Matteo Bonechi
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Matteo Bonechi
Matteo Bonechi (8 November 1669 in Florence – 27 February 1756 in Florence) was an Italian painter of the late Baroque period, active mainly in Florence. He trained under Giovanni Camillo Sagrestani. He also executed works in the church of San Frediano in Cestello, in the Oltrarno district of Florence. He also painted for the Palazzo Capponi-Covoni The Palazzo Capponi Covoni is a Baroque architecture palace in Florence, region of Tuscany, Italy. There are apparently three other palaces once associated with the Capponi family: * Palazzo Capponi. * Palazzo Capponi-Vettori. * Palazzo Capponi all ... near the Nunziata in Florence. Sources *Italian Wikipedia entry * 1669 births 1756 deaths 17th-century Italian painters Italian male painters 18th-century Italian painters Painters from Florence Italian Baroque painters 18th-century Italian male artists {{Italy-painter-18thC-stub ...
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Florence
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico anno 2013, datISTAT/ref> Florence was a centre of medieval European trade and finance and one of the wealthiest cities of that era. It is considered by many academics to have been the birthplace of the Renaissance, becoming a major artistic, cultural, commercial, political, economic and financial center. During this time, Florence rose to a position of enormous influence in Italy, Europe, and beyond. Its turbulent political history includes periods of rule by the powerful Medici family and numerous religious and republican revolutions. From 1865 to 1871 the city served as the capital of the Kingdom of Italy (established in 1861). The Florentine dialect forms the base of Standard Italian and it became the language of culture throughout Ital ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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Giovanni Camillo Sagrestani
Giovanni Camillo Sagrestani (1660–1731) was an Italian painter of the Baroque era. Biography A native of Florence, he was, according to Lanzi, a pupil of Antonio Giusti, but became a follower of the style of Carlo Cignani.The History of Painting in Italy: The Florentine, Sienese, and Roman schools
by , translated by Thomas Roscoe (1847), Page 252. Sagrestani's major pupils were (1672–1726) and

San Frediano In Cestello
San Frediano in Cestello is a Baroque architecture, Baroque-style, Roman Catholic church in the Oltrarno section of Florence, region of Tuscany, Italy. The name ''cestello'' derives from the Cistercians who occupied the church in 1628. Previously the site had a 1450s church attached to the cloistered Carmelite convent of ''Santa Maria degli Angeli''. History The church is dedicated to St Fridianus, an early Christian Irish pilgrim who became bishop of Lucca; putatively he miraculously crossed a swollen Arno river near this spot. A church at the site was present before the 11th century. Starting during the papacy of Pope Paul II, Paul II in the 1460s, the church and adjacent convent were patronized by the Soderini Family. This continued under Cardinal Francesco Soderini. The church suffered under the flood of 1557; the monks had to move to the nearby monastery of the Basilica of the Carmine, Florence, Carmine.Follini and Rastrelli, pages 114. In 1680–1689, the church was rebuilt ...
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Oltrarno
The Oltrarno (''beyond the Arno'') is a quarter of Florence, Italy. It is located south of the River Arno. It contains part of the historic centre of Florence and many notable sites such as the church Santo Spirito di Firenze, Palazzo Pitti, Belvedere, and Piazzale Michelangelo. Gentrification and resistance During recent years, Oltrarno has undergone massive changes due to the arrival of richer social classes - often short term residents - but especially due to the tourist and entertainment industry, which also seeks customers from other areas of Florence. In November 2011, the urban restoration office of the Municipality of Florence set up a project, not yet put into practice, to turn the former Gasometer - just a few hundred feet from the Oltrarno - into a major private health and beauty spa and restaurant centre, a magnet for the whole city and for tourists. A few months later, the shopkeepers association Confesercenti launched an initiative called Progetto Oltrarno, in or ...
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Palazzo Capponi-Covoni, Florence
The Palazzo Capponi Covoni is a Baroque architecture palace in Florence, region of Tuscany, Italy. There are apparently three other palaces once associated with the Capponi family: *Palazzo Capponi, Florence, Palazzo Capponi. *Palazzo Capponi-Vettori, Florence, Palazzo Capponi-Vettori. *Palazzo Capponi alle Rovinate. History A large home at the site was documented since 1427. In 1458 two of those houses in Via Larga, today's Via Cavour, were purchased by Agnolo Tani, the director of the branch of the Medici Bank in Bruges. The properties were inherited by the family of Carnesecchi, which for a long period rented the building. In 1623, the wealthy banker Girolamo Piero Capponi, bought the property, and commissioned a palace from the architect Gherardo Silvani. Construction went on for 2 years, and remade the facade and interiors. Further expansions and reconstructions took place in 1730 under the brothers Pier Roberto, Giuliano, and Girolamo Capponi. In 1730, they commissioned the ...
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1669 Births
Events January–March * January 2 – Pirate Henry Morgan of Wales holds a meeting of his captains on board his ship, the former Royal Navy frigate ''Oxford'', and an explosion in the ship's gunpowder supply kills 200 of his crew and four of the pirate captains who had attended the summit. * January 4 – A 5.7 magnitude earthquake strikes the city of Shamakhi in Iran (now in Azerbaijan) and kills 7,000 people. Fourteen months earlier, an earthquake in Shamakhi killed 80,000 people. * February 13 – The first performance of the ''Ballet de Flore'', a joint collaboration of Jean-Baptiste Lully and Isaac de Benserade is given, premiering at the Palais du Louvre in Paris. King Louis XIV finances the performance and even appears in a minor role in the production as a dancer. * February 23 – Isaac Newton writes his first description of his new invention, the reflecting telescope. * March 11 – Mount Etna erupts, destroying the Sicilian town of ...
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1756 Deaths
Events January–March * January 16 – The Treaty of Westminster is signed between Great Britain and Prussia, guaranteeing the neutrality of the Kingdom of Hanover, controlled by King George II of Great Britain. *February 7 – Guaraní War: The leader of the Guaraní rebels, Sepé Tiaraju, is killed in a skirmish with Spanish and Portuguese troops. * February 10 – The massacre of the Guaraní rebels in the Jesuit reduction of Caaibaté takes place in Brazil after their leader, Noicola Neenguiru, defies an ultimatum to surrender by 2:00 in the afternoon. On February 7, Neenguiru's predecessor Sepé Tiaraju has been killed in a brief skirmish. As two o'clock arrives, a combined force of Spanish and Portuguese troops makes an assault on the first of the Seven Towns established as Jesuit missions. Defending their town with cannons made out of bamboo, the Guaraní suffer 1,511 dead, compared to three Spaniards and two Portuguese killed in battle. * Febr ...
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17th-century Italian Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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18th-century Italian Painters
The 18th century lasted from January 1, 1701 (Roman numerals, MDCCI) to December 31, 1800 (Roman numerals, MDCCC). During the 18th century, elements of Age of Enlightenment, Enlightenment thinking culminated in the American Revolution, American, French Revolution, French, and Haitian Revolution, Haitian Revolutions. During the century, History of slavery, slave trading and human trafficking expanded across the shores of the Atlantic Ocean, Atlantic, while declining in Russian Empire, Russia, Qing dynasty, China, and Joseon, Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that Proslavery, supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in Society, human society and the Natural environment, environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th cen ...
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Painters From Florence
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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