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Masquerades And Operas
''The Bad Taste of the Town'' (also known as ''Masquerades and Operas'') is an early print by William Hogarth, published in February 1723/24. The small print – by – mocks the contemporary fashion for foreign culture, including Palladian architecture, pantomimes based on the Italian commedia dell'arte, masquerades (masked balls), and Italian opera. The work combines two printmaking techniques – etching and engraving – with etched lines made in the plate using acid and engraved lines marked using a burin. Description Outside the building to the left – probably King's Theatre, Haymarket – a queue of masked people is being led to a masquerade ball by a devil or satyr bearing aloft a bag containing £1,000 accompanied by a figure wearing a jester's cap and bells with a garter round his right leg (possibly intended to be the Prince of Wales, later George II, who was said to enjoy masquerades). A banner hanging above the entrance shows Charles Mordaunt, 3rd Ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Hogarth - The Bad Taste Of The Town
William is a male given name of Germanic origin.Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 276. It became very popular in the English language after the Norman conquest of England in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will, Wills, Willy, Willie, Bill, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie or the play ''Douglas''). Female forms are Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the given name ''Wilhelm'' (cf. Proto-Germanic ᚹᛁᛚᛃᚨᚺᛖᛚᛗᚨᛉ, ''*Wiljahelmaz'' > German ''Wilhelm'' and Old Norse ᚢᛁᛚᛋᛅᚼᛅᛚᛘᛅᛋ, ''Vilhjálmr''). By regular sound changes, the native, inherited English form of the name should b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Mordaunt, 3rd Earl Of Peterborough
Charles Mordaunt, 3rd Earl of Peterborough and 1st Earl of Monmouth, (1658 – 25 October 1735) was an English nobleman and military leader. He was the son of John Mordaunt, 1st Viscount Mordaunt, and his wife Elizabeth, the daughter and sole heiress of Thomas Carey, the second son of Robert Carey, 1st Earl of Monmouth. Mordaunt's father, John Mordaunt, was created Viscount Mordaunt of Avalon and Baron Mordaunt of Reigate, Surrey, in 1659. Political career Charles attended Tonbridge School, then later matriculated at Christ Church, Oxford, on 11 April 1674. When about sixteen years of age he joined Sir John Narborough's fleet in the Mediterranean, and won his first distinction in arms in the destruction of the dey's fleet under the guns of Tripoli. His father died on 5 June 1675, and Charles Mordaunt succeeded to the peerage as Viscount Mordaunt. On his return from the second expedition to Tangier, he plunged into active political life as a zealous Whig and an unswerv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piccadilly
Piccadilly () is a road in the City of Westminster, London, to the south of Mayfair, between Hyde Park Corner in the west and Piccadilly Circus in the east. It is part of the A4 road that connects central London to Hammersmith, Earl's Court, Heathrow Airport and the M4 motorway westward. St James's is to the south of the eastern section, while the western section is built up only on the northern side. Piccadilly is just under in length, and it is one of the widest and straightest streets in central London. The street has been a main thoroughfare since at least medieval times, and in the Middle Ages was known as "the road to Reading" or "the way from Colnbrook". Around 1611 or 1612, a Robert Baker acquired land in the area, and prospered by making and selling piccadills. Shortly after purchasing the land, he enclosed it and erected several dwellings, including his home, Pikadilly Hall. What is now Piccadilly was named Portugal Street in 1663 after Catherine of Braganza, wif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Boyle, 3rd Earl Of Burlington
Richard Boyle, 3rd Earl of Burlington and 4th Earl of Cork, (25 April 1694 – 4 December 1753) was a British architect and noble often called the "Apollo of the Arts" and the "Architect Earl". The son of the 2nd Earl of Burlington and 3rd Earl of Cork, Burlington never took more than a passing interest in politics despite his position as a Privy Counsellor and a member of both the British House of Lords and the Irish House of Lords. His great interests in life were architecture and landscaping, and he is remembered for being a builder and a patron of architects, craftsmen and landscapers, Indeed, he is credited with bringing Palladian architecture to Britain and Ireland. His major projects include Burlington House, Westminster School, Chiswick House and Northwick Park. Life Lord Burlington was born in Yorkshire into a wealthy Anglo-Irish aristocratic family, the only son of Charles Boyle, 2nd Earl of Burlington and his wife, Juliana Boyle ( Noel; 1672–1750). He succeeded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burlington House
Burlington House is a building on Piccadilly in Mayfair, London. It was originally a private Neo-Palladian mansion owned by the Earls of Burlington and was expanded in the mid-19th century after being purchased by the British government. Today, the Royal Academy and five learned societies occupy much of the building. History The house was one of the earliest of a number of very large private residences built on the north side of Piccadilly, previously a country lane, from the 1660s onwards. The first version was begun by Sir John Denham in about 1664. It was a red-brick double-pile hip-roofed mansion with a recessed centre, typical of the style of the time, or perhaps even a little old fashioned. Denham may have acted as his own architect, or he may have employed Hugh May, who certainly became involved in the construction after the house was sold in an incomplete state in 1667 to Richard Boyle, 1st Earl of Burlington, from whom it derives its name. Burlington had the house com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George I Of Great Britain
George I (George Louis; ; 28 May 1660 – 11 June 1727) was King of Great Britain and Ireland from 1 August 1714 and ruler of the Electorate of Hanover within the Holy Roman Empire from 23 January 1698 until his death in 1727. He was the first British monarch of the House of Hanover as the most senior Protestant descendant of his great-grandfather James VI and I. Born in Hanover to Ernest Augustus and Sophia of Hanover, George inherited the titles and lands of the Duchy of Brunswick-Lüneburg from his father and uncles. A succession of European wars expanded his German domains during his lifetime; he was ratified as prince-elector of Hanover in 1708. After the deaths in 1714 of his mother Sophia and his second cousin Anne, Queen of Great Britain, George ascended the British throne as Anne's closest living Protestant relative under the Act of Settlement 1701. Jacobites attempted, but failed, to depose George and replace him with James Francis Edward Stuart, Anne's Catholi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mitre
