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Michael Vetter
Michael Vetter (18 September 1943 – 7 December 2013) was a German composer, novelist, poet, performer, calligrapher, artist, and teacher. Biography Vetter was born in Oberstdorf in the Allgäu region of Germany, and received a conventional school education. He adopted the recorder as his preferred instrument, and began experimenting in the late 1950s with its timbres and techniques, such as multiphonics and microtones. He inspired composers such as Louis Andriessen, and Rob du Bois in the Netherlands, Sylvano Bussotti in Italy, and Mauricio Kagel and Karlheinz Stockhausen in Germany to use the instrument in their compositions. His technical discoveries were codified in a text, ''Il flauto dolce ed acerbo'' (The Sweet and Sour Flute, 1969), which included tables of some 2000 fingerings. He began studying philosophy and theology in 1964, while continuing his career as a performer. In 1967 he began composing graphically and verbally notated music, and beginning in 1968 turned to w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberstdorf
Oberstdorf ( Low Alemannic: ''Oberschdorf'') is a municipality and skiing and hiking town in Germany, located in the Allgäu region of the Bavarian Alps. It is the southernmost settlement in Germany and one of its highest towns. At the center of Oberstdorf is a church whose tall spire serves as a landmark for navigating around town. The summits of the Nebelhorn and Fellhorn provide dramatic panoramic views of the alps. The Nebelhorn can be reached with a big cable car. Visitors can ride a unique diagonal elevator to the top of the Heini-Klopfer-Skiflugschanze. Geography Administrative divisions Oberstdorf consists of the village of Oberstdorf (813 metres above sea level, survey point by the Roman Catholic church) and five other villages: * ''Kornau'' , 915 m. In the vicinity is the Söllereckbahn and the Chapel of St. Fabian and St. Sebastian which is rich in art treasures. * In ''Reichenbach'' (population: 226) is the 450-year-old Chapel of St. James and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aus Den Sieben Tagen
''Aus den sieben Tagen'' (From the Seven Days) is a collection of 15 text compositions by Karlheinz Stockhausen, composed in May 1968, in reaction to a personal crisis, and characterized as "Intuitive music"—music produced primarily from the intuition rather than the intellect of the performer(s). It is Work Number 26 in the composer's catalog of works. History The seven days of the title were 7–13 May 1968. Although this coincided with the beginning of the May 1968 protests and general strike in Paris, Stockhausen does not appear to have been aware of them at the time. These texts were written at Stockhausen's home in Kürten during the first five of those days, at night or late in the evening. During daylight hours, including the remaining two days, Stockhausen wrote "many poems," as well as reading Satprem's book on Sri Aurobindo, and experienced "many extraordinary things". Some of the poems appear in Stockhausen's third volume of ''Texte zur Musik''. The first of the pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monotyping
Monotyping is a type of printmaking made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass. The image is then transferred onto a paper by pressing the two together, using a printing-press, brayer, baren or by techniques such as rubbing with the back of a wooden spoon or the fingers which allow pressure to be controlled selectively. Monotypes can also be created by inking an entire surface and then, using brushes or rags, removing ink to create a subtractive image, e.g. creating lights from a field of opaque colour. The inks used may be oil or water-based. With oil-based inks, the paper may be dry, in which case the image has more contrast, or the paper may be damp, in which case the image has a 10 percent greater range of tones. Monotyping produces a unique print, or monotype; most of the ink is removed during the initial pressing. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ink Brush
Ink is a gel, sol, or solution that contains at least one colorant, such as a dye or pigment, and is used to color a surface to produce an image, text, or design. Ink is used for drawing or writing with a pen, brush, reed pen, or quill. Thicker inks, in paste form, are used extensively in letterpress and lithographic printing. Ink can be a complex medium, composed of solvents, pigments, dyes, resins, lubricants, solubilizers, surfactants, particulate matter, fluorescents, and other materials. The components of inks serve many purposes; the ink's carrier, colorants, and other additives affect the flow and thickness of the ink and its dry appearance. In 2011, worldwide consumption of printing inks generated revenues of more than 20 billion US dollars. While demand by traditional print media (including newspapers) is shrinking; more and more printing inks are consumed for packaging. History Many ancient cultures around the world have independently discovered and formul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gong
A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs are a flat, circular metal disc that is typically struck with a mallet. They can be small or large in size, and tuned or can require tuning. The earliest mention of gongs can be found in sixth century Chinese records, which mentioned the instrument to have come from a country between Tibet and Burma. The term ''gong'' ( jv, ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Burma, China, Java and Annam were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a resting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanpura
