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John Rich (producer)
John Rich (1692–1761) was an important director and theatre manager in 18th-century London. He opened The New Theatre at Lincoln's Inn Fields (1714), which he managed until he opened the Theatre Royal, Covent Garden (1732). He managed Covent Garden until 1761, putting on ever more lavish productions. He introduced pantomime to the English stage and played a dancing and mute Harlequin himself from 1717 to 1760 under the stage name of "Lun.", PeoplePlayUK Theatre Museum, retrieved 2 July 2007 Rich's version of the servant character, Arlecchino, moved away from the poor, disheveled, loud, and crude character, to a colorfully-dressed, silent Harlequin, performing fanciful tricks, dances and magic. The British idea of the Harlequin character was heavily inspired by Rich's idea of a silent character. Rich's choice of being a silent character was influenced by his unappealing voice, which he was well aware of. Biography Rich's theatre specialized in what contemporaries called "sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Rich- Post Restoration
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Lambert (English Painter)
George Lambert (1700 – 30 November 1765) was an English landscape painting, landscape artist and theatre scene painter. With Richard Wilson (painter), Richard Wilson he is recognised as a pioneer of British landscape in art, for its own sake. Life and work Lambert was born in Kent and studied art under Warner Hassells and John Wootton, soon attracting attention by the quality of his landscape painting. He painted many large and fine landscapes in the style of Gaspar Poussin and Salvator Rosa. Many of his landscapes were finely engraved by François Vivares, James Mason (engraver), James Mason (1710–1785), and others, including a set of views of Plymouth and Mount Edgcumbe Country Park, Mount Edgcumbe (painted conjointly with Samuel Scott (painter), Samuel Scott), a view of Saltwood Castle in Kent, another of Dover, and a landscape presented to the Foundling Hospital in London. Lambert also obtained a great reputation as a scene-painter, working at first for the Lincoln's Inn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1692 Births
Year 169 ( CLXIX) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Senecio and Apollinaris (or, less frequently, year 922 ''Ab urbe condita''). The denomination 169 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Marcomannic Wars: Germanic tribes invade the frontiers of the Roman Empire, specifically the provinces of Raetia and Moesia. * Northern African Moors invade what is now Spain. * Marcus Aurelius becomes sole Roman Emperor upon the death of Lucius Verus. * Marcus Aurelius forces his daughter Lucilla into marriage with Claudius Pompeianus. * Galen moves back to Rome for good. China * Confucian scholars who had denounced the court eunuchs are arrested, killed or banished from the capital of Luoyang and official life duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Garrick
David Garrick (19 February 1717 – 20 January 1779) was an English actor, playwright, theatre manager and producer who influenced nearly all aspects of European theatrical practice throughout the 18th century, and was a pupil and friend of Samuel Johnson. He appeared in a number of amateur theatricals, and with his appearance in the title role of Shakespeare's '' Richard III'', audiences and managers began to take notice. Impressed by his portrayals of Richard III and a number of other roles, Charles Fleetwood engaged Garrick for a season at the Theatre Royal, Drury Lane in the West End. He remained with the Drury Lane company for the next five years and purchased a share of the theatre with James Lacy. This purchase inaugurated 29 years of Garrick's management of the Drury Lane, during which time it rose to prominence as one of the leading theatres in Europe. At his death, three years after his retirement from Drury Lane and the stage, he was given a lavish public funeral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cymbeline
''Cymbeline'' , also known as ''The Tragedie of Cymbeline'' or ''Cymbeline, King of Britain'', is a play by William Shakespeare set in British Iron Age, Ancient Britain () and based on legends that formed part of the Matter of Britain concerning the early Celtic British King Cunobeline. Although it is listed as a tragedy in the First Folio, modern critics often classify ''Cymbeline'' as a Shakespeare's late romances, romance or even a Shakespearean comedy, comedy. Like ''Othello'' and ''The Winter's Tale'', it deals with the themes of innocence and jealousy. While the precise date of composition remains unknown, the play was certainly produced as early as 1611. Characters ;In Britain * Cymbeline – Modelled on the historical King of Britain, Cunobeline, and father to Imogen * Queen – Cymbeline's second wife and mother to Cloten * Imogen (Cymbeline), Imogen/Innogen – Cymbeline's daughter by a former queen, later disguised as the page Fidele * Posthumus Leonatus – Innoge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Lear
''King Lear'' is a tragedy written by William Shakespeare. It is based on the mythological Leir of Britain. King Lear, in preparation for his old age, divides his power and land between two of his daughters. He becomes destitute and insane and a proscribed crux of political machinations. The first known performance of any version of Shakespeare's play was on Saint Stephen's Day in 1606. The three extant publications from which modern editors derive their texts are the 1608 quarto (Q1) and the 1619 quarto (Q2, unofficial and based on Q1) and the 1623 First Folio. The quarto versions differ significantly from the folio version. The play was often revised after the English Restoration for audiences who disliked its dark and depressing tone, but since the 19th century Shakespeare's original play has been regarded as one of his supreme achievements. Both the title role and the supporting roles have been coveted by accomplished actors, and the play has been widely adapted. In his ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romeo And Juliet
''Romeo and Juliet'' is a Shakespearean tragedy, tragedy written by William Shakespeare early in his career about the romance between two Italian youths from feuding families. It was among Shakespeare's most popular plays during his lifetime and, along with ''Hamlet'', is one of his most frequently performed plays. Today, the Title character, title characters are regarded as archetype, archetypal young lovers. ''Romeo and Juliet'' belongs to a tradition of tragic Romance (love), romances stretching back to Ancient history, antiquity. The plot is based on an Italian tale translated into verse as ''The Tragical History of Romeus and Juliet'' by Arthur Brooke (poet), Arthur Brooke in 1562 and retold in prose in ''