Michel Carré
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Michel Carré
Michel Carré (20 October 1821, Besançon – 27 June 1872, Argenteuil) was a prolific French librettist. He went to Paris in 1840 intending to become a painter but took up writing instead. He wrote verse and plays before turning to writing libretti. He wrote the text for Charles Gounod's ''Mireille'' (1864) on his own, and collaborated with Eugène Cormon on Bizet's ''Les pêcheurs de perles''. However, the majority of his libretti were completed in tandem with Jules Barbier, with whom he wrote the libretti for numerous operas, including Camille Saint-Saëns's ''Le timbre d'argent'' (libretto written in 1864, first performed in 1877), Gounod's ''Faust'' (1859), '' Roméo et Juliette'' (1867), and Offenbach's ''Les contes d'Hoffmann'' (1881). As with the other libretti by Barbier and himself, these were adaptations of existing literary masterworks. His son, Michel-Antoine (1865–1945), followed in his father's footsteps, also writing libretti, and later directing silent films. ...
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Michel Carré - 'L'Art Français' - Gallica (cropped)
Michel may refer to: * Michel (name), a given name or surname of French origin (and list of people with the name) * Míchel (nickname), a nickname (a list of people with the nickname, mainly Spanish footballers) * Míchel (footballer, born 1963), Spanish former footballer and manager * ''Michel'' (TV series), a Korean animated series * German auxiliary cruiser ''Michel'' * Michel catalog, a German-language stamp catalog * St. Michael's Church, Hamburg or Michel * S:t Michel, a Finnish town in Southern Savonia, Finland People * Alain Michel (other), several people * Ambroise Michel (born 1982), French actor, director and writer. * André Michel (director), French film director and screenwriter * André Michel (lawyer), human rights and anti-corruption lawyer and opposition leader in Haiti * Anette Michel (born 1971), Mexican actress * Anneliese Michel (1952 - 1976), German Catholic woman undergone exorcism * Annett Wagner-Michel (born 1955), German Woman International ...
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Albert Carré
Albert Carré (born Strasbourg 22 June 1852, died Paris 12 December 1938) was a French theatre director, opera director, actor and librettist. He was the nephew of librettist Michel Carré (1821–1872) and cousin of cinema director Michel Carré (1865–1945). His wife was the French soprano Marguerite Carré (1880–1947). For over 50 years Albert Carré was a central personality in the theatrical and musical life of Paris. Life and work Leaving Alsace for Paris in 1870, Carré studied drama at the Paris Conservatoire, winning a 2nd prize in comedy, and was engaged at the Théâtre du Vaudeville, leading to a successful career as an actor, before becoming co-director of the Vaudeville in Paris and later the Théâtre-Libre and the Comédie-Française.Langham Smith R. "Albert Carré". In: '' New Grove Dictionary of Opera'', Macmillan, London and New York, 1997. He left the Vaudeville to become director of the Opéra in Nancy, where he also helped institute a regular season o ...
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La Colombe
''La Colombe'' (''The Dove'') is an ''opéra comique'' in two acts by Charles Gounod with a libretto by Jules Barbier and Michel Carré based on the poem ''Le Faucon'' by Jean de la Fontaine. It premiered in a one-act version at the Theater der Stadt in Baden-Baden on 3 August 1860, where it was well received and performed four times. It was revived on 7 June 1866 by the Opéra-Comique at the Salle Favart in Paris in an expanded two-act version with additional music by Gounod. Performance history Gounod's previous opera, ''Philémon et Baucis'', also with a text by Barbier and Carré based on a story by La Fontaine, had originally been commissioned for the summer season of 1859 by Édouard Bénazet, the director of the theatre and casino at Baden-Baden. When the political situation between France and Germany deteriorated in June, Gounod's opera was preemptively withdrawn to avoid potential negative reaction from German audiences, and it ended up being premiered in an expanded fo ...
