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Nagorik Oikya
''Nagarik'' ( bn, নাগরিক), also spelled as ''Nagorik'', ''The Citizen'' in English, was the first feature-length film directed by legendary Indian director Ritwik Ghatak. Completed in 1952, it preceded Satyajit Ray's ''Pather Panchali'' as perhaps the first example of an art film in Bengali cinema, but is deprived of that honor, since it was released twenty-four years later, after Ghatak's death. On 20 September 1977, it finally premiered at the New Empire theatre in Kolkata, India. Ritwik Ghatak directed only eight feature films, but is generally regarded as one of the auteurs of Indian cinema and virtually unsurpassed as a creator of powerful imagery and epic style by directors such as Satyajit Ray and of transcendental power and extraordinariness by critics such as Derek Malcolm. Synopsis Ramu, a fresh graduate is searching for a job like many others in post-Partition Kolkata. The mother is yearnful of older times when the family used to live in a better h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ritwik Ghatak
Ritwik Kumar Ghatak (; 4 November 19256 February 1976) was a noted Indian film director, screenwriter, and playwright. Along with prominent contemporary Bengali filmmakers Satyajit Ray, Tapan Sinha and Mrinal Sen, his cinema is primarily remembered for its meticulous depiction of social reality, partition and feminism. He won the National Film Award's Rajat Kamal Award for Best Story in 1974 for his ''Jukti Takko Aar Gappo'' and Best Director's Award from Bangladesh Cine Journalist's Association for ''Titash Ekti Nadir Naam''. The Government of India honoured him with the Padma Shri for Arts in 1970. Family Ritaban Ghatak, his son, is also a filmmaker and is involved in the Ritwik Memorial Trust. He has restored Ritwik's ''Bagalar Banga Darshan'', ''Ronger Golam'' and completed his unfinished documentary on Ramkinkar. He made a film titled ''Unfinished Ritwik''. He is working on adapting Bibhutibhushan Bandopadhyay's novel ''Ichhamati''. Ghatak's elder daughter Samhita, made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Derek Malcolm
Derek Elliston Michael Malcolm (born 12 May 1932) is an English film critic. Son of J. Douglas Malcolm (died 1967) and Dorothy Vera (died 1964; née Elliston-Taylor), Malcolm was educated at Eton College and Merton College, Oxford. As a child he expressed an interest in film, often going to the newsreel cinema on Victoria station. He worked for several decades as a film critic for ''The Guardian'', having previously been an amateur jockey and the paper's first horse racing correspondent. In 1977, he was a member of the jury at the 27th Berlin International Film Festival. In the mid-1980s he was host of ''The Film Club'' on BBC2, which was dedicated to art house films, and was director of the London Film Festival for several years. After leaving ''The Guardian'' in 2000, he published his final series of articles, ''The Century of Films'', in which he discusses films he admires from his favourite directors from around the world. He became chief film critic for the ''Evening Stand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apu Trilogy
''The Apu Trilogy'' comprises three Indian Bengali-language drama films directed by Satyajit Ray: ''Pather Panchali'' (1955), ''Aparajito'' (1956) and ''The World of Apu'' (1959). The original music for the films was composed by Ravi Shankar. The films are based on two Bengali novels written by Bibhutibhushan Bandopadhyay: ''Pather Panchali'' (1929) and ''Aparajito'' (1932). The three films went on to win many national and international awards, including three National Film Awards and seven awards from the Cannes, Berlin and Venice Film Festivals. The films were produced on a shoestring budget (''Pather Panchali'' had a budget of roughly 150,000 ($45,300—)) using an amateur cast and crew. Plot summaries The three films comprise a " coming of age" narrative in the vein of a ''bildungsroman''; they describe the childhood, education and early maturity of a young Bengali named Apu (Apurba Kumar Roy) in the early part of the 20th century. ''Pather Panchali'' (English, "Song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The World Of Apu