The tanpura (), also referred to as tambura and tanpuri, is a long-necked plucked string instrument, originating in India, found in various forms in Indian music. It does not play melody, but rather supports and sustains the melody of another instrument or singer by providing a continuous harmonic bourdon or drone. A tanpura is not played in rhythm with the soloist or percussionist: as the precise timing of plucking a cycle of four strings in a continuous loop is a determinant factor in the resultant sound, it is played unchangingly during the complete performance. The repeated cycle of plucking all strings creates the sonic canvas on which the melody of the raga is drawn. The combined sound of all strings–each string a fundamental tone with its own spectrum of overtones–supports and blends with the external tones sung or played by the soloist. Hindustani musicians favour the term ''tanpura'' whereas Carnatic musicians say ''tambura''; ''tanpuri'' is a smaller varian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singing Bowls
A standing bell or resting bell is an inverted bell, supported from below with the rim uppermost. Such bells are normally bowl-shaped, and exist in a wide range of sizes, from a few centimetres to a metre in diameter. They are often played by striking, but some—known as singing bowls—may also be played by rotating a mallet around the outside rim to produce a sustained musical note. Struck bowls are used in some Buddhist religious practices to accompany periods of meditation and chanting. Struck and singing bowls are widely used for music making, meditation and relaxation, as well for personal spirituality. They have become popular with music therapists, sound healers and yoga practitioners. Standing bells originated in China. An early form called took the shape of a stemmed goblet, mounted with rim uppermost, and struck on the outside with a mallet. The manufacture and use of bowls specifically for 'singing' is believed to be a modern phenomenon. Bowls that were capable of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koto (instrument)
The is a Japanese Plucked string instrument, plucked Tube zither#Half-tube zithers, half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese and , and similar to the Mongolian , the Korean and , the Vietnamese , the Sundanese people, Sundanese and the Kazakhstan . Koto are roughly in length, and made from Paulownia, Paulownia wood (''Paulownia tomentosa'', known as ). The most common type uses 13 strings strung over movable bridge (instrument), bridges used for tuning, different pieces possibly requiring different tuning. 17-string koto are also common, and act as Bass (instrument), bass in ensembles. Koto strings are generally plucked using three fingerpicks (), worn on the first three fingers of the right hand. Names and types The character for ''koto'' is , although is often used. However, (''koto'') is the general term for all string instruments in the Japanese language,(jaKotobank koto/ref> including instruments such as the , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prinzregententheater
The Prinzregententheater, or, as it was called in its first decades, the Prinz-Regenten-Theater, in English the Prince Regent Theatre, is a concert hall and opera house on Prinzregentenplatz in the Bavarian capital of Munich, Germany. Building and History Initiated by Ernst von Possart, the theatre was built in the Prinzregentenstrasse (Munich), Prinzregentenstrasse as a festival hall for the operas of Richard Wagner near an area where a similar project of King Ludwig II of Bavaria, Ludwig II had failed some decades before. Named after Luitpold, Prince Regent of Bavaria, the building was designed by Max Littmann and opened 21 August 1901 with a production of ''Die Meistersinger von Nürnberg'' by Richard Wagner. Like the Bayreuth Festspielhaus, the auditorium was designed to Wagner’s specifications, but an amphitheater has replaced the box (theatre), loges. After the destruction of the National Theatre (Munich), Nationaltheater during World War II, the Prinzregententheater ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mittwoch Aus Licht
(English: Wednesday from Light) is an opera by Karlheinz Stockhausen in a greeting, four scenes, and a farewell. It was the sixth of seven to be composed for the opera cycle (Light: The Seven Days of the Week), and the last to be staged. It was written between 1995 and 1997, and first staged in 2012. History The four component scenes were separately commissioned and premiered: * ''Welt-Parlament'' (World Parliament) was commissioned by the South German Radio Stuttgart and was composed from 29 December 1994 to 5 March 1995. It received its premiere on 3 February 1996, at the Hegelsaal of the Liederhalle in Stuttgart, sung by the Choir of the South German Radio, conducted by , with sound projection by Karlheinz Stockhausen. * ''Orchester-Finalisten'' (Orchestra Finalists) was commissioned by Jan van Vlijmen, director of the Holland Festival, and was premiered on 14 June 1996, at the Carré Theatre, Amsterdam, by the Asko Ensemble. * ''Helikopter-Streichquartett'' (Helicopter Strin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Todtmoos
Todtmoos is a village and municipality in the district of Waldshut in the southern part of Baden-Württemberg, Germany Germany,, officially the Federal Republic of Germany, is a country in Central Europe. It is the second most populous country in Europe after Russia, and the most populous member state of the European Union. Germany is situated betwe .... References External links *Images & Information Waldshut (district) Baden {{Waldshut-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alphabet Für Liège
''Alphabet für Liège'', for soloists and duos, is a composition (or a musical installation) by Karlheinz Stockhausen, and is Work Number 36 in the composer's catalog of works. A performance of it lasts four hours. The fundamental idea underlying ''Alphabet'' is the notion that sound vibrations can affect both living beings and inanimate matter. There are thirteen ''scenes'', or ''musical images'', each illustrating the physical effects of sound, ranging from making acoustic vibrations visible to a demonstration of Asian mantra techniques. These ideas were developed in conversations with the British biophysicist and lecturer on mystical aspects of sound vibration Jill Purce, who also called Stockhausen's attention to the work of Hans Jenny. In a radio interview three months before the premiere, Stockhausen explained his purpose was to show "how sound waves always change the molecules, even the atoms of a being who listens to music, making them vibrate. And that is what we want ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
