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Meghadūta
} ''Meghadūta'' ( sa, मेघदूत literally ''Cloud Messenger'') is a lyric poem written by Kālidāsa (c. 4th–5th century CE), considered to be one of the greatest Sanskrit poets. It describes how a ''yakṣa'' (or nature spirit), who had been banished by his master to a remote region for a year, asked a cloud to take a message of love to his wife. The poem become well-known in Sanskrit literature and inspired other poets to write similar poems (known as "messenger-poems", or Sandesha Kavya) on similar themes. Korada Ramachandra Sastri wrote ''Ghanavrttam,'' a sequel to ''Meghduta.'' About the poem A poem of 120 stanzas, it is one of Kālidāsa's most famous works. The work is divided into two parts, Purva-megha and Uttara-megha. It recounts how a yakṣa, a subject of King Kubera (the god of wealth), after being exiled for a year to Central India for neglecting his duties, convinces a passing cloud to take a message to his wife at Alaka on Mount Kailāsa in the Himā ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandākrāntā Metre
(Sanskrit: ) is the name of a metre commonly used in classical Sanskrit poetry. The name in Sanskrit means "slow-stepping" or "slowly advancing". It is said to have been invented by India's most famous poet Kālidāsa, (5th century CE), who used it in his well-known poem ("the Cloud-Messenger"). The metre characterises the longing of lovers who are separated from each other, expressed in the Sanskrit word "separation (of lovers), parting". Metrical pattern Modern analysis A line in has 17 syllables, divided into three sections, each separated by a pause. The first section consists of four long syllables, the second of 5 short syllables and one long, and the third a mixture of long and short alternating, in this pattern: :, – – – – , u u u u u – , – u – – u – x , As with other Sanskrit metres, the length of the final syllable is indifferent. Deo (2007) argues that the metre is basically trochaic (i.e. consisting of a "strong-weak, strong-weak" rhythm). Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalidasa Inditing The Cloud Messenger, A
Kālidāsa (''fl.'' 4th–5th century CE) was a Classical Sanskrit author who is often considered ancient India's greatest poet and playwright. His plays and poetry are primarily based on the Vedas, the Rāmāyaṇa, the Mahābhārata and the Purāṇas. His surviving works consist of three plays, two epic poems and two shorter poems. Much about his life is unknown except what can be inferred from his poetry and plays. His works cannot be dated with precision, but they were most likely authored before the 5th century CE. Early life Scholars have speculated that Kālidāsa may have lived near the Himalayas, in the vicinity of Ujjain, and in Kalinga. This hypothesis is based on Kālidāsa's detailed description of the Himalayas in his ''Kumārasambhava'', the display of his love for Ujjain in ''Meghadūta'', and his highly eulogistic descriptions of Kalingan emperor Hemāngada in ''Raghuvaṃśa'' (sixth ''sarga''). Lakshmi Dhar Kalla (1891–1953), a Sanskrit scholar and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalidasa
Kālidāsa (''fl.'' 4th–5th century CE) was a Classical Sanskrit author who is often considered ancient India's greatest poet and playwright. His plays and poetry are primarily based on the Vedas, the Rāmāyaṇa, the Mahābhārata and the Purāṇas. His surviving works consist of three plays, two epic poems and two shorter poems. Much about his life is unknown except what can be inferred from his poetry and plays. His works cannot be dated with precision, but they were most likely authored before the 5th century CE. Early life Scholars have speculated that Kālidāsa may have lived near the Himalayas, in the vicinity of Ujjain, and in Kalinga. This hypothesis is based on Kālidāsa's detailed description of the Himalayas in his ''Kumārasambhava'', the display of his love for Ujjain in ''Meghadūta'', and his highly eulogistic descriptions of Kalingan emperor Hemāngada in '' Raghuvaṃśa'' (sixth ''sarga''). Lakshmi Dhar Kalla (1891–1953), a Sanskrit scholar a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamsa-sandesha