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Ovid
Pūblius Ovidius Nāsō (; 20 March 43 BC – 17/18 AD), known in English as Ovid ( ), was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is often ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists.Quint. ''Inst.'' 10.1.93 Although Ovid enjoyed enormous popularity during his lifetime, the emperor Augustus banished him to Tomis, a Dacian province on the Black Sea, where he remained a decade until his death. Overview A contemporary of the older poets Virgil and Horace, Ovid was the first major Roman poet to begin his career during Augustus's reign. Collectively, they are considered the three canonical poets of Latin literature. The Imperial scholar Quintilian described Ovid as the last of the Latin love elegists.Quint. ''Inst.'' 10.1.93 He enjoyed enormous popularity during his lifetime, but the emperor Augus ...
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Jean De La Fontaine
Jean de La Fontaine (, , ; 8 July 162113 April 1695) was a French fabulist and one of the most widely read French poets of the 17th century. He is known above all for his ''Fables'', which provided a model for subsequent fabulists across Europe and numerous alternative versions in France, as well as in French regional languages. After a long period of royal suspicion, he was admitted to the French Academy and his reputation in France has never faded since. Evidence of this is found in the many pictures and statues of the writer, later depictions on medals, coins and postage stamps. Life Early years La Fontaine was born at Château-Thierry in France. His father was Charles de La Fontaine, maître des eaux et forêts – a kind of deputy-ranger – of the Duchy of Château-Thierry; his mother was Françoise Pidoux. Both sides of his family were of the highest provincial middle class; though they were not noble, his father was fairly wealthy. Jean, the eldest child, was educa ...
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Baucis And Philemon
In Ovid's moralizing fables collected as ''Metamorphoses'' is his telling of the story of Baucis and Philemon, which stands on the periphery of Greek mythology and Roman mythology. Baucis and Philemon were an old married couple in the region of Tyana, which Ovid places in Phrygia, and the only ones in their town to welcome disguised gods Zeus and Hermes (in Roman mythology, Jupiter and Mercury respectively), thus embodying the pious exercise of hospitality, the ritualized guest-friendship termed '' xenia'', or ''theoxenia'' when a god was involved. Story Zeus and Hermes came disguised as ordinary peasants, and began asking the people of the town for a place to sleep that night. They had been rejected by all, "so wicked were the people of that land," when at last they came to Baucis and Philemon's simple rustic cottage. Though the couple was poor, their generosity far surpassed that of their rich neighbors, among whom the gods found “doors bolted and no word of kindness." Af ...
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Philémon Et Baucis
(''Philemon and Baucis'') is an opera in three acts by Charles Gounod with a libretto by Jules Barbier and Michel Carré. The opera is based on the tale of Baucis and Philemon as told by La Fontaine (derived in turn from Ovid's ''Metamorphoses'' Book VIII). The piece was intended to capitalize on the vogue for mythological comedy started by Offenbach's ''Orpheus in the Underworld'', but ''Philémon et Baucis'' is less satirically biting and more sentimental. Originally intended as a two-act piece for the music festival at Baden-Baden, it was instead first performed at the Théâtre Lyrique The Théâtre Lyrique was one of four opera companies performing in Paris during the middle of the 19th century (the other three being the Opéra, the Opéra-Comique, and the Théâtre-Italien). The company was founded in 1847 as the Opér ..., Paris, on 18 February 1860 because of the political situation in 1859. The new version added a middle act with chorus depicting Jupiter's de ...
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Faust, Part I
''Faust: A Tragedy'' (german: Faust. Eine Tragödie, links=no, , or aust. The tragedy's first part is the first part of the tragic play ''Faust'' by Johann Wolfgang von Goethe, and is considered by many as the greatest work of German literature. It was first published in 1808. Synopsis The first part of ''Faust'' is not divided into acts, but is structured as a sequence of scenes in a variety of settings. After a dedicatory poem and a prelude in the theater, the actual plot begins with a prologue in Heaven, where the Lord bets Mephistopheles, an agent of the Devil, that Mephistopheles cannot lead astray the Lord's favorite striving scholar, Dr. Faust. We then see Faust in his study, who, disappointed by the knowledge and results obtainable by science's natural means, attempts and fails to gain knowledge of nature and the universe by magical means. Dejected in this failure, Faust contemplates suicide, but is held back by the sounds of the beginning Easter celebrations. He join ...
