Master Of Andlau
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Master Of Andlau
The Master of Andlau (french: Maître d'Andlau) is the notname given to an Alsatian Romanesque sculptor and his workshop, active in the middle of the 12th century. The Master's name derives from the relief sculptures of the main portal and the frieze around Andlau Abbey church. Fragments of other works by the Master are housed in the Musée de l’Œuvre Notre-Dame in Strasbourg and in the Unterlinden Museum in Colmar Colmar (, ; Alsatian: ' ; German during 1871–1918 and 1940–1945: ') is a city and commune in the Haut-Rhin department and Grand Est region of north-eastern France. The third-largest commune in Alsace (after Strasbourg and Mulhouse), it is .... Gallery Andlau Abbatiale092.JPG, Detail of the Andlau portal Andlau Abbatiale115.JPG, Detail of the Andlau portal Andlau Abbatiale110.JPG, Detail of the Andlau frieze Andlau Abbatiale085.JPG, Detail of the Andlau frieze References See also * Master of Eschau People from Bas-Rhin 12th-century sculptor ...
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Notname
In art history, a ''Notname'' (, "necessity-name" or "contingency-name") is an invented name given to an artist whose identity has been lost. The practice arose from the need to give such artists and their typically untitled, or generically titled works, an acceptable if unsatisfactory grouping, avoiding confusion when cataloging. The phrases provisional name, name of convenience and emergency names are sometimes used to describe anonymous masters; nonce name was at one time used. The practice of using generic names for unidentified artists is most common in the study of art of the antiquity, especially of the Roman era or with artists of the Northern Renaissance until about 1430. Typically a pseudonym is applied after commonality is established for a grouping of works, of which a similarity of theme, style, iconography, biblical source or physical location can probably be attributed to one individual or workshop, but because of lack of surviving documentary record, the name of t ...
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Alsace
Alsace (, ; ; Low Alemannic German/ gsw-FR, Elsàss ; german: Elsass ; la, Alsatia) is a cultural region and a territorial collectivity in eastern France, on the west bank of the upper Rhine next to Germany and Switzerland. In 2020, it had a population of 1,898,533. Alsatian culture is characterized by a blend of Germanic and French influences. Until 1871, Alsace included the area now known as the Territoire de Belfort, which formed its southernmost part. From 1982 to 2016, Alsace was the smallest administrative ''région'' in metropolitan France, consisting of the Bas-Rhin and Haut-Rhin departments. Territorial reform passed by the French Parliament in 2014 resulted in the merger of the Alsace administrative region with Champagne-Ardenne and Lorraine to form Grand Est. On 1 January 2021, the departments of Bas-Rhin and Haut-Rhin merged into the new European Collectivity of Alsace but remained part of the region Grand Est. Alsatian is an Alemannic dialect closely related ...
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Romanesque Sculpture
Romanesque art is the art of Europe from approximately 1000 AD to the rise of the Gothic style in the 12th century, or later depending on region. The preceding period is known as the Pre-Romanesque period. The term was invented by 19th-century art historians, especially for Romanesque architecture, which retained many basic features of Roman architectural style – most notably round-headed arches, but also barrel vaults, apses, and acanthus-leaf decoration – but had also developed many very different characteristics. In Southern France, Spain, and Italy there was an architectural continuity with the Late Antique, but the Romanesque style was the first style to spread across the whole of Catholic Europe, from Sicily to Scandinavia. Romanesque art was also greatly influenced by Byzantine art, especially in painting, and by the anti-classical energy of the decoration of the Insular art of the British Isles. From these elements was forged a highly innovative and coherent style ...
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Relief Sculpture
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood ( relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ...
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Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ...
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Andlau Abbey
Andlau Abbey (''Abbaye d'Andlau'') was a women's collegiate foundation for secular canonesses located at Andlau in Alsace, eastern France. History Andlau Abbey was founded in or about 880 by Richardis, later Saint Richardis, empress of Charles the Fat, on her ancestral lands. The foundation legend states that the abbey was sited where Richardis saw a she-bear scratching at the soil; a bear is one of her emblems in reference to this. In 887 Richardis was put to the ordeal by fire by her husband on the pretext of adultery with the chancellor Liutward. She survived the ordeal successfully and withdrew to Andlau, where at the time her niece Rotrod was abbess. She died here in about 895 and was buried in the abbey church. The abbey survived the Reformation, thanks to the efforts of the Abbess Rebstock, who is commemorated in the present church, but not the French Revolution. Buildings A number of the monastic buildings are still extant. In particular, the former abbey church survive ...
