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Ritwik Ghatak
Ritwik Kumar Ghatak (; 4 November 19256 February 1976) was a noted Indian film director, screenwriter, and playwright. Along with prominent contemporary Bengali filmmakers Satyajit Ray, Tapan Sinha and Mrinal Sen, his cinema is primarily remembered for its meticulous depiction of social reality, partition and feminism. He won the National Film Award's Rajat Kamal Award for Best Story in 1974 for his ''Jukti Takko Aar Gappo'' and Best Director's Award from Bangladesh Cine Journalist's Association for ''Titash Ekti Nadir Naam''. The Government of India honoured him with the Padma Shri for Arts in 1970. Family Ritaban Ghatak, his son, is also a filmmaker and is involved in the Ritwik Memorial Trust. He has restored Ritwik's ''Bagalar Banga Darshan'', ''Ronger Golam'' and completed his unfinished documentary on Ramkinkar. He made a film titled ''Unfinished Ritwik''. He is working on adapting Bibhutibhushan Bandopadhyay's novel ''Ichhamati''. Ghatak's elder daughter Samhita, made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dacca
Dhaka ( or ; bn, ঢাকা, Ḍhākā, ), formerly known as Dacca, is the capital and largest city of Bangladesh, as well as the world's largest Bengali-speaking city. It is the eighth largest and sixth most densely populated city in the world with a population of 8.9 million residents as of 2011, and a population of over 21.7 million residents in the Greater Dhaka Area. According to a Demographia survey, Dhaka has the most densely populated built-up urban area in the world, and is popularly described as such in the news media. Dhaka is one of the major cities of South Asia and a major global Muslim-majority city. Dhaka ranks 39th in the world and 3rd in South Asia in terms of urban GDP. As part of the Bengal delta, the city is bounded by the Buriganga River, Turag River, Dhaleshwari River and Shitalakshya River. The area of Dhaka has been inhabited since the first millennium. An early modern city developed from the 17th century as a provincial capital and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bijon Bhattacharya
Bijon Bhattacharya ( bn, বিজন ভট্টাচার্য; 17 July 1906 – 19 January 1978) was an Indian theatre and film actor from West Bengal. He was an eminent playwright and dramatist. Bhattacharya was born in 1906 at Faridpur (now in Bangladesh) to a Hindu, Bengali Brahmin family, and was an early witness to the destitution and penury of the peasantry of that land. He became a member of the Indian People's Theatre Association (IPTA). Personal life Bijon Bhattacharya married the Jnanpith Award-winning Bengali writer, Mahasweta Devi. Their only son Nabarun Bhattacharya, a Bengali writer, was born in 1948. Works Dramas * ''Agun'' * ''Nabanna'' (Fresh Harvest) (1944) * ''Jabanbandi'' (Confession) * ''Kalanka'' * ''Mara Chand'' (Dead Moon) (1951) * ''Gotrantar'' (Change of Lineage) (1959) * ''Debi Garjan'' (Shouting of the Goddess) (1966) * ''Garbhabati Janani'' (Pregnant Mother) (1969) * ''Krishnapaksha'' * ''Aj Basanta'' * ''Chalo Sagare'' * ''Lash Ghuirya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Partition Of Bengal (1947)
The Partition of Bengal in 1947, part of the Partition of India, divided the British Indian province of Bengal based on the Radcliffe Line between the Dominion of India and the Dominion of Pakistan. The Hindu-majority West Bengal became a state of India, and the Muslim-majority East Bengal (now Bangladesh) became a province of Pakistan. On 20 June 1947, the Bengal Legislative Assembly met to decide the future of the Bengal Presidency on being a United Bengal within India or Pakistan or divided into East and West Bengal. At the preliminary joint session, the assembly decided by 120-90 that it should remain united if it joined the new Constituent Assembly of Pakistan. Later, a separate meeting of legislators from West Bengal decided 58-21 that the province should be partitioned and that West Bengal should join the existing Constituent Assembly of India. In another separate meeting of legislators from East Bengal, it was decided 106-35 that the province should not be partitioned a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian People’s Theatre Association