''Hansa-Sandesha'' (Sanskrit: ; IAST: ) or "The message of the Swan" is a Sanskrit love poem written by Vedanta Desika in the 13th century AD. A short lyric poem of 110 verses, it describes how Rama, hero of the ''Ramayana'' epic, sends a message via a swan to his beloved wife, Sita, who has been abducted by the demon king Ravana. The poem belongs to the ' "messenger poem" genre and is very closely modeled upon the ''Meghadūta'' of Kālidāsa. It has particular significance for Srivaishnavites, whose god, Vishnu, it celebrates. Sources The ''Hansa-Sandesha'' owes a great deal to its two poetic predecessors, Kālidāsa's ''Meghadūta'' and Valmīki's '' Ramāyana''. Vedanta Desika's use of the ''Meghaduta'' is extensive and transparently deliberate; his poem is a response to one of India's most famous poems by its most celebrated poet. Vedanta Desika's debt to Valmīki is perhaps more pervasive but less obvious, and possibly less deliberate too. Where the poet consciously ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandesha Kavya
Sanskrit Kavya literature has a long history of its development. The idea of sending of a message, through a messenger, from one person to another is not to be found wanting in the Hindu epics but it was taken up as an independent theme for a poem firstly by Ghatakarpara and later on by Kalidasa, Dhoyi, Udaya, Bhavabhuti and many other poets of note. sandesh kavya also called DutaKavya or message poem Sandesha Kavya (IAST: sandeśa-kāvya) belongs to the category of Khandakavya. Overview In Sanskrit language, ''sandeśa'' (संदेश) means "message", and ''kāvya'' (काव्य) means "poem" or "poetry". Sandesha kavya deals with the sending of a message through the agency of a messenger (Duta). The idea of sending a message through a messenger (Duta) is old and familiar in literature. Ghatakarpara’s Sandesha Kavya The fore-runner of ''Sandesha Kavya'' is a small poem bearing the title - "Poem of the Broken-jug" which is a poem by Ghatakarpara on the message sent t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandesa Kavya
Sanskrit Kavya literature has a long history of its development. The idea of sending of a message, through a messenger, from one person to another is not to be found wanting in the Hindu epics but it was taken up as an independent theme for a poem firstly by Ghatakarpara and later on by Kalidasa, Dhoyi, Udaya, Bhavabhuti and many other poets of note. sandesh kavya also called DutaKavya or message poem Sandesha Kavya (IAST: sandeśa-kāvya) belongs to the category of Khandakavya. Overview In Sanskrit language, ''sandeśa'' (संदेश) means "message", and ''kāvya'' (काव्य) means "poem" or "poetry". Sandesha kavya deals with the sending of a message through the agency of a messenger (Duta). The idea of sending a message through a messenger (Duta) is old and familiar in literature. Ghatakarpara’s Sandesha Kavya The fore-runner of ''Sandesha Kavya'' is a small poem bearing the title - "Poem of the Broken-jug" which is a poem by Ghatakarpara on the message sent to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alaka
In Hinduism, Alaka (Sanskrit: अलक), which is also called ''Alakapuri or Alkavati'', is a Hindu mythology, mythical city. It is the home of Kubera, the king of the Yakshas and the lord of wealth. The Mahabharata mentions this city as the capital of the Yaksha Kingdom. This city rivals the capital of Indra, the king of the Deva (Hinduism), Devas in its architecture, opulence, and overall splendor. It is quoted in the famous lyrical poem MeghadūtaMeghadūta by Kalidasa. This name derives from the Sanskrit "Alaka", meaning "a girl with lovely hair". It is also a name for Hindu girls. References External links * https://www.name-doctor.com/name-alaka-meaning-of-alaka-16666.html#:~:text=MEANING%3A,and%20his%20attendants%20called%20yakshas. Locations in Hindu mythology {{Hindu-myth-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace Hayman Wilson
Horace Hayman Wilson (26 September 1786 – 8 May 1860) was an English orientalist who was elected the first Boden Professor of Sanskrit at Oxford University. Life He studied medicine at St Thomas's Hospital, and went out to India in 1808 as assistant-surgeon on the Bengal establishment of the British East India Company. His knowledge of metallurgy caused him to be attached to the mint at Calcutta, where he was for a time associated with John Leyden. He acted for many years as secretary to the committee of public instruction, and superintended the studies of the Sanskrit College in Calcutta. He was one of the staunchest opponents of the proposal that English should be made the sole medium of instruction in native schools, and became for a time the object of bitter attacks. In 1832 Oxford University selected Dr. Wilson to be the first occupant of the newly founded Boden chair of Sanskrit: he had placed a column length advertisement in ''The Times'' on 6 March 1832 p. 3, giving ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramtek