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Strasbourg
Strasbourg (, , ; german: Straßburg ; gsw, label=Bas Rhin Alsatian, Strossburi , gsw, label=Haut Rhin Alsatian, Strossburig ) is the prefecture and largest city of the Grand Est region of eastern France and the official seat of the European Parliament. Located at the border with Germany in the historic region of Alsace, it is the prefecture of the Bas-Rhin department. In 2019, the city proper had 287,228 inhabitants and both the Eurométropole de Strasbourg (Greater Strasbourg) and the Arrondissement of Strasbourg had 505,272 inhabitants. Strasbourg's metropolitan area had a population of 846,450 in 2018, making it the eighth-largest metro area in France and home to 14% of the Grand Est region's inhabitants. The transnational Eurodistrict Strasbourg-Ortenau had a population of 958,421 inhabitants. Strasbourg is one of the ''de facto'' four main capitals of the European Union (alongside Brussels, Luxembourg and Frankfurt), as it is the seat of several European insti ...
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Unterlinden Museum
The Unterlinden Museum (French: ''Musée Unterlinden'') is located in Colmar, in the Alsace region of France. The museum, housed in a 13th-century Dominican religious sisters' convent and a 1906 former public baths building, is home to the Isenheim Altarpiece by the German Renaissance painter Matthias Grünewald and features a large collection of local and international artworks and manufactured artifacts from prehistorical to contemporary times. It is a ''Musée de France''. With roughly 200,000 visitors per year, the museum is the most visited in Alsace. History The museum was established in 1849, the buildings (abandoned following the French Revolution) having been saved by the ''Societé Schongauer'' (founded in 1847 by Louis Hugot) and bequeathed to it by the municipality. The collection at first centered around a Roman mosaic found in Bergheim, Haut-Rhin, still displayed today, and plaster copies of antique sculptures on loan from the Louvre. In 1852, the focus of the c ...
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Colmar
Colmar (, ; Alsatian: ' ; German during 1871–1918 and 1940–1945: ') is a city and commune in the Haut-Rhin department and Grand Est region of north-eastern France. The third-largest commune in Alsace (after Strasbourg and Mulhouse), it is the seat of the prefecture of the Haut-Rhin department and of the subprefecture of the Colmar-Ribeauvillé arrondissement. The city is renowned for its well-preserved old town, its numerous architectural landmarks, and its museums, among which is the Unterlinden Museum, which houses the ''Isenheim Altarpiece''. Colmar is situated on the Alsatian Wine Route and considers itself to be the "capital of Alsatian wine" ('). History Colmar was first mentioned by Charlemagne in his chronicle about Saxon wars. This was the location where the Carolingian Emperor Charles the Fat held a diet in 884. Colmar was granted the status of a free imperial city by Emperor Frederick II in 1226. In 1354 it joined the Décapole city league.G. Köbler, ''H ...
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Master Of Eschau
The Master of Eschau (french: Maître d'Eschau) is the notname given to an Alsatian Romanesque sculptor and his workshop, active in the first half of the 12th century. The Master's name derives from the sculptures ( capitals, baptismal font) from the cloister and the church of St Trophimus in Eschau, Bas-Rhin. Most of the remains of his sculpted work from that location are displayed in the Musée de l’Œuvre Notre-Dame in Strasbourg. The Master is also considered to be the author of the sarcophagus of bishop Adelochus of Strasbourg (died 823). That work, dated around 1130 or 1144, is displayed in the Église Saint-Thomas of Strasbourg. Gallery Sarcophage d'Adeloch.JPG, Sarcophagus of Adelochus Strasbourg StThomas92.JPG, Detail of the sarcophagus StrasbourgMuséeOeuvre NotreDameArtRoman (2).JPG, Baptismal font from Eschau Strasbourg MOND (6).JPG, A capital from Eschau References See also *Master of Andlau The Master of Andlau (french: Maître d'Andlau) is the notna ...
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People From Bas-Rhin
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ...
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