Indian People's Theatre Association (IPTA) is the oldest association of theatre-artists in India. IPTA was formed in 1943 during the British rule in India, and promoted themes related to the Indian freedom struggle. Its goal was to bring cultural awakening among the people of India. Beginning The Bangalore unit of IPTA was formed in 1941. IPTA was formed on 25 May 1943 at the National conference of theater artists held at the Marwari school, Bombay in response to the need for theater artists to become part of the Indian freedom struggle. Its origins lay in the first Progressive Writer's Association Conference that was held in 1936, the establishment of the Youth Cultural Institute at Calcutta in 1940, and the setting up of the People's Theatre in Bangalore by Anil De’ Silva in 1941. Its initial members consisted of various progressive cultural troupes, theatre groups and other progressive cultural activists. The name People's Theatre was suggested by the renowned scientist Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Communist Party Of India
Communist Party of India (CPI) is the oldest Marxist–Leninist communist party in India and one of the nine national parties in the country. The CPI was founded in modern-day Kanpur (formerly known as Cawnpore) on 26 December 1925. History Formation The Communist Party of India was formed on 26 December 1925 at the first Party Conference in Kanpur, which was then known as ''Cawnpore''. Its founders included M. N. Roy, his wife Evelyn Trent, Abani Mukherji, and M. P. T. Acharya. S.V. Ghate was the first General Secretary of CPI. There were many communist groups formed by Indians with the help of foreigners in different parts of the world, Tashkent group of Contacts were made with Anushilan and Jugantar the groups in Bengal, and small communist groups were formed in Bombay (led by S.A. Dange), Madras (led by Singaravelu Chettiar), United Provinces (led by Shaukat Usmani), Punjab, Sindh (led by Ghulam Hussain) and Bengal (led by Muzaffar Ahmed). Involvement in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nabanna (play)
''Nabanna'' is a Bengali language drama written by Bijon Bhattacharya and staged by the Indian People's Theatre Association (IPTA) in 1944 under the direction of Bijon Bhattacharya and Sombhu Mitra and later, in 1948, by Bohurupee under the direction of Kumar Roy. The play is about the Bengal famine of 1943. The Bengal IPTA took the play to many parts of India as a part of its festival, Voice of Bengal, and it became a major success and collected lakh A lakh (; abbreviated L; sometimes written lac) is a unit in the Indian numbering system equal to one hundred thousand (100,000; scientific notation: 105). In the Indian 2,2,3 convention of digit grouping, it is written as 1,00,000. For ex ...s of rupees for famine relief in rural Bengal. Plot The drama is about the Bengal famine of 1943 in which more than 2 million people died of starvation, malnutrition and disease. The main character is Pradhan Samaddar, a peasant in Bengal. The play presents the intensity of famin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bibhutibhushan Bandopadhyay
Bibhutibhushan Bandyopadhyay () (12 September 1894 – 1 November 1950) was an Indian writer in the Bengali language. His best known works are the autobiographical novel, ''Pather Panchali'' (''Song of the Little Road''), ''Aparajito (Undefeated)'', ''Chander Pahar (Mountain of the Moon)'', and '' Aranyak''. Early life and education The Bandyopadhyay family originated in the Panitar village near Basirhat, located in the North 24 Parganas district of modern-day West Bengal. Bandyopadhyay's great-grandfather, who was an Ayurvedic physician, eventually settled in Barrackpore village, near Gopalnagar, Banagram (now Bangaon), North 24 Parganas. However, Bandyopadhyay was born in Muratipur village, near Kalyani in Nadia, at his maternal uncle's house. His father, Mahananda Bandyopadhyay, was a Sanskrit scholar and story-teller by profession. Bandyopadhyay was the eldest of the five children of Mahananda and his wife Mrinalini. His childhood home was at Barrackpore in West Bengal. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titash Ekti Nadir Naam
''Titas Ekti Nadir Naam'' ( bn, তিতাস একটি নদীর নাম), or ''A River Called Titas'', is a 1973 film that was a joint production between India and Bangladesh directed by Ritwik Ghatak. The movie was based on a novel by the same name, written by Adwaita Mallabarman. The movie explores the life of the fishermen on the bank of the Titas River in Brahmanbaria, Bangladesh. Rosy Samad, Golam Mostafa, Kabori, Prabir Mitra, and Roushan Jamil acted in the main roles.Silver Jubilee, Bangladesh Film Archive celebrations, Events on the 2nd day Ersahad Kamol, The Daily Star, 11 June 2004. The shooting of the movie took a toll on Ghatak's health, as he was suffering from tuberculosis at the time. Alongside |
