|
Albert Carré
Albert Carré (born Strasbourg 22 June 1852, died Paris 12 December 1938) was a French theatre director, opera director, actor and librettist. He was the nephew of librettist Michel Carré (1821–1872) and cousin of cinema director Michel Carré (1865–1945). His wife was the French soprano Marguerite Carré (1880–1947). For over 50 years Albert Carré was a central personality in the theatrical and musical life of Paris. Life and work Leaving Alsace for Paris in 1870, Carré studied drama at the Paris Conservatoire, winning a 2nd prize in comedy, and was engaged at the Théâtre du Vaudeville, leading to a successful career as an actor, before becoming co-director of the Vaudeville in Paris and later the Théâtre-Libre and the Comédie-Française.Langham Smith R. "Albert Carré". In: '' New Grove Dictionary of Opera'', Macmillan, London and New York, 1997. He left the Vaudeville to become director of the Opéra in Nancy, where he also helped institute a regular season o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Carré (before 1938) - Archivio Storico Ricordi FOTO001068
Albert Carré (born Strasbourg 22 June 1852, died Paris 12 December 1938) was a French theatre director, opera director, actor and Libretto, librettist. He was the nephew of librettist Michel Carré (1821–1872) and cousin of cinema director Michel Carré (director), Michel Carré (1865–1945). His wife was the French soprano Marguerite Carré (1880–1947). For over 50 years Albert Carré was a central personality in the theatrical and musical life of Paris. Life and work Leaving Alsace for Paris in 1870, Carré studied drama at the CNSAD, Paris Conservatoire, winning a 2nd prize in comedy, and was engaged at the Théâtre du Vaudeville, leading to a successful career as an actor, before becoming co-director of the Vaudeville in Paris and later the Théâtre Libre, Théâtre-Libre and the Comédie-Française.Langham Smith R. "Albert Carré". In: ''New Grove Dictionary of Opera'', Macmillan, London and New York, 1997. He left the Vaudeville to become director of the Opéra na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subscription Business Model
The subscription business model is a business model in which a customer must pay a recurring price at regular intervals for access to a product or service. The model was pioneered by publishers of books and periodicals in the 17th century, and is now used by many businesses, websites and even pharmaceutical companies in partnership with the government. Subscriptions Rather than selling products individually, a subscription offers periodic (daily, weekly, bi-weekly, monthly, semi-annual, yearly/annual, or seasonal) use or access to a product or service, or, in the case of performance-oriented organizations such as opera companies, tickets to the entire run of some set number of (e.g., five to fifteen) scheduled performances for an entire season. Thus, a one-time sale of a product can become a recurring sale and can build brand loyalty. Industries that use this model include mail order book sales clubs and music sales clubs, private web mail providers, cable television, sate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Messager
André Charles Prosper Messager (; 30 December 1853 – 24 February 1929) was a French composer, organist, pianist and conductor. His compositions include eight ballets and thirty opéra comique, opéras comiques, opérettes and other stage works, among which his ballet ''Les Deux Pigeons (ballet), Les Deux Pigeons'' (1886) and opéra comique ''Véronique (operetta), Véronique'' (1898) have had lasting success; ''Les p'tites Michu, Les P'tites Michu'' (1897) and ''Monsieur Beaucaire (opera), Monsieur Beaucaire'' (1919) were also popular internationally. Messager took up the piano as a small child and later studied composition with, among others, Camille Saint-Saëns and Gabriel Fauré. He became a major figure in the musical life of Paris and later London, both as a conductor and a composer. Many of his Parisian works were also produced in the West End theatre, West End and some on Broadway theatre, Broadway; the most successful had long runs and numerous international revival ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Hüe
Georges Adolphe Hüe (6 May 1858 – 7 June 1948) was a French composer of european classical music, classical music. Biography Hüe was born in Versailles (city), Versailles into a noted family of architects. His musical education included studies with Charles Gounod and César Franck. In 1879, he won the Prix de Rome with his cantata ''Médée''. Upon his return to Paris, the Opéra Comique produced his first stage work, ''Les Pantins'' ("The Jumping Jacks"). This plotless, two-act set-piece for four singers doubling roles completely ignored fashionable realist trends of the day, and won high acclaim. For the next twenty years, his musical career went in other directions. Hüe returned to the stage with his first full-length opera, ''Le Roi de Paris'', a historical drama with a subplot about unrequited love. His follow-up opera was ''Titania''. Stimulated by fantasy and Shakespeare, this work is noteworthy for its Impressionist music, impressionistic woodland scenes for chorus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Bruneau
Louis Charles Bonaventure Alfred Bruneau (3 March 1857 – 15 June 1934) was a French composer who played a key role in the introduction of realism in French opera. Life Born in Paris, Bruneau studied the cello as a youth at the Paris Conservatory and played in the Pasdeloup orchestra. He soon began to compose, writing a cantata, ''Geneviève de Paris'', while still a young man. In 1884, his ''Ouverture héroïque'' was performed, followed by the choral symphonies '' Léda'' (1884) and '' La Belle au bois dormant'' (1886). In 1887, he produced his first opera, ''Kérim''. The following year, Bruneau met Émile Zola, launching a collaboration between the two men that would last for two decades. Bruneau's 1891 opera '' Le Rêve'' was based on the Zola story of the same name, and in the coming years Zola would provide the subject matter for many of Bruneau's works, including ''L'attaque du moulin'' (1893). Zola himself wrote the libretti for the operas ''Messidor'' (1897) and '' L'Ou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reynaldo Hahn