''Apur Sansar'' ( bn, অপুর সংসার), also known as ''The World of Apu'', is a 1959 Indian Bengali-language drama film produced, written and directed by Satyajit Ray. It is based on the second half of Bibhutibhushan Bandopadhyay's novel ''Aparajito''. Following ''Pather Panchali'' (1955) and ''Aparajito'' (1956), ''The World of Apu'' is the final part of Ray's ''The Apu Trilogy'', about the childhood and early adulthood of a young Bengali named Apu in early twentieth century India. ''The World of Apu'' stars Soumitra Chatterjee (as Apu) and Sharmila Tagore (as Apu's wife Aparna); the duo would go on to appear in many subsequent Ray films. Upon its release on 1 May 1959, ''The World of Apu'' was well-received by critics. It won the National Film Award for Best Feature Film as well as several international awards, including the Sutherland Award for Best Original And Imaginative Film and National Board of Review Award for Best Foreign Language Film. Plot In early 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahal (1949 Film)
''Mahal'' () is a Bollywood films of 1949, 1949 Cinema of India, Indian Hindi-language horror film produced by Savak Vacha and Ashok Kumar under the banner of Bombay Talkies, and directed by Kamal Amrohi as his directorial debut. The film centres on a screenplay written by Amrohi, while its music is composed by Khemchand Prakash. Cited as Bollywood horror films, Bollywood's first horror film, it revolves around an aristocrat (Ashok Kumar) who moves into an ancient mansion, where he gets visions of a mysterious lady (Madhubala) claiming to be his lover in their previous lives. ''Mahal'' was produced by Bombay Talkies studio on a modest budget. Amrohi, who made his directorial debut with the film, was turned down by many major female stars before then-fledgling Madhubala was put on the board. The film took a relatively long time filming that earned it a negative reputation in the media. ''Mahal'' was released in theatres in October 1949. Despite mixed-to-negative critical reviews, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamal Amrohi
Syed Amir Haider Kamal Naqvi (17 January 1918 – 11 February 1993), popularly known as Kamal Amrohi, was an Indian film director and screenwriter. He was also an Urdu and Hindi poet. His Hindi films include '' Mahal'' (1949), ''Pakeezah'' (1972) and '' Razia Sultan'' (1983). He established Kamal Pictures (Mahal Films) in 1953 and Kamalistan Studio in Bombay in 1958. Early life Kamal Amrohi was born in Amroha, United Provinces in British India (present-day Uttar Pradesh) and later took on the name Kamal Amrohi (or Amrohvi). He was a first cousin to Pakistani writers Jaun Elia and Rais Amrohvi. Career In 1938, he left Amroha to study in Lahore, now part of Pakistan, where singer K. L. Saigal discovered him and took him to Mumbai (Bombay) to work for Sohrab Modi's Minerva Movietone film company, where he started his career working on films like ''Jailor'' (1938), ''Pukar'' (1939), ''Bharosa'' (1940), A. R. Kardar's film (Shahjehan 1946). He made his debut as a director in 1949, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guru Dutt
Vasanth Kumar Shivashankar Padukone (9 July 1925 – 10 October 1964), better known as Guru Dutt, was an Indian film director, producer, actor, choreographer, and writer.Rajadhyaksha, Ashish, and Paul Willemen. 9941998''Encyclopedia of Indian Cinema''. London: British Film Institute Publishing. He is regarded as one of the greatest filmmakers of Indian cinema. Dutt was lauded for his artistry, notably his usage of close-up shots, lighting, and depictions of melancholia. He directed a total of 8 Hindi films, several of which have gained a cult following internationally. This includes '' Pyaasa'' (1957), which made its way onto ''Time'' magazine's 100 Greatest Movies list, as well as ''Kaagaz Ke Phool'' (1959), ''Chaudhvin Ka Chand'' (1960), and '' Sahib Bibi Aur Ghulam'' (1962), all of which are frequently listed among the greatest films in Hindi cinema. He was included among CNN's "Top 25 Asian Actors" in 2012. Early life Vasanth Kumar Shivashankar Padukone was born on 9 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Noir
Film noir (; ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American ''film noir''. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression. The term ''film noir'', French for 'black film' (literal) or 'dark film' (closer meaning), was first applied to Hollywood films by French critic Nino Frank in 1946, but was unrecognized by most American film industry professionals of that era. Frank is believed to have been inspired by the French literary publishing imprint Série noire, founded in 1945. Cinema historians and critics defined the category ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Renoir