Jukti Takko Aar Gappo
''Jukti Takko Aar Gappo'' (''Jukti tôkko aːr gôppo'', ''Reason, Debate and a Story'') is a 1974 Bengali film directed by auteur of Indian cinema Ritwik Ghatak. ''Jukti Takko Aar Gappo'' was Ritwik Ghatak's last film. The film was believed to have a cinematography way ahead of its time. The film won National Film Award's Rajat Kamal Award for Best Story in 1974. Synopsis In this film Ghatak plays Nilkantha Bagchi, an alcoholic, disillusioned intellectual, in the character's own words "a broken intellectual". His wife leaves him taking away his books and records which were his only properties left. When Bagchi insisted she shouldn't, Durga replied that she is taking this away so that his son grows up with these books and music, but he managed to keep a fan which he sells to buy country liquor to start his unusual and abstract ride. His first companion was Naciketa, then a woman who is homeless comes to his house just when he was about to leave, she was Bongobala, a woman who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mrinal Sen
Mrinal Sen (''Beng.'' মৃণাল সেন; 14 May 1923 – 30 December 2018) was an Indian film director, and screenwriter known for his work primarily in Bengali, and few Hindi and Telugu language films. Regarded as one of the finest Indian filmmakers, along with his contemporaries Satyajit Ray, Ritwik Ghatak, and Tapan Sinha, Sen played major role in the New Wave cinema of eastern India. Sen has received various national and international honors including eighteen Indian National Film Awards. The Government of India honored him with the Padma Bhushan, and the Government of France honored him with the Ordre des Arts et des Lettres, while Russian Government honored him with the Order of Friendship. Sen was also awarded the Dadasaheb Phalke Award, the highest award for filmmakers in India. He was one of the few Indian filmmakers having won awards at the big three film festivals viz., Cannes, Venice and the Berlinale. Sen was a self described "private Marxist". Influenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tapan Sinha
Tapan Sinha (2 October 1924 – 15 January 2009) was one of the most prominent Indian film directors of his time forming a legendary quartet with Satyajit Ray, Ritwik Ghatak and Mrinal Sen. He was primarily a Bengali filmmaker who worked both in Hindi cinema and Bengali cinema, directing films like '' Kabuliwala'' (1957), ''Louha-Kapat'', ''Sagina Mahato'' (1970), ''Apanjan'' (1968), ''Kshudhita Pashan'' and children's film ''Safed Haathi'' (1978) and ''Aaj Ka Robinhood''. Sinha started his career in 1946, as a sound engineer with New Theatres film production house in Kolkata, then in 1950 left for England where he worked at Pinewood Studios for next two years, before returning home to start his six decade long career in Indian cinema, making films in Bengali, Hindi and Oriya languages, straddling genres from social realism, family drama, labor rights, to children's fantasy films. He was one of the acclaimed filmmakers of Parallel Cinema movement of India. Personal life and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyajit Ray
Satyajit Ray (; 2 May 1921 – 23 April 1992) was an Indian director, screenwriter, documentary filmmaker, author, essayist, lyricist, magazine editor, illustrator, calligrapher, and music composer. One of the greatest auteurs of film-making, Ray is celebrated for works including ''The Apu Trilogy'' (1955–1959), ''The Music Room'' (1958), ''The Big City'' (1963) and ''Charulata'' (1964). Ray was born in Calcutta to nonsense rhyme author Sukumar Ray. Starting his career as a commercial artist, Ray was drawn into independent film-making after meeting French filmmaker Jean Renoir and viewing Vittorio De Sica's Italian neorealist film ''Bicycle Thieves'' (1948) during a visit to London. Ray directed 36 films, including feature films, documentaries and shorts. Ray's first film, ''Pather Panchali'' (1955) won eleven international prizes, including the inaugural Best Human Document award at the 1956 Cannes Film Festival. This film, along with ''Aparajito'' (1956) and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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