Medieval Poetry
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Medieval Poetry
Poetry took numerous forms in medieval Europe, for example, lyric and epic poetry. The troubadours and the minnesänger are known for their lyric poetry about courtly love. Among the most famous of secular poetry is '' Carmina Burana'', a manuscript collection of 254 poems. Twenty-four poems of ''Carmina Burana'' were later set to music by German composer Carl Orff in 1936. Examples of medieval poetry Old English religious poetry includes the poem '' Christ'' by Cynewulf and the poem '' The Dream of the Rood'', preserved in both manuscript form and on the Ruthwell Cross. We do have some secular poetry; in fact a great deal of medieval literature was written in verse, including the Old English epic ''Beowulf''. Scholars are fairly sure, based on a few fragments and on references in historic texts, that much lost secular poetry was set to music, and was spread by traveling minstrels, or bards, across Europe. Thus, the few poems written eventually became ballads or lays, an ...
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Troubadours
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a '' trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, '' trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his '' De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of trouba ...
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Latin
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four ...
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Epic Poetry
An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants. Etymology The English word ''epic'' comes from Latin ''epicus'', which itself comes from the Ancient Greek adjective (''epikos''), from (''epos''), "word, story, poem." In ancient Greek, 'epic' could refer to all poetry in dactylic hexameter (''epea''), which included not only Homer but also the wisdom poetry of Hesiod, the utterances of the Delphic oracle, and the strange theological verses attributed to Orpheus. Later tradition, however, has restricted the term 'epic' to ''heroic epic'', as described in this article. Overview Originating before the invention of writing, primary epics, such as those of Homer, were composed by bards who used complex rhetorical and metrical schemes by which they could memorize the epic as receive ...
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Commercium Songs
Commercium songs are traditional academic songs that are sung during academic feasts: commercia and tablerounds. Some very old commercium songs are in Latin, like '' Meum est propositum'' or '' Gaudeamus igitur''. In some countries, hundreds of commercium songs are compiled in commercium books. * Allgemeines Deutsches Kommersbuch (Germany) * Le petit bitu (Belgium) * Studentencodex (Belgium) * Carpe Diem (Belgium) * Codex Studiosorum Bruxellensis (Belgium) See also * De Brevitate Vitae * Academic Festival Overture * Im schwarzen Walfisch zu Askalon * Biernagel External links English and Latin commercium songs Medieval Latin Students' Songs Translated into English Verse by John Addington Symonds John Addington Symonds, Jr. (; 5 October 1840 – 19 April 1893) was an English poet and literary critic. A cultural historian, he was known for his work on the Renaissance, as well as numerous biographies of writers and artists. Although m ... {{anthem-stub * ...
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Parody
A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater. The writer and critic John Gross observes in his ''Oxf ...
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Gamblers Mass
Drinkers Masses, to include Gamblers Masses (Latin: ''Missa Potatorum, Officium Lusorum''), was a genre of medieval Latin poetry which parodied the Roman Catholic Latin Mass in order to make fun of drinking and gambling monks and clerics. These masses were written between about 1100 and 1700 by clerici vagantes (''wandering clerics''), with the first example being the gamblers mass (''officium lusorum''), found in the ''Carmina Burana''. The genre is somewhat related to other medieval ecclesiastic parody, such as the Feast of Fools and the Feast of the Ass. Description These parody masses generally follow line for line the words of the Latin Mass, as well as quotations from the Latin Vulgate. They are carefully reworded to create a parody of the Mass, with themes such as Bacchus, the god of wine, and Decius, the god of dice (Decius was also the name of a Roman emperor), replacing the "Dominus" and "Deus" (Lord and God) of the Mass. There is much imagery of dice being used in ga ...
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