalty using the third person rather than the second person, a practice that has fallen out of favour. English speakers today often employ semantic a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natya Shastra
The ''Nāṭya Śāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The text consists of 36 chapters with a cumulative total of 6000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, one which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is a desired effect of performance arts but not t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaivism
Shaivism (; sa, शैवसम्प्रदायः, Śaivasampradāyaḥ) is one of the major Hindu traditions, which worships Shiva as the Supreme Being. One of the largest Hindu denominations, it incorporates many sub-traditions ranging from devotional dualistic theism such as Shaiva Siddhanta to yoga-orientated monistic non-theism such as Kashmiri Shaivism.Ganesh Tagare (2002), The Pratyabhijñā Philosophy, Motilal Banarsidass, , pages 16–19 It considers both the Vedas and the Agama texts as important sources of theology.Mariasusai Dhavamony (1999), Hindu Spirituality, Gregorian University and Biblical Press, , pages 31–34 with footnotesMark Dyczkowski (1989), The Canon of the Śaivāgama, Motilal Banarsidass, , pages 43–44 Shaivism developed as an amalgam of pre-Vedic religions and traditions derived from the southern Tamil Shaiva Siddhanta traditions and philosophies, which were assimilated in the non-Vedic Shiva-tradition. In the process of Sanskritisa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharatanatyam
Bharatanatyam () is a major form of Indian classical dance that originated in Tamil Nadu. It is one of the eight widely recognized Indian classical dance forms, and expresses South Indian religious themes and spiritual ideas, particularly of Shaivism and in general of Hinduism.Bharata-natyam ''Encyclopædia Britannica''. 2007 A description of Bharatanatyam from the 2nd century CE can be found in the ancient Tamil epic '''', while temple sculptures of the 6th to 9th century CE suggest it was a highly refined performance art by the mid-1st millennium CE. Bharatanatyam is the oldest classical dance tradit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
6th To 7th Century Rajivalochan Vishnu Temple Namaste 2, Rajim, Chhattisgarh Artwork - 9
6 (six) is the natural number following 5 and preceding 7. It is a composite number and the smallest perfect number. In mathematics Six is the smallest positive integer which is neither a square number nor a prime number; it is the second smallest composite number, behind 4; its proper divisors are , and . Since 6 equals the sum of its proper divisors, it is a perfect number; 6 is the smallest of the perfect numbers. It is also the smallest Granville number, or \mathcal-perfect number. As a perfect number: *6 is related to the Mersenne prime 3, since . (The next perfect number is 28.) *6 is the only even perfect number that is not the sum of successive odd cubes. *6 is the root of the 6-aliquot tree, and is itself the aliquot sum of only one other number; the square number, . Six is the only number that is both the sum and the product of three consecutive positive numbers. Unrelated to 6's being a perfect number, a Golomb ruler of length 6 is a "perfect ruler". Six is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Periodisation Of The Indus Valley Civilisation
Several periodisations are employed for the periodisation of the Indus Valley Civilisation. While the Indus Valley Civilisation was divided into Early, Mature, and Late Harappan by archaeologists like Mortimer Wheeler, newer periodisations include the Neolithic early farming settlements, and use a stage–phase model, often combining terminology from various systems. Periodisations The most commonly used nomenclature classifies the Indus Valley civilisation into early, mature, and late Harappan phases. The Indus Valley Civilisation was preceded by local agricultural villages, from where the river plains were populated when water management became available, creating an integrated civilisation. This broader time range has also been called the Indus Age and the Indus Tradition. Early, Mature, and Late Harappan Early surveys by Sir Aurel Stein in Balochistan led to the discovery of numerous prehistoric sites of unknown association. Following excavations at Harappa and Mohenjo Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indus Valley Civilisation
The Indus Valley Civilisation (IVC), also known as the Indus Civilisation was a Bronze Age civilisation in the northwestern regions of South Asia, lasting from 3300 BCE to 1300 BCE, and in its mature form 2600 BCE to 1900 BCE. Together with ancient Egypt and Mesopotamia, it was one of three early civilisations of the Near East and South Asia, and of the three, the most widespread. Its sites spanned an area from much of Pakistan, to northeast Afghanistan, and northwestern India. The civilisation flourished both in the alluvial plain of the Indus River, which flows through the length of Pakistan, and along a system of perennial monsoon-fed rivers that once coursed in the vicinity of the Ghaggar-Hakra, a seasonal river in northwest India and eastern Pakistan. The term ''Harappan'' is sometimes applied to the Indus civilisation after its type site Harappa, the first to be excavated early in the 20th century in what was then the Punjab province ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dual (grammatical Number)
Dual ( abbreviated ) is a grammatical number that some languages use in addition to singular and plural. When a noun or pronoun appears in dual form, it is interpreted as referring to precisely two of the entities (objects or persons) identified by the noun or pronoun acting as a single unit or in unison. Verbs can also have dual agreement forms in these languages. The dual number existed in Proto-Indo-European and persisted in many of its descendants, such as Ancient Greek and Sanskrit, which have dual forms across nouns, verbs, and adjectives, Gothic, which used dual forms in pronouns and verbs, and Old English (Anglo-Saxon), which used dual forms in its pronouns. It can still be found in a few modern Indo-European languages such as Irish, Scottish Gaelic, Lithuanian, Slovene, and Sorbian languages. The majority of modern Indo-European languages, including modern English, however, have lost dual through their development and only show residual traces of it. In all these l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atman (Hinduism)
Atman or Ātman may refer to: Film * ''Ātman'' (1975 film), a Japanese experimental short film directed by Toshio Matsumoto * ''Atman'' (1997 film), a documentary film directed by Pirjo Honkasalo People * Pavel Atman (born 1987), Russian handball player Religion * ''Ātman'' (Jainism), or ''Jīva'', a philosophical term used within Jainism to identify the soul * ''Ātman'' (Hinduism), meaning "Self", a philosophical concept common to all schools of Hindu philosophy * ''Ātman'' (Buddhism), ''attā'' or ''attan'', a reference to the essential self ** '' Anattā'' or ''anātman'' — "not-self", central concept in Buddhism * '' Atman jnana'' — "knowledge" in the context of Indian philosophy and religions See also * Ataman, a title of Cossack and haidamak leaders of various kinds * World Soul (other) * Atma (other) * Divine soul (other) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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