Reynaldo Hahn (; 9 August 1874 – 28 January 1947) was a Venezuelan-born French composer, conductor, music critic, and singer. He is best known for his songs – ''mélodies'' – of which he wrote more than 100. Hahn was born in Caracas but his family moved to Paris when he was a child, and he lived most of his life there. Following the success of his song "''Si mes vers avaient des ailes''" (If my verses had wings), written when he was aged 14, he became a prominent member of ''fin de siècle'' French society. Among his closest friends were Sarah Bernhardt and Marcel Proust. After the First World War, in which he served in the army, Hahn adapted to new musical and theatrical trends and enjoyed successes with his first opérette, ''Ciboulette'' (1923) and a collaboration with Sacha Guitry, the musical comedy ''Mozart (comédie musicale), Mozart'' (1926). During the Second World War Hahn, who was of Jewish descent, took refuge in Monaco, returning to Paris in 1945 where he w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Dukas
Paul Abraham Dukas ( or ; 1 October 1865 – 17 May 1935) was a French composer, critic, scholar and teacher. A studious man of retiring personality, he was intensely self-critical, having abandoned and destroyed many of his compositions. His best-known work is the orchestral piece The Sorcerer's Apprentice (Dukas), ''The Sorcerer's Apprentice'' (''L'apprenti sorcier''), the fame of which has eclipsed that of his other surviving works. Among these are the opera ''Ariane et Barbe-bleue'', his Symphony in C (Dukas), Symphony in C and Piano Sonata (Dukas), Piano Sonata in E-flat minor, the ''Variations, Interlude and Finale on a Theme by Rameau'' (for solo piano), and a ballet, ''La Péri (Dukas), La Péri''. At a time when French musicians were divided into conservative and progressive factions, Dukas adhered to neither but retained the admiration of both. His compositions were influenced by composers including Ludwig van Beethoven, Beethoven, Hector Berlioz, Berlioz, César ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louise (opera)
''Louise'' is a “musical novel,” or “,” in four acts and five scenes by Gustave Charpentier. It can be considered an opera. The composer himself penned the French libretto with contributions from Saint-Pol-Roux, a symbolist poet and inspiration of the surrealists. It is an atmospheric story of working-class life in Paris, with the city itself invoked along the way: young Louise, a seamstress living with her parents, loves Julien, an artist; she desires freedom, associated in her mind with him and the city. (Charpentier would later write a sequel, the opera ''Julien'', describing the artist's aspirations.) Musically the work is ''verismo'', it marks the beginning of naturalism in French opera. Performance history ''Louise'' was premiered on 2 February 1900 at the Salle Favart by the Opéra-Comique conducted by André Messager in a production by Albert Carré. It was successful, reaching its 100th performance just over a year later; the 500th performance at the Opéra-Comiqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Charpentier
Gustave Charpentier (; 25 June 1860 – 18 February 1956) was a French composer, best known for his opera ''Louise''.Langham Smith R., "Gustave Charpentier", ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. Life and career Charpentier was born in Dieuze, Moselle, the son of a baker, and with the assistance of a rich benefactor he studied violin at the conservatoire in Lille before entering the Paris Conservatoire in 1881. There he took lessons in composition under Jules Massenet (from 1885) and had a reputation of wanting to shock his professors. In 1887 he won the Prix de Rome for his cantata ''Didon''. During the time in Rome that the prize gave him, he wrote the orchestral suite ''Impressions d'Italie'' and began work on the libretto and music for what would become his best-known work, the opera ''Louise''. Charpentier returned to Paris, settling in Montmartre, and continued to compose, including songs on texts by Charles Baudelaire and Voltaire. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pelléas Et Mélisande (opera)
''Pelléas et Mélisande'' (''Pelléas and Mélisande'') is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's symbolist play of the same name. It premiered at the Salle Favart in Paris by the Opéra-Comique on 30 April 1902; Jean Périer was Pelléas and Mary Garden was Mélisande, conducted by André Messager, who was instrumental in getting the Opéra-Comique to stage the work. The only opera Debussy ever completed, it is considered a landmark in 20th-century music. The plot concerns a love triangle. Prince Golaud finds Mélisande, a mysterious young woman, lost in a forest. He marries her and brings her back to the castle of his grandfather, King Arkel of Allemonde. Here Mélisande becomes increasingly attached to Golaud's younger half-brother Pelléas, arousing Golaud's jealousy. Golaud goes to excessive lengths to find out the truth about Pelléas and Mélisande's relationship, even forcing his own child, Yniold ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_Archivio_Storico_Ricordi_FOTO001068.jpg "Click for more on -> Albert Carré")
.jpg "Click for more on -> Gustave Charpentier")