Jean Renoir (; 15 September 1894 – 12 February 1979) was a French film director, screenwriter, actor, producer and author. As a film director and actor, he made more than forty films from the silent film, silent era to the end of the 1960s. His films ''La Grande Illusion'' (1937) and ''The Rules of the Game'' (1939) are often cited by critics as among the List of films considered the best, greatest films ever made. He was ranked by the British Film Institute, BFI's ''Sight & Sound'' poll of critics in 2002 as the fourth greatest director of all time. Among numerous honours accrued during his lifetime, he received a Lifetime Achievement Academy Awards, Academy Award in 1975 for his contribution to the motion picture industry. Renoir was the son of the painter Pierre-Auguste Renoir and the uncle of the cinematographer Claude Renoir. He was one of the first filmmakers to be known as an ''auteur''. Early life and early career Renoir was born in the Montmartre district of Paris, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian People's Theatre Association
Indian People's Theatre Association (IPTA) is the oldest association of theatre-artists in India. IPTA was formed in 1943 during the British rule in India, and promoted themes related to the Indian freedom struggle. Its goal was to bring cultural awakening among the people of India. Beginning The Bangalore unit of IPTA was formed in 1941. IPTA was formed on 25 May 1943 at the National conference of theater artists held at the Marwari school, Bombay in response to the need for theater artists to become part of the Indian freedom struggle. Its origins lay in the first Progressive Writer's Association Conference that was held in 1936, the establishment of the Youth Cultural Institute at Calcutta in 1940, and the setting up of the People's Theatre in Bangalore by Anil De’ Silva in 1941. Its initial members consisted of various progressive cultural troupes, theatre groups and other progressive cultural activists. The name People's Theatre was suggested by the renowned scientist Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marxist
Marxism is a Left-wing politics, left-wing to Far-left politics, far-left method of socioeconomic analysis that uses a Materialism, materialist interpretation of historical development, better known as historical materialism, to understand Social class, class relations and social conflict and a dialectical perspective to view social transformation. It originates from the works of 19th-century German philosophers Karl Marx and Friedrich Engels. As Marxism has developed over time into various branches and schools of thought, no single, definitive Marxist philosophy, Marxist theory exists. In addition to the schools of thought which emphasize or modify elements of classical Marxism, various Marxian concepts have been incorporated and adapted into a diverse array of Social theory, social theories leading to widely varying conclusions. Alongside Marx's critique of political economy, the defining characteristics of Marxism have often been described using the terms dialectical mater ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinnamul
Chinnamul (alternate spelling Chhinnamul, lit. ''The Uprooted'') was a 1950 Bengali film directed by Nemai Ghosh. This was the first Indian film that dealt with the partition of India. The story revolved around a group of farmers from East Pakistan (now Bangladesh) who were forced to migrate to Calcutta because of the partition of Bengal in 1947. Russian film director Vsevolod Pudovkin came to Calcutta at that time, watched this film, and being inspired, he bought the print of this film to release in Russia. The film was shown in 188 theaters in Russia. Plot The film is based on a story of Swarnakamal Bhattacharya. Depicting the physical pain and crisis, the film is about the partition of Bengal and the flow of refugees from East Pakistan (present Bangladesh) into India's West Bengal. The story of the film begins in a village of East Bengal where people (Hindus and Muslims) live peacefully. Govinda and Sumati are husband wife and they are about to have a child. But, the partiti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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