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Master Printmaker
Master printmakers or master printers are specialized technicians who hand-print editions of an artist's or printmaker's print-based artwork. Master printmakers often own and/or operate their own printmaking studio or print shop. Business activities of a Master printshop may include: publishing and printing services, educational workshops or classes, mentorship of artists, and artist residencies. Training for master printmakers varies by technique, geography, and culture. Master printmakers are almost always trained by other master printmakers. The Tamarind Institute is one formal institution mandated to train master lithographers, located in New Mexico. In the 20th century in Britain there was a federation of master printers called the ''British Printing Industries Federation'', renamed the ''British Federation of Master Printers'' (BFMP) in the 1930s and then again renamed the ''British Printing Industries Federation'' in the 1970s. Notable people in the US Contemporary maste ...
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Tamarind Institute
Tamarind Institute is a lithography workshop created in 1970 as a division of the University of New Mexico in Albuquerque, NM, United States. It began as Tamarind Lithography Workshop, a California non-profit corporation founded by June Wayne on Tamarind Avenue in Los Angeles in 1960. Both the current Institute and the original Lithography Workshop are referred to informally as "Tamarind." Origin and goals Tamarind was founded in the absence of an American print shop dedicated to serving artists, and during a period when American artists tended to reject lithography and collaborative printing in favor of the more "direct...immediate" possibilities of abstract expressionist painting. Faced with a paucity of opportunities on all fronts and a medium which seemed on the verge of extinction, Wayne sought to create more than just a studio: Tamarind Institute's website lists the following goals, developed by founding director June Wayne with associate director Clinton Adams and techn ...
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Kenneth E
Kenneth is an English given name and surname. The name is an Anglicised form of two entirely different Gaelic personal names: ''Cainnech'' and '' Cináed''. The modern Gaelic form of ''Cainnech'' is ''Coinneach''; the name was derived from a byname meaning "handsome", "comely". A short form of ''Kenneth'' is '' Ken''. Etymology The second part of the name ''Cinaed'' is derived either from the Celtic ''*aidhu'', meaning "fire", or else Brittonic ''jʉ:ð'' meaning "lord". People :''(see also Ken (name) and Kenny)'' Places In the United States: * Kenneth, Indiana * Kenneth, Minnesota * Kenneth City, Florida In Scotland: * Inch Kenneth, an island off the west coast of the Isle of Mull Other * "What's the Frequency, Kenneth?", a song by R.E.M. * Hurricane Kenneth * Cyclone Kenneth Intense Tropical Cyclone Kenneth was the strongest tropical cyclone to make landfall in Mozambique since modern records began. The cyclone also caused significant damage in the Comoro Islands an ...
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Royal Society Of Painter-Etchers
The Royal Society of Painter-Printmakers (RE), known until 1991 as the Royal Society of Painter-Etchers and Engravers, is a leading art institution based in London, England. The Royal Society of Painter-Etchers, as it was originally styled, was a society of etchers established in London in 1880 and given a Royal Charter in 1888. Engraving was included within the scope of the Society from 1897, wood-engraving from 1920, coloured original prints from 1957, lithography from 1987 and all forms of creative forward-thinking original printmaking from 1990. History The Society was established on 31 July 1880 at 38 Hertford Street, Mayfair, London, as the Society of Painter-Etchers for the promotion of original etching as a creative art form, inspired by the French group of the same name which existed in Paris. The first six Fellows, all elected at this formation were Francis Seymour Haden (English, 1818–1910); Heywood Hardy (English, 1852–1926); Hubert von Herkomer RA (German/Engli ...
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Frederick Goulding
Frederick Goulding (7 October 1842 – 5 March 1909) was an English printer of etchings and lithographs: a "master printer of copper plates". Life Goulding was born in Islington. London, in 1842. His parents were John Fry Goulding, foreman printer to Messrs. Day & Son, and his wife Elizabeth ''née'' Rogers, who belonged to an old stock of Spitalfields weavers; his grandfather, John Golding, also a copper-plate printer, was apprenticed in 1779 to a still earlier William Golding, a copper-plate printer of St Botolph, Bishopsgate. Education and early career In 1854 Frederick Goulding was sent to a day school conducted at the National Hall, Holborn, by William Lovett, a well-known Chartist. In 1857 he was apprenticed to Messrs. Day & Son, 6 Gate Street, Lincoln's Inn Fields, originally a firm of lithographic printers, but then concerned largely with the printing of engravings, to which branch of their business Goulding was attached. In his spare time through 1858 and 1859 he studied ...
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Ernest De Soto
Ernest Frank de Soto (October 26, 1923 – December 29, 2014) was an American master printmaker and lithographer, who specialized in American and Mexican prints during his career. He established and directed his own printing workshop, the de Soto Workshop, from 1975 to 1993. De Soto was the first Hispanic Master Printer in the United States. De Soto was the first American print maker to establish an international relationship with Mexican artists and had a lasting impact on printing in the United States. Early life Ernest de Soto was born on October 26, 1923, in Tucson, Arizona. De Soto was an eighth generation Tucsonian and a member of the group “Los Descendientes del Presidio de Tucson.” In an interview, de Soto discussed his passion for art from a young age, and recalled the encouragement of his parents and teachers. As a young man, de Soto attended the Chouinard Art Institute, (now known as California Institute of the Arts) from 1942 to 1947. While in Los Angeles, de Soto ...
