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John Ebers
John Ebers (baptised 1778 – 8 December 1858) was an English operatic manager, notable for his promotion of Italian opera in London in the 1820s. Early life Ebers was born in Hertford, and was baptised there at St. Andrew's Church on 24 July 1778. Around 1810 he took over his father's bookselling business at 27 Old Bond Street, He seems to have been commercially successful, as he is described, at the beginning of his career as a manager, as 'an opulent bookseller in Bond Street, who has been largely engaged in the interests of the holders of property-boxes for some years'. From this it would seem that he had acted as a kind of ticket agent. First Italian opera season In 1820 the London season of Italian opera at the King's Theatre had come to a premature end, after its director had fled the country leaving the orchestra unpaid. Ebers, who had lent money to the theatre and had the assignment of several of the opera' s boxes as part of his ticket-selling business, took on the task ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baptism
Baptism (from grc-x-koine, βάπτισμα, váptisma) is a form of ritual purification—a characteristic of many religions throughout time and geography. In Christianity, it is a Christian sacrament of initiation and adoption, almost invariably with the use of water. It may be performed by sprinkling or pouring water on the head, or by immersing in water either partially or completely, traditionally three times, once for each person of the Trinity. The synoptic gospels recount that John the Baptist baptised Jesus. Baptism is considered a sacrament in most churches, and as an ordinance in others. Baptism according to the Trinitarian formula, which is done in most mainstream Christian denominations, is seen as being a basis for Christian ecumenism, the concept of unity amongst Christians. Baptism is also called christening, although some reserve the word "christening" for the baptism of infants. In certain Christian denominations, such as the Lutheran Churches, baptism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ricciardo E Zoraide
''Ricciardo e Zoraide'' (''Ricciardo and Zoraide'') is an opera in two acts by Gioachino Rossini to an Italian libretto by Francesco Berio di Salsa. The text is based on cantos XIV and XV of '' Il Ricciardetto'', an epic poem by Niccolò Forteguerri. Performance history ''Ricciardo e Zoraide'' was first performed at the Teatro San Carlo, Naples, on 3 December 1818. It continued to be performed until 1846 but fell out of favor afterwards and was not performed in public again until its revival at the Pesaro Rossini Opera Festival in 1990. The Rossini Opera Festival featured a new production of the opera in 2018. Among other performances, the opera received a production at the Rossini in Wildbad festival in 2013. Roles Synopsis :Place: the city of Dongola in ancient Nubia. :Time: The time of the Crusades The Nubian King Agorante, who is infatuated with Zoraide, has defeated her father, Ircano and captured her. Ricciardo, a Christian knight and Zoraide's lover, accompanies a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Velluti (castrato)
Giovanni Battista Velluti, colloquially "Giambattista" (28 January 1780 – 22 January 1861), was an Italian castrato. Considered "the last great castrato", he had a reputation of being something of a diva, with some singers refusing to appear with him. Biography Born in Pausula (near Macerata), Italy, a local doctor castrated him at the age of eight as treatment for a cough and high fever. Velluti's father, who had planned on a military career for his son, enrolled him in musical training. He became close friends with Luigi Cardinal Chiaramonte, the man who would become Pope Pius VII, after singing a cantata sometime in his teenage years. In 1800, he made his debut at Forlì. The last great castrato roles were composed specifically for him: Arsace in Rossini's ''Aureliano in Palmira'' (1813) and Armando in Meyerbeer's ''Il crociato in Egitto'' (1824). He made his London debut in 1825 in ''Il crociato in Egitto''. The crowds reacted poorly to his initial performances as he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Meyerbeer
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le diable'' and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the nineteenth century. Born to a rich Jewish family, Meyerbeer began his musical career as a pianist but soon decided to devote himself to opera, spending several years in Italy studying and composing. His 1824 opera '' Il crociato in Egitto'' was the first to bring him Europe-wide reputation, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semiramide
''Semiramide'' () is an opera in two acts by Gioachino Rossini. The libretto by Gaetano Rossi is based on Voltaire's tragedy ''Semiramis'', which in turn was based on the legend of Semiramis of Assyria. The opera was first performed at La Fenice in Venice on 3 February 1823. ''Semiramide'' was Rossini's final Italian opera and according to Richard Osborne, "could well be dubbed ''Tancredi Revisited''". As in ''Tancredi'', Rossi's libretto was based on a Voltaire tragedy. The music took the form of a return to vocal traditions of Rossini's youth, and was a melodrama in which he "recreated the baroque tradition of decorative singing with unparalleled skill". The ensemble-scenes (particularly the duos between Arsace and Semiramide) and choruses are of a high order, as is the orchestral writing, which makes full use of a large pit. After this splendid work, one of his finest in the genre, Rossini turned his back on Italy and moved to Paris. Apart from ''Il viaggio a Reims'', which i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haymarket Theatre
