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Mexican Handcrafts And Folk Art
Mexican handcrafts and folk art is a complex collection of items made with various materials and intended for utilitarian, decorative or other purposes. Some of the items produced by hand in this country include ceramics, wall hangings, vases, furniture, textiles and much more. In Mexico, both crafts created for utilitarian purposes and folk art are collectively known as “artesanía” as both have a similar history and both are a valued part of Mexico's national identity. Mexico's artesanía tradition is a blend of indigenous and European techniques and designs. This blending, called “ mestizo” was particularly emphasized by Mexico's political, intellectual and artistic elite in the early 20th century after the Mexican Revolution toppled Porfirio Díaz’s French-style and modernization-focused presidency. Today, Mexican artesanía is exported and is one of the reasons why tourists are attracted to the country. However, competition from manufactured products and imitations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ollas A La Venta En Huejutla, Hidalgo
An olla is a ceramic jar, often glazing (ceramics), unglazed, used for cooking stews or soups, for the storage of water or dry foods, or for other purposes like the irrigation of olive trees. ''Ollas'' have short wide necks and wider bellies, resembling beanpots or ''handis''. History Antiquity The Latin word ''olla'' or ''aulla'' (also ''aula'') meant a very similar type of pot in Ancient Roman pottery, used for cooking and storage as well as a funerary urn to hold the ashes from cremation of bodies. Later, in Celtic Gaul, the olla became a symbol of the god ''Sucellus'', who reigned over agriculture. Spain In Spain, the popular dish ''olla podrida'' (literally “rotten pot”), cooked in an ''olla'', dates back to the Middle Ages. Catalonia In certain areas of the Pyrenees in Catalonia a type of ''olla'', known locally as ''tupí'', is used as container for the preparation of ''tupí'', a certain type of cheese. American Southwest The Spanish settlers may have introdu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miguel Covarrubias
Miguel Covarrubias, also known as José Miguel Covarrubias Duclaud (22 November 1904 — 4 February 1957) was a Mexican painter, caricaturist, illustrator, ethnologist and art historian. Along with his American colleague Matthew W. Stirling, he was the co-discoverer of the Olmec civilization. Early life José Miguel Covarrubias Duclaud was born 22 November 1904 in Mexico City. After graduating from the Escuela Nacional Preparatoria at the age of 14, he started producing caricatures and illustrations for texts and training materials published by the Mexican Ministry of Public Education. He also worked for the Ministry of Communications. In 1923, at the age of 19, he moved to New York City armed with a grant from the Mexican government, tremendous talent, but very little English. In her book ''Covarrubias'', author Adriana Williams writes that Mexican poet José Juan Tablada and New York Times critic/photographer Carl Van Vechten introduced him to New York's literary/cultural ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aztec
The Aztecs () were a Mesoamerican culture that flourished in central Mexico in the post-classic period from 1300 to 1521. The Aztec people included different Indigenous peoples of Mexico, ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl, Nahuatl language and who dominated large parts of Mesoamerica from the 14th to the 16th centuries. Aztec culture was organized into city-states (''altepetl''), some of which joined to form alliances, political confederations, or empires. The Aztec Empire was a confederation of three city-states established in 1427: Tenochtitlan, city-state of the Mexica or Tenochca; Texcoco (altepetl), Texcoco; and Tlacopan, previously part of the Tepanec empire, whose dominant power was Azcapotzalco (altepetl), Azcapotzalco. Although the term Aztecs is often narrowly restricted to the Mexica of Tenochtitlan, it is also broadly used to refer to Nahuas, Nahua polities or peoples of central Pre-Columbian Mexico, Mexico in the preh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Conquest Of The Aztec Empire
The Spanish conquest of the Aztec Empire, also known as the Conquest of Mexico or the Spanish-Aztec War (1519–21), was one of the primary events in the Spanish colonization of the Americas. There are multiple 16th-century narratives of the events by Spanish conquistadors, their indigenous allies, and the defeated Aztecs. It was not solely a contest between a small contingent of Spaniards defeating the Aztec Empire but rather the creation of a coalition of Spanish invaders with tributaries to the Aztecs, and most especially the Aztecs' indigenous enemies and rivals. They combined forces to defeat the Mexica of Tenochtitlan over a two-year period. For the Spanish, the expedition to Mexico was part of a project of Spanish colonization of the New World after twenty-five years of permanent Spanish settlement and further exploration in the Caribbean. Significant events in the conquest of Mesoamerica Historical sources for the conquest of Mexico recount some of the same events in bot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Carrasco
Davíd Lee Carrasco is an American academic historian of religion, anthropologist, and Mesoamericanist scholar. As of 2001 he holds the inaugural appointment as Neil L. Rudenstine Professor of Latin America Studies at the Harvard Divinity School, in a joint appointment with the Faculty of Arts and Sciences' Department of Anthropology at Harvard University. Carrasco previously taught at the University of Colorado, Boulder and Princeton University and is known for his research and publications on Mesoamerican religion and history, his public speaking as well as wider contributions within Latin American studies and Latino/a studies. He has made statements about Latino contributions to US democracy in public dialogues with Cornel West, Toni Morrison, and Samuel P. Huntington. His work is known primarily for his writings on the ways human societies orient themselves with sacred places. Early life and education Carrasco descends from several generations of El Paso, Texas educators. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tlaxcala - Palacio De Gobierno - Indianerhändler