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Hollandale, Wisconsin
Hollandale is a village in Iowa County, Wisconsin, United States. The population was 306 at the 2020 census. It is part of the Madison Metropolitan Statistical Area. History The village was first named Bennville and later was named Hollandale. Both names were for Bjorn Holland (1841-1930), a merchant, teacher, and a Wisconsin state legislator, who settled in the area.'Wisconsin Encyclopedia 2008-2009 Edition,' Volume 1,' Oscar B. Chamberlain-editor,' State History Publications, LCC, Hamburg, Michigan: 2008, pg. 348 Geography Hollandale is located at (42.876139, -89.936023). According to the United States Census Bureau, the village has a total area of , all of it land. Demographics 2010 census As of the census of 2010, there were 288 people, 116 households, and 74 families living in the village. The population density was . There were 132 housing units at an average density of . The racial makeup of the village was 98.3% White, 0.7% African American, and 1.0% from two or mor ...
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Warrington Colescott
Warrington Wickham Colescott Jr. (March 7, 1921 – September 10, 2018) was an American artist, he is best known for his satirical etchings. He was a master printmaker and operated Mantegna Press in Hollandale, Wisconsin, with his wife and fellow artist Frances Myers. Colescott died on 10 September 2018, at the age of 97. Early life and influences Colescott was born in Oakland, California, in 1921 to parents of Louisiana Creole descent. His brother, artist Robert Colescott, was born in 1925. Creole culture—which the artist described as "a rich tradition of cuisine and music, of skeptical judgments, of irony and humor in expression" —played a large role in family life. Both food and music were key components of his upbringing. Comic strips were also important to the young Colescott, especially the work of Jay "Ding" Darling; the caricatural and narrative components would greatly influence his mature work. As a teenager, Colescott discovered vaudeville and the burlesque at ...
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Robert Blackburn Printmaking Workshop
The EFA Robert Blackburn Printmaking Workshop is a 4000 square foot printmaking facility in Manhattan.Printmaking services and our facilities
EFA Robert Blackburn Printmaking Workshop Program
The space is run by the Elizabeth Foundation for the Arts, and modeled on a similar printmaking workshop run by Robert Blackburn. It features traditional printing, editioning rooms, steel facing services, stone preparation, photo lithography plate production, and printing.


History

Robert Blackburn first established a workshop in 1947 in h ...
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Robert Blackburn (artist)
Robert Hamilton Blackburn (December 12, 1920 – April 21, 2003) was an African-American artist, teacher, and master printmaker. Early life and education Blackburn was born in Summit, New Jersey, to Janet Chambers and Robert Archeball Blackburn, who were from Jamaica, and he grew up in Harlem, where his family moved when he was seven years old. Shortly after moving, his parents separated and the family underwent difficult financial times. Blackburn's mother encouraged his artistic talents, but his father discouraged him. At the age of 13, he began attending classes at the Harlem Arts Community Center operated by the Works Progress Administration's Federal Art Project, studying with Charles Alston and Augusta Savage, among others. At the Harlem Art Community Center Blackburn met Ronald Joseph, who was his classmate. Blackburn credited his work at the WPA for the interest he had in working collaboratively throughout the rest of his career. Blackburn studied lithography an ...
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The Gehenna Press
The Gehenna Press was one of the earliest limited edition fine arts presses in the United States. Established in 1942 by sculptor and graphic artist Leonard Baskin (1922-2000) while still a student at Yale, the award-winning press went on to publish approximately 200 books in nearly 60 years, finally ceasing operation shortly after Baskin's death in 2000, which also makes it one of the longest-lived small presses in the U.S. The Press is known for its imaginative printing, use of type, binding and book illustration, as well as its collaborative work with several key 20th-century poets, including the United Kingdom's Poet Laureate Ted Hughes, Sylvia Plath and, posthumously, James Baldwin. Over the years, the Gehenna's work was widely exhibited in both museums and library collections, and its books are in public collections both in the U.S. and abroad. In 1995, Baskin and his work with the Press were recognized by the Library of Congress with a solo retrospective, the first for a l ...
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Leonard Baskin
Leonard Baskin (August 15, 1922 – June 3, 2000) was an American sculptor, draughtsman and graphic artist, as well as founder of the Gehenna Press (1942–2000). One of America's first fine arts presses, it went on to become "one of the most important and comprehensive art presses of the world", often featuring the work of celebrated poets, such as Sylvia Plath, Ted Hughes, Anthony Hecht, and James Baldwin side by side with Baskin's bold, stark, energetic and often dramatic black-and-white prints. Called a "Sculptor of Stark Memorials" by the ''New York Times,'' Baskin is also known for his wood, limestone, bronze, and large-scale woodblock prints, which ranged from naturalistic to fanciful, and were frequently grotesque, featuring bloated figures or humans merging with animals. "His monumental bronze sculpture, ''The Funeral Cortege'', graces the Franklin Delano Roosevelt Memorial in Washington, D.C." Major work A committed figurative artist, and the son and brother of rabbi ...
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Garo Antreasian
Garo Zareh Antreasian (1922 – 2018) was an American printmaker and educator. He was one of the co-founders of the Tamarind Lithography Workshop in Los Angeles, California. Biography Antreasian was born on February 16, 1922, in Indianapolis, Indiana, to an Armenian family. His parents had survived the Armenian genocide of 1915. Antreasian attended Arsenal Technical High School, where he was introduced to lithography. He studied at the Herron Art Institute in Indianapolis. He moved to New York in 1948 where he studied at Atelier 17 and the Art Students League of New York. In 1960 he was one of the founders of the Tamarind Lithography Workshop in Los Angeles, California. There he served as the first technical director and master printer. The Tamarind moved to Albuquerque, New Mexico, where it became known as the Tamarind Institute. In 1964 Antreasian moved to Albuquerque as well, where he taught art at the University of New Mexico (UNM) and retained his relationship with the Tam ...
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