Ramtek is a city and municipal council in Nagpur district of Maharashtra, India. History Ramtek hosts the historic temple of Rama. It is believed that Ramtek was the place where Rama, the Hindu god, rested while he was in exile. According to Hindu history the ashram of the Hindu sage Agastya was situated close to Ramtek. The present temple was built by Raghuji Bhonsale, the Maratha ruler of Nagpur in 18th century after his victory over fort of Deogarh in Chindwara. This place is also related to the Sanskrit poet Kalidasa. It is believed that Kalidasa wrote Meghadūta in the hills of Ramtek. Ramtek is the birthplace the second Sarsanghchalak (supreme leader) of Rashtriya Swayamsewak Sangh, Madhav Sadashiv Golwalkar. Jain Temple Ramtek is also known for its ancient Jain temple with various ancient statues of Jain Tirthankara. The main idol of Shantinatha, the sixteenth Tirthankar has a legend associated with it. It became more popular when one of the leading Digambar Jain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yaksha
The yakshas ( sa, यक्ष ; pi, yakkha, i=yes) are a broad class of nature-spirits, usually benevolent, but sometimes mischievous or capricious, connected with water, fertility, trees, the forest, treasure and wilderness. They appear in Hindu, Jain and Buddhist texts, as well as ancient and medieval era temples of South Asia and Southeast Asia as guardian deities. The feminine form of the word is or ''yakshini'' ( sa, यक्षिणी ; Pali:Yakkhini). In Hindu, Jain and Buddhist texts, the has a dual personality. On the one hand, a may be an inoffensive nature- fairy, associated with woods and mountains; but there is also a darker version of the , which is a kind of ghost ( bhuta) that haunts the wilderness and waylays and devours travellers, similar to the . Early yakshas Several monumental yakshas are known from the time of the Maurya Empire period. They are variously dated from around the 3rd century BCE to the 1st century BCE. These statues are monumental ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korada Ramachandra Sastri
Korada Ramachandra Sastri (12 October 1815 – 11 August 1900) was an Indian poet and playwright in Sanskrit and Telugu. He was the first known original Telugu playwright. His ''Manjarimadhukariam'' is the first Telugu drama with an original concept. His Sanskrit lyric poem ''Ghanavrttam'' is a sequel to Kalidasa's '' Meghaduta''. Ramachandra Sastri authored more than thirty works in Sanskrit and Telugu but only a few books are extant. His books give us an appreciation of the advanced poetic and linguistic aspects of his literary works. Sanskrit books Telugu books Sanskrit to Telugu translations References 1815 births 1900 deaths Telugu-language dramatists and playwrights Sanskrit dramatists and playwrights 19th-century Indian dramatists and playwrights Place of birth missing External links * * {{playwright-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sita
Sita (; ) also called as Janaki and Vaidehi is a Hindu goddess and the female protagonist of the Hindu epic, ''Ramayana''. She is the consort of Rama, the avatar of the god Vishnu, and is regarded as a form of Vishnu's consort, Lakshmi. She is also the chief goddess of Rama-centric Hindu traditions. Sita is known for her dedication, self-sacrifice, courage, and purity. She is one of the seventeen national heroes (r''astriya bibhuti'') of Nepal. Described as the daughter of Bhūmi (the earth), Sita is brought up as the adopted daughter of King Janaka of Videha. Sita, in her youth, chooses Rama, the prince of Ayodhya as her husband in a swayamvara. After the swayamvara, she accompanies her husband to his kingdom, but later chooses to accompany her husband, along with her brother-in-law Lakshmana, in his exile. While in exile, the trio settles in the Dandaka forest from where she is abducted by Ravana, the Rakshasa king of Lanka. She is imprisoned in the garden of Ashoka Vatik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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