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Méthode Pour La Guitare
The is a method for the classical guitar originally written in French by Spanish guitarist and composer Fernando Sor. The method was written with the early romantic guitar in mind (Sor mentions some 19th-century guitar-builders: J. Panormo, Schroeder of Petersburg, Alonso of Madrid, Pages and Benitez of Cadiz, Joseph and Manuel Martinez of Malaga, Rada, and Lacôte of Paris), but it is not only about instrumental technique, but also includes details about the theory of scales, harmony, sonority, composition, and above all music as an art. French and German edition The first edition was in French and appeared in Paris in 1830 with the title of '. Brian Jeffery (the modern publisher of A. Merrick's old English translation) mentions: "It is the only version known to have Sor's direct authority. Now extremely rare, it was never reprinted; indeed, an early biographer of Sor (Baltasar Saldoni in his ''Diccionario de Efemérides de Músicos Españoles'', I, Madrid, 1868) says (he doe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Guitar
The classical guitar (also known as the nylon-string guitar or Spanish guitar) is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern acoustic and electric guitars, both of which use metal strings. Classical guitars derive from the Spanish vihuela and gittern of the fifteenth and sixteenth century. Those instruments evolved into the seventeenth and eighteenth-century baroque guitar—and by the mid-nineteenth century, early forms of the modern classical guitar. For a right-handed player, the traditional classical guitar has twelve frets clear of the body and is properly held up by the left leg, so that the hand that plucks or strums the strings does so near the back of the sound hole (this is called the classical position). However, the right-hand may move closer to the fretboard to achieve different tonal qualities. The player typically holds the left leg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Napoléon Coste
Claude Antoine Jean Georges Napoléon Coste (27 June 1805 – 14 January 1883) was a French classical guitarist and composer. Biography Napoléon Coste was born in Amondans (Doubs), near Besançon, France. He was first taught the guitar by his mother, an accomplished player. As a teenager he became a teacher of the instrument and appeared in three concerts in the Franche-Comté. In 1829, at the age of 24, he moved to Paris where he studied under Fernando Sor and quickly established himself as the leading French virtuoso guitarist ource: Ari van Vliet: Napoléon Coste, Biography, 2016However, the demand for guitarists was in decline and, though his brilliance provided financial stability he had to self-publish his works. Napoléon Coste was influenced by the Early Classical-Romantic composers of the time including Hector Berlioz. Coste's Opus no.47, La Source du Lyson is inspired by nature much like Berlioz's program music. Coste injured his left shoulder in 1863 as a result of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Education
Music education is a field of practice in which educators are trained for careers as elementary or secondary music teachers, school or music conservatory ensemble directors. Music education is also a research area in which scholars do original research on ways of teaching and learning music. Music education scholars publish their findings in peer-reviewed journals, and teach undergraduate and graduate education students at university education or music schools, who are training to become music teachers. Music education touches on all learning domains, including the psychomotor domain (the development of skills), the cognitive domain (the acquisition of knowledge), and, in particular and the affective domain (the learner's willingness to receive, internalize, and share what is learned), including music appreciation and sensitivity. Many music education curriculums incorporate the usage of mathematical skills as well fluid usage and understanding of a secondary language or cult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar études
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breitkopf & Härtel
Breitkopf & Härtel is the world's oldest music publishing house. The firm was founded in 1719 in Leipzig by Bernhard Christoph Breitkopf. The catalogue currently contains over 1,000 composers, 8,000 works and 15,000 music editions or books on music. The name "Härtel" was added when Gottfried Christoph Härtel took over the company in 1795. In 1807, Härtel began to manufacture pianos, an endeavour which lasted until 1870. The Breitkopf pianos were highly esteemed in the 19th century by pianists like Franz Liszt and Clara Schumann. In the 19th century the company was for many years the publisher of the ''Allgemeine musikalische Zeitung'', an influential music journal. The company has consistently supported contemporary composers and had close editorial collaboration with Beethoven, Haydn, Mendelssohn, Schumann, Chopin, Liszt, Wagner and Brahms. In the 19th century they also published the first "complete works" editions of various composers, for instance Bach (the Bach-Gesells ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allgemeine Musikalische Zeitung
The ''Allgemeine musikalische Zeitung'' (''General music newspaper'') was a German-language periodical published in the 19th century. Comini (2008) has called it "the foremost German-language musical periodical of its time". It reviewed musical events taking place in many countries, focusing on the German-speaking nations, but also covering France, Italy, Russia, Britain, and even occasionally America. Its impartiality and adherence to basic principles of credibility and discretion regarding the personal position of those reviewed, assured and established itself in a high position as a periodical in the musical German society of the time, exercising great influence on the period. History The periodical appeared in two series: a weekly magazine published between 1798 and 1848, and a revived version which lasted from 1866 to 1882. The publisher was Breitkopf & Härtel in Leipzig for the first period of publication and for the first three years of the second period; for the remainde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adrien-Jean-Quentin Beuchot