Tlaxcala (; , ; from nah, Tlaxcallān ), officially the Free and Sovereign State of Tlaxcala ( es, Estado Libre y Soberano de Tlaxcala), is one of the 32 states which comprise the Federal Entities of Mexico. It is divided into 60 municipalities and the capital city is Tlaxcala City. It is located in East-Central Mexico, in the altiplano region, with the eastern portion dominated by the Sierra Madre Oriental. It is bordered by the states of Puebla to the north, east and south, México to the west and Hidalgo to the northwest. It is the smallest state of the republic, accounting for only 0.2% of the country's territory. The state is named after its capital, Tlaxcala, which was also the name of the Pre-Columbian city and culture. The Tlaxcalans allied themselves with the Spanish to defeat the Aztecs, with concessions from the Spanish that allowed the territory to remain mostly intact throughout 300 years of colonial period. After Mexican Independence, Tlaxcala was declared a f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nacajuca
Nacajuca is a city in Nacajuca Municipality in the state of Tabasco, Mexico. It is part of the Chontalapa region in the north center of the state and a major center of Tabasco's Chontal Maya population. Although the local economy is still based on agriculture and livestock, oil production, handcrafts and some tourism are important aspects as well. The environment of the area is low-lying flat land susceptible to flooding including being hard hit by the 2007 Tabasco flood and more recent flooding in 2011. The city The city of Nacajuca is located in the north of the state of Tabasco, Mexico, in the Chontalpa Region, 26 km from the state capital of Villahermosa. It is the seat for the municipality of the same name with all governmental functions thereof. It also is the location for most state and federal buildings and services as well. Its main economic activities are commerce and agriculture. It has a population of about 8,200 people. The Parque Central Miguel Hidalgo (Miguel H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Churrigueresque
Churrigueresque (; Spanish: ''Churrigueresco''), also but less commonly "Ultra Baroque", refers to a Spanish Baroque style of elaborate sculptural architectural ornament which emerged as a manner of stucco decoration in Spain in the late 17th century and was used up to about 1750, marked by extreme, expressive and florid decorative detailing, normally found above the entrance on the main facade of a building. Origins Named after the architect and sculptor, José Benito de Churriguera (1665–1725), who was born in Madrid and who worked primarily in Madrid and Salamanca, the origins of the style are said to go back to an architect and sculptor named Alonso Cano, who designed the facade of the cathedral at Granada, in 1667. A distant, early 15th century precursor of the highly elaborate Churrigueresque style can be found in the Lombard Charterhouse of Pavia, yet the sculpture-encrusted facade still has the Italianate appeal to rational narrative. Churrigueresque appeals to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plateresque
Plateresque, meaning "in the manner of a silversmith" (''plata'' being silver in Spanish), was an artistic movement, especially architectural, developed in Spain and its territories, which appeared between the late Gothic and early Renaissance in the late 15th century, and spread over the next two centuries. It is a modification of Gothic spatial concepts and an eclectic blend of Mudéjar, Flamboyant Gothic and Lombard decorative components, as well as Renaissance elements of Tuscan origin.Bozal, Valeriano; ''Art history in Spain: From the origins to the Enlightenment'', pp. 157, 165. Ed Akal (1978). . Examples of this syncretism are the inclusion of shields and pinnacles on facades, columns built in the Renaissance neoclassical manner, and facades divided into three parts (in Renaissance architecture they are divided into two). It reached its peak during the reign of Charles V, Holy Roman Emperor,Arellano, Fernando; ''The Hispanic American Art'', pp. 13–14. Ed. Universidad Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manila Galleons
fil, Galyon ng Maynila , english_name = Manila Galleon , duration = From 1565 to 1815 (250 years) , venue = Between Manila and Acapulco , location = New Spain (Spanish Empire) (Current Mexico) , motive = Trading maritime route from East Indies to the Americas , organisers = Spanish Crown The Manila galleons ( es, Galeón de Manila; fil, Galyon ng Maynila) were Spanish trading ships which for two and a half centuries linked the Spanish Crown’s Viceroyalty of New Spain, based in Mexico City, with her Asian territories, collectively known as the Spanish East Indies, across the Pacific Ocean. The ships made one or two round-trip voyages per year between the ports of Acapulco and Manila. The name of the galleon changed to reflect the city that the ship sailed from. The term ''Manila galleon'' can also refer to the trade route itself between Acapulco and Manila, which lasted fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Talavera (pottery)
Talavera pottery (Spanish: Talavera poblana) is a Mexican and Spanish pottery tradition from Talavera de la Reina, in Spain. The Mexican pottery is a type of majolica (faience) or tin-glazed earthenware, with a white base glaze typical of the type. It comes from the town of San Pablo del Monte (in Tlaxcala) and the cities of Puebla, Atlixco, Cholula, and Tecali (all these four latter in the state of Puebla), because of the quality of the natural clay found there and the tradition of production which goes back to the 16th century. Much of this pottery was decorated only in blue, but colors such as yellow, black, green, orange and mauve have also been used. Majolica pottery was brought to Mexico by the Spanish in the first century of the colonial period. Production of this ceramic became highly developed in Puebla because of the availability of fine clays and the demand for tiles from the newly established churches and monasteries in the area. The industry had grown sufficiently ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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