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Johann Wolfgang Von Goethe
Johann Wolfgang von Goethe (28 August 1749 – 22 March 1832) was a German poet, playwright, novelist, scientist, statesman, theatre director, and critic. His works include plays, poetry, literature, and aesthetic criticism, as well as treatises on botany, anatomy, and colour. He is widely regarded as the greatest and most influential writer in the German language, his work having a profound and wide-ranging influence on Western literary, political, and philosophical thought from the late 18th century to the present day.. Goethe took up residence in Weimar in November 1775 following the success of his first novel, ''The Sorrows of Young Werther'' (1774). He was ennobled by the Duke of Saxe-Weimar, Karl August, in 1782. Goethe was an early participant in the ''Sturm und Drang'' literary movement. During his first ten years in Weimar, Goethe became a member of the Duke's privy council (1776–1785), sat on the war and highway commissions, oversaw the reopening of silver min ...
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Le Médecin Malgré Lui (opera)
(''The Doctor in spite of himself''; sometimes also called ''The Mock Doctor'') is an opéra comique in three acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré after Molière's play, also entitled ''Le Médecin malgré lui''. Performance history It premiered at the Théâtre Lyrique, Paris, on 15 January 1858. As the work uses spoken dialogue and verse taken directly from Molière's play, the Comédie-Française tried unsuccessfully to block performance of the opera.Haubner, ''Grove'', 1997 It was revived at the Opéra-Comique in 1872, 1886, 1902 and 1938; was seen in Hamburg, Stockholm and Warsaw in 1862; and in England between 1865 and 1891. On 25 November 1978 the opera received its 100th performance at the Opéra-Comique, conducted by Sylvain Cambreling and with Jean-Philippe Lafont, Jocelyne Taillon and Jules Bastin among the cast. In June 1923, Sergei Diaghilev commissioned Erik Satie to compose recitatives to replace the spoken dialogue. Acc ...
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Hippolyte Lucas
Pierre-Hippolyte Lucas (17 January 1814 – 5 July 1899) was a French entomologist. Lucas was an assistant-natural history, naturalist at the Muséum national d'Histoire naturelle. From 1839 to 1842 he studied fauna as part of the scientific commission on the exploration of Algeria. His brother was Prosper Lucas. Works * ''Histoire naturelle des lépidoptères exotiques. Ouvrage orné de 200 figures peintes d'après nature par Pauquet et gravées sur acier''. Paris, Pauquet, Bibliothèque Zoologique, 1835. * ''Histoire naturelle des animaux articulés. Exploration scientifique de l'Algérie, pendant les années 1840, 1841 et 1842''. Paris, Imprimerie Nationale (1844–1849). Published in 25 volumes this work contains 122 fine engraved plates. * "Description de nouvelles Espèces de Lépidoptères appartenant aux Collections entomologiques du Musée de Paris". ''Revue et magasin de zoologie pure et appliquée''. (2) 4 (3): 128–141 (1852) 4 (4): 189–198 (1852) 4 (6): 290–300 ...
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Lalla-Roukh
''Lalla-Roukh'' is an '' opéra comique'' in two acts composed by Félicien David. The libretto by Michel Carré and Hippolyte Lucas was based on Thomas Moore's 1817 narrative poem ''Lalla Rookh''. It was first performed on 12 May 1862 by the Opéra-Comique at the Salle Favart in Paris. Set in Kashmir and Samarkand, the opera recounts the love story between Nourreddin, the King of Samarkand, and the Mughal princess Lalla-Roukh. Her name means "Tulip-cheeked", a frequent term of endearment in Persian poetry. Performance history ''Lalla-Roukh'' had its world premiere on 12 May 1862 at the Opéra-Comique (Salle Favart) in Paris in a double bill with Pierre-Alexandre Monsigny's '' Rose et Colas'', a one-act '' mêlée d'ariettes''. The '' mise en scène'' was by Ernest Mocker, the settings by Jean-Pierre Moynet, Charles Cambon, and Joseph Thierry, and the costumes by Jules Marre. An immediate success with the Paris audiences, ''Lalla-Roukh'' was very popular in its day, wit ...
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