Adrien-Jean-Quentin Beuchot (13 March 1777, in Paris – 8 April 1851, in Paris) was a 19th-century French bibliographer. Raised by the oratorians of Lyon, He then worked briefly with a notary, and eventually studied medicine. In 1794 he was appointed surgeon adjutant by the ninth battalion of the Isère department. Literature Back into civilian life as soon as it was possible for him, Beuchot published his first literary essays in the ''Bulletin des Petites Affiches'' of Lyon. In 1801 he moved to Paris where he cooperated to the ''Courrier des Spectacles'' by Édouard-Marie-Joseph Lépan and in 1802, he published with Dominique Boutard a comédie en vaudeville entitled ''les Prisonniers de Londres, ou les Préliminaires de paix'', and inserted several light poems in different collections. In 1808, he was active with the ''Nouvel Almanach des Muses'', and wrote several obituaries An obituary ( obit for short) is an article about a recently deceased person. Newspapers of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Ebers
John Ebers (baptised 1778 – 8 December 1858) was an English operatic manager, notable for his promotion of Italian opera in London in the 1820s. Early life Ebers was born in Hertford, and was baptised there at St. Andrew's Church on 24 July 1778. Around 1810 he took over his father's bookselling business at 27 Old Bond Street, He seems to have been commercially successful, as he is described, at the beginning of his career as a manager, as 'an opulent bookseller in Bond Street, who has been largely engaged in the interests of the holders of property-boxes for some years'. From this it would seem that he had acted as a kind of ticket agent. First Italian opera season In 1820 the London season of Italian opera at the King's Theatre had come to a premature end, after its director had fled the country leaving the orchestra unpaid. Ebers, who had lent money to the theatre and had the assignment of several of the opera' s boxes as part of his ticket-selling business, took on the task ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Ladislav Dussek
Jan Ladislav Dussek (baptized Jan Václav Dusík, Černušák, p. 271 with surname also written as Duschek or Düssek; 12 February 176020 March 1812) was a Czech classical composer and pianist. He was an important representative of Czech music abroad in the second half of the 18th century and the beginning of the 19th century. Some of his more forward-looking piano works have traits often associated with Romanticism. Dusík ( 1984), p. xxiii Dussek was one of the first piano virtuosos to travel widely throughout Europe. He performed at courts and concert venues from London to Saint Petersburg to Milan, and was celebrated for his technical prowess. During a nearly ten-year stay in London, he was instrumental in extending the size of the pianoforte, and was the recipient of one of John Broadwood's first 6-octave pianos, CC-c4. Harold Schonberg wrote that he was the first pianist to sit at the piano with his profile to the audience, earning him the appellation "le beau visage." A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cirencester
Cirencester (, ; see below for more variations) is a market town in Gloucestershire, England, west of London. Cirencester lies on the River Churn, a tributary of the River Thames, and is the largest town in the Cotswolds. It is the home of the Royal Agricultural University, the oldest agricultural college in the English-speaking world, founded in 1840. The town had a population of 20,229 in 2021. The Roman name for the town was Corinium, which is thought to have been associated with the ancient British tribe of the ''Dobunni'', having the same root word as the River Churn. The earliest known reference to the town was by Ptolemy in AD 150. The town's Corinium Museum has an extensive Roman collection. Cirencester is twinned with the town of Itzehoe, in the Steinburg region of Germany. Local geography Cirencester lies on the lower dip slopes of the Cotswold Hills, an outcrop of oolitic limestone. Natural drainage is into the River Churn, which flows roughly north to south ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernando Sor
Fernando Sor (bapt. 14 Feb. 1778, died 10 July 1839) was a Spanish classical guitarist and composer of the Romantic music, Early Romantic era. Best known for writing solo classical guitar music, he also composed an opera (at the age of 19), three symphonies, guitar duos, piano music, songs, a Mass, and at least two successful ballets: ''Cinderella'', which received over one hundred performances, and ''Hercule et Omphale''. Partly because Sor was himself such a classical guitar virtuoso—contemporaries considered him to be the best in the world—he made a point of writing didactic music for players of that instrument of all levels. His Twelve Studies Op. 6, the Twelve Studies Op. 29, the (24) Progressive Lessons Op. 31, and the (24) Very Easy Exercises Op. 35 have been widely played for two hundred years and are regularly reprinted. On the other hand, some of Sor's music, not least his popular ''Introduction and Variations on Mozart's "Das klinget so herrlich"'' Op. 9, is fiend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolaus Simrock
Nikolaus Simrock (23 August 1751 in Mainz – 12 June 1832 in Bonn) was a German horn player at the court of the Electorate of Cologne, Elector of Cologne in Bonn and a music publisher. He was a friend of Ludwig van Beethoven and founder of the N. Simrock music publishing house. "Highly esteemed as a man and a musician", he remained in contact with Beethoven throughout the 1790s and is regarded as a "reliable witness" to Beethoven's years in Bonn. Biography Simrock was born in Mainz, the son of a corporal, and was a horn player in a French military chapel before age 16. He applied at the Cologne Elector Maximilian Friedrich von Königsegg-Rothenfels, Maximilian Frederick for a job in the Bonn court orchestra. He began working there in April 1775 as "bugler" with an annual salary of 300 florins. The young Beethoven later played in the same orchestra. Simrock was one of the most famous philosophers of the Era of Enlightenment, Enlightenment in the elector's residence. Like his coll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