The mitre (Commonwealth English) (; Greek: μίτρα, "headband" or "turban") or miter (American English; see spelling differences), is a type of headgear now known as the traditional, ceremonial headdress of bishops and certain abbots in traditional Christianity. Mitres are worn in the Catholic Church, Eastern Orthodox Church, Oriental Orthodox Churches, the Anglican Communion, some Lutheran churches, for important ceremonies, by the Metropolitan of the Malankara Mar Thoma Syrian Church, and also, in the Catholic Church, all cardinals, whether or not bishops, and some Eastern Orthodox archpriests. Etymology μίτρα, ''mítra'' ( Ionic μίτρη, ''mítrē'') is Greek, and means a piece of armour, usually a metal guard worn around the waist and under a cuirass, as mentioned in Homer's Iliad. In later poems, it was used to refer to a headband used by women for their hair; and a sort of formal Babylonian headdress, as mentioned by Herodotus ('' Histories'' 1.195 and 7.90 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Rich (producer)
John Rich (1692–1761) was an important director and theatre manager in 18th-century London. He opened The New Theatre at Lincoln's Inn Fields (1714), which he managed until he opened the Theatre Royal, Covent Garden (1732). He managed Covent Garden until 1761, putting on ever more lavish productions. He introduced pantomime to the English stage and played a dancing and mute Harlequin himself from 1717 to 1760 under the stage name of "Lun.", PeoplePlayUK Theatre Museum, retrieved 2 July 2007 Rich's version of the servant character, Arlecchino, moved away from the poor, disheveled, loud, and crude character, to a colorfully-dressed, silent Harlequin, performing fanciful tricks, dances and magic. The British idea of the Harlequin character was heavily inspired by Rich's idea of a silent character. Rich's choice of being a silent character was influenced by his unappealing voice, which he was well aware of. Biography Rich's theatre specialized in what contemporaries called "sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lisle's Tennis Court
Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a playhouse during two periods, 1661–1674 and 1695–1705. During the early period, the theatre was called Lincoln's Inn Fields Playhouse, also known as The Duke's Playhouse, The New Theatre or The Opera. The building was demolished and replaced by a purpose-built theatre for a third period, 1714–1728. The tennis court theatre was the first public playhouse in London to feature the moveable scenery that would become a standard feature of Restoration theatres. Historical background The period beginning in England in 1642 and lasting until 1660 is known as the Interregnum, meaning "between kings." At this time, there was no monarch on the throne, and theatre was against the law. Spanning from 1642 to 1649, the English Civil War occurred. This war was an uprising against the current King of England, King Charles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John James Heidegger
John James (Johann Jacob) Heidegger (19 June 1666 – 5 September 1749) was a Swiss count and leading impresario of masquerades in the early part of the 18th century. The son of Zürich clergyman Johann Heinrich Heidegger, Johann Jacob Heidegger came to England in 1708 as a Swiss negotiator. He failed in his undertaking, and was involved in difficulties. So he entered as a private in the Guards, and afterwards became influential in the management of the opera. In 1709 he made five hundred guineas by furnishing the spectacle for Motteux's opera ''Thomyris, Queen of Scythia''. From 1710 on, as part of a new commercial public entertainment, he promoted masquerade balls at the Haymarket Theatre. The fashionable world of London was enthusiastic about it and called Heidegger 'the Swiss Count'. Though moralists protested and clergymen preached against such activities, the carnivalesque phenomenon became a trend throughout 18th-century London. In 1724, William Hogarth published a satire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isaac Fawkes
Isaac Fawkes (1675?–1732) (also spelt Fawks, Fawxs, Fauks and Faux) was an English conjurer and showman. The first record of Fawkes was an appearance by his son at Southwark Fair in 1722, but an advertisement of April of the same year boasted that he had performed for George II, so it is likely that he was well known in London before this time. He was one of the earliest magicians to present conjuring as an entertainment outside of the traditional fairground setting and by skilful promotion and management of his act he was able to amass both fame and a considerable fortune. His simple entertainment was satirised alongside other popularist amusements by William Hogarth in 1723, but he continued to be patronised by fashionable society until his death in 1732. He formed a close professional relationship with the clock and automata maker Christopher Pinchbeck and from the mid-1720s began to demonstrate Pinchbeck's designs in shows both in their own right and for magical effects i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Senesino
Francesco Bernardi (; 31 October 1686 – 27 November 1758), known as Senesino ( or traditionally ), was a celebrated Italian contralto castrato, particularly remembered today for his long collaboration with the composer George Frideric Handel. Early life and career Senesino was the son of a barber from Siena (hence his stage-name). He joined the cathedral choir there in 1695 and was castrated at the comparatively late age of thirteen. His debut was at Venice in 1707, and during the next decade he acquired a European reputation and, by the time he sang in Lotti's ''Giove in Argo'' in 1717 at Dresden, a commensurately enormous salary. As with many castrati, reports of Senesino's acting were not always positive, to say the least. The impresario Count Francesco Zambeccari wrote of his performance in Naples in 1715: "Senesino continues to comport himself badly enough; he stands like a statue, and when occasionally he does make a gesture, he makes one directly the opposite of what ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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