Mr. Children 1996–2000
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Mr. Children 1996–2000
''Mr. Children 1996–2000'', is a compilation album by Mr. Children, released on July 11, 2001. This is a compilation of selected album and single tracks from 1996 to 2000, released on the same day as '' Mr. Children 1992–1995''. It is the eleventh best-selling album of 2001 in Japan, according to Oricon. Track listing # 名もなき詩(Namonaki Uta) – 5:31 # 花 -Memento-Mori- – 4:49 # Mirror – 3:02 # Everything (It's you) "Everything (It's You)" is the thirteenth single released by Japanese rock band Mr. Children on February 5, 1997. The song was the theme song of Japanese television drama ''Koi no Vacance''. The single debuted at No. 1 on the Japanese Oricon weekl ... – 5:24 # ALIVE – 6:43 # ニシエヒガシエ(Nishi e Higashi e) – 5:00 # 光の射す方へ(Hikari no sasu hō e) – 6:53 # 終わりなき旅(Owarinaki Tabi) – 7:09 # ラララ(La la la) – 5:23 # – 5:10 # – 5:50 # NOT FOUND – 4:56 # Hallelujah – 6:47 {{DEFAULTSORT:Mr. ...
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Pop Rock
Pop rock (also typeset as pop/rock) is a fusion genre with an emphasis on professional songwriting and recording craft, and less emphasis on attitude than rock music. Originating in the late 1950s as an alternative to normal rock and roll, early pop rock was influenced by the beat, arrangements, and original style of rock and roll (and sometimes doo-wop). It may be viewed as a distinct genre field rather than music that overlaps with pop and rock. The detractors of pop rock often deride it as a slick, commercial product and less authentic than rock music. Characteristics and etymology Much pop and rock music has been very similar in sound, instrumentation and even lyrical content. The terms "pop rock" and "power pop" have been used to describe more commercially successful music that uses elements from, or the form of, rock music. Writer Johan Fornas views pop/rock as "one single, continuous genre field", rather than distinct categories. To the authors Larry Starr and Chri ...
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Power Pop
Power pop (also typeset as powerpop) is a form of pop rock based on the early music of bands such as the Who, the Beatles, the Beach Boys, and the Byrds. It typically incorporates melodic hooks, vocal harmonies, an energetic performance, and cheerful sounding music underpinned by a sense of yearning, longing, or despair. The sound is primarily rooted in pop and rock traditions of the early to mid-1960s, although some acts have occasionally drawn from later styles such as punk, new wave, glam rock, pub rock, college rock, and neo-psychedelia. Originating in the 1960s, power pop developed mainly among American musicians who came of age during the British Invasion. Many of these young musicians wished to retain the "teenage innocence" of pop and rebelled against newer forms of rock music that were thought to be pretentious and inaccessible. The term was coined in 1967 by the Who guitarist and songwriter Pete Townshend to describe his band's style of music. However, power pop bec ...
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Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ...
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Alternative Rock
Alternative rock, or alt-rock, is a category of rock music that emerged from the independent music underground of the 1970s and became widely popular in the 1990s. "Alternative" refers to the genre's distinction from Popular culture, mainstream or commercial rock or pop music. The term's original meaning was broader, referring to musicians influenced by the musical style or independent, DIY ethic, DIY ethos of late-1970s punk rock.di Perna, Alan. "Brave Noise—The History of Alternative Rock Guitar". ''Guitar World''. December 1995. Traditionally, alternative rock varied in terms of its sound, social context, and regional roots. Throughout the 1980s, magazines and zines, college radio airplay, and word of mouth had increased the prominence and highlighted the diversity of alternative rock's distinct styles (and music scenes), such as noise pop, indie rock, grunge, and shoegaze. In September 1988, Billboard (magazine), ''Billboard'' introduced "alternative" into their charting ...
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Toy's Factory
is a Japanese record label founded in the late 1980s as a subsidiary of the entertainment company VAP, based in Japan. On May 30, 1990, it was established as an independent company. Toy's Factory, as of the first half of 2012, is the fourth-biggest Japanese record label. Sub-labels * Bellissima! * BMD Fox Records * Carnage * Deep Blue * Idyllic * Jūonbu Records * Kimi * Meme Tokyo * Noframes Recordings Notable artists *Armageddon *Babymetal – on Jūonbu Records and then BMD Fox Records *Brahman - on Noframes *Bump of Chicken *Daoko * Dempagumi.inc *meme tokyo. *Ego-Wrappin' *Eve *Livetune *Mr. Children * Reol *Salyu * Sekai no Owari *Shōnan no Kaze *Unison Square Garden *Yuzu *Toshiki Masuda is a Japanese voice actor and singer previously affiliated with Space Craft Group. He became a freelancer in August 2018. He joined the record label Toy's Factory in November 2018 as a voice actor and solo singer. Biography Masuda was born on Ma ... References External ...
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It's A Wonderful World (album)
''It's a Wonderful World'' is the ninth studio album released by Mr. Children , commonly referred to by their contracted nickname , are a Japanese pop rock band formed in 1989. Consisting of Kazutoshi Sakurai, Kenichi Tahara, Keisuke Nakagawa, and Hideya Suzuki, they made their major label debut in 1992. They are one of t ..., released on May 10, 2002, which marks the tenth anniversary of their first album's release. Track listing # overture - 1:56 # - 6:08 # Dear wonderful world - 2:18 # one two three - 5:00 # - 5:14 # youthful days - 5:18 # - 4:53 # Bird Cage - 6:34 # - 5:22 # UFO - 5:07 # Drawing - 5:44 # - 4:33 # - 3:32 # - 3:36 # It's a wonderful world - 4:14 {{DEFAULTSORT:It's a Wonderful World 2002 albums Mr. Children albums Albums produced by Takeshi Kobayashi 2000s Japanese-language albums ...