The Theatre Royal Haymarket (also known as Haymarket Theatre or the Little Theatre) is a West End theatre on Haymarket in the City of Westminster which dates back to 1720, making it the third-oldest London playhouse still in use. Samuel Foote acquired the lease in 1747, and in 1766 he gained a royal patent to play legitimate drama (meaning spoken drama, as opposed to opera, concerts or plays with music) in the summer months. The original building was a little further north in the same street. It has been at its current location since 1821, when it was redesigned by John Nash. It is a Grade I listed building, with a seating capacity of 888. The freehold of the theatre is owned by the Crown Estate. The Haymarket has been the site of a significant innovation in theatre. In 1873, it was the venue for the first scheduled matinée performance, establishing a custom soon followed in theatres everywhere. Its managers have included Benjamin Nottingham Webster, John Baldwin Buckstone, S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Chancellor
The lord chancellor, formally the lord high chancellor of Great Britain, is the highest-ranking traditional minister among the Great Officers of State in Scotland and England in the United Kingdom, nominally outranking the prime minister. The lord chancellor is appointed by the sovereign on the advice of the prime minister. Prior to their Union into the Kingdom of Great Britain, there were separate lord chancellors for the Kingdom of England (including Wales) and the Kingdom of Scotland; there were lord chancellors of Ireland until 1922. The lord chancellor is a member of the Cabinet and is, by law, responsible for the efficient functioning and independence of the courts. In 2005, there were a number of changes to the legal system and to the office of the lord chancellor. Formerly, the lord chancellor was also the presiding officer of the House of Lords, the head of the judiciary of England and Wales and the presiding judge of the Chancery Division of the High Court of Justic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isabella Colbran
Isabella Angela Colbran (2 February 1785 – 7 October 1845) was a Spanish opera soprano and composer. She was known as the muse and first wife of composer Gioachino Rossini. Early years Colbran was born in Madrid, Spain, to Giovanni Colbran, King of Spain Carlo III's head court musician and violinist, and Teresa Ortola. She started her musical studies as a singer and composer at the age of six with composer and cellist Francisco Parjea, castrato Carlo Martinelli, and famous castrato and composer Girolamo Crescentini. In 1801, Colbran and her father moved to Paris where she made her concert debut and was warmly received by Napoleon's court. Both of them traveled to Italy, going to Milan, Venice, Rome, before settling and moving permanently to Naples. She inherited land in Sicily and a villa in Castenaso in 1820, after her father's death. Opera career Colbran's dramatic soprano voice and sizable three octave range allowed her to have extremely successful opera career. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zelmira
''Zelmira'' () is an opera in two acts by Gioachino Rossini to a libretto by Andrea Leone Tottola. Based on the French play, ''Zelmire'' by de Belloy, it was the last of the composer's Neapolitan operas. Stendhal called its music Teutonic, comparing it with ''La clemenza di Tito'' but remarking: "...while Mozart would probably, had he lived, have grown completely Italian, Rossini may well, by the end of his career, have become more German than Beethoven himself!" Performance history The first performance of ''Zelmira'' was in Naples at the Teatro di San Carlo on 16 February 1822. This was followed by a successful premiere in Vienna on 13 April 1822, as part of a three-month-long Rossini Festival for which Rossini wrote some additional music. Performances in several Italian cities were followed by the London premiere on 24 January 1824, with Rossini conducting and Isabella Colbran (now his wife) in the title role. It was seen in Paris in 1826. There was one presentation in the U ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucia Elizabeth Vestris
Lucia Elizabeth Vestris (''née'' Elizabetta Lucia Bartolozzi; 3 March 1797 – 8 August 1856) was an English actress and a contralto opera singer, appearing in works by, among others, Mozart and Rossini. While popular in her time, she was more notable as a theatre producer and manager. After accumulating a fortune from her performances, she leased the Olympic Theatre in London and produced a series of burlesques and extravaganzas, especially popular works by James Planché, for which the house became famous. She also produced his work at other theatres she managed. Early life and education She was born in London in 1797, the first of two daughters of German pianist Theresa Jansen Bartolozzi and art dealer Gaetano Stefano Bartolozzi. He was a musician and son of the immigrant Francesco Bartolozzi, a noted artist and engraver, appointed as Royal Engraver to the king. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