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Oricon
, established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in November 1967 and became known for its music charts. Oricon Inc. was originally set up as a subsidiary of Original Confidence and took over the latter's Oricon record charts in April 2002. The charts are compiled from data drawn from some 39,700 retail outlets (as of April 2011) and provide sales rankings of music CDs, DVDs, electronic games, and other entertainment products based on weekly tabulations. Results are announced every Tuesday and published in ''Oricon Style'' by subsidiary Oricon Entertainment Inc. The group also lists panel survey-based popularity ratings for television commercials on its official website. Oricon started publishing Combined Chart, which includes CD sales, digital sales, and streaming together, on December 19, 2 ...
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Namonaki Uta
"" is the tenth single by Mr. Children, released by Toy's Factory on February 5, 1996. The cover of the single is Kazutoshi Sakurai's face whose tongue was written "no name". "Namonaki Uta" was used as the theme song of Japanese television drama ''Pure''. On the Japanese Oricon weekly chart, the single "Namonaki Uta" opened at number-one with the first week sales of over 1.208 million copies, establishing the Japanese highest first-week single sales record. It topped the 1996 Oricon yearly single charts and sold over 2.308 million copies in total. It is the second best-selling song for the band behind their 1994 single "Tomorrow Never Knows (Mr. Children song), Tomorrow Never Knows." The song was covered by Kohmi Hirose on her 2010 album ''Drama Songs''. Track listing References 1996 singles Oricon Weekly number-one singles Mr. Children songs Japanese television drama theme songs Songs written by Kazutoshi Sakurai 1996 songs Toy's Factory singles {{1990s-s ...
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Hana (Mémento Mori)
"" is the eleventh single by the Japanese rock band Mr. Children. The song was released as one of the lead-off singles from the album '' Shinkai'' on April 10, 1996 on only 500 yen, because its compact disc not contains any B-Sides or Karaoke versions. Like the previous materials, "Hana" also debuted at the number-one on the Japanese Oricon chart, and remained the peak position for a couple of weeks, finally selling more than 1.5 million copies. The Latin subtitle Subtitles and captions are lines of dialogue or other text displayed at the bottom of the screen in films, television programs, video games or other visual media. They can be transcriptions of the screenplay, translations of it, or informati ... of the song which means "think about the death" was named after the photo book that made songwriter impressed, which was taken and edited by Shinya Fujiwara. When the re-recorded version of the song was featured on B-side of a single "Yasashii Uta" released in 2001, it ...
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Shinkai (album)
is the 5th studio album recorded by Japanese rock band Mr. Children, released in June 1996 under the record label Toy's Factory. After their breakthrough in 1994, Mr. Children yielded eight consecutive chart-topping singles. Three of those hits appeared on the album; "Na mo Naki Uta", "Hana (Mémento-Mori)", and "Machine Gun o Buppanase" — while others were reserved for their subsequent release ''Bolero'' in 1997. Kazutoshi Sakurai, the chief singer-songwriter of the band named the album's working title as , which was misheard by his band-mate as "Shinkai" (lit. "deep sea"). Sakurai, who favored the sound of the phrase, decided to change the title of the album. ''Shinkai'' was a sort of concept album, featuring more insightful compositions and harder-edged sound compared to the band's previous materials. The whole album is played gaplessly, though each tracks are separated on CD. They had not anticipated that such an adventurous effort would be a big hit. Contrary to the ...
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Everything (It's You)
"Everything (It's You)" is the thirteenth single released by Japanese rock band Mr. Children on February 5, 1997. The song was the theme song of Japanese television drama ''Koi no Vacance''. The single debuted at No. 1 on the Japanese Oricon weekly single charts. "Everything (It's You)" was certified as a million-selling single by the Recording Industry Association of Japan The is an industry trade group composed of Japanese corporations involved in the music industry. It was founded in 1942 as the Japan Phonogram Record Cultural Association, and adopted its current name in 1969. The RIAJ's activities include pr .... Track listing References 1997 singles Oricon Weekly number-one singles Mr. Children songs Japanese television drama theme songs Songs written by Kazutoshi Sakurai 1997 songs Toy's Factory singles {{1990s-Japan-single-stub ...
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Bolero (Mr
Bolero is a genre of song which originated in eastern Cuba in the late 19th century as part of the trova tradition. Unrelated to the older Spanish dance of the same name, bolero is characterized by sophisticated lyrics dealing with love. It has been called the "quintessential Latin American romantic song of the twentieth century". Unlike the simpler, thematically diverse ''canción'', bolero did not stem directly from the European lyrical tradition, which included Italian opera and canzone, popular in urban centers like Havana at the time. Instead, it was born as a form of romantic folk poetry cultivated by a new breed of troubadour from Santiago de Cuba, the ''trovadores''. Pepe Sánchez is considered the father of this movement and the author of the first bolero, "Tristezas", written in 1883. Originally, boleros were sung by individual ''trovadores'' while playing guitar. Over time, it became common for trovadores to play in groups as ''dúos'', ''tríos'', ''cuartetos'', etc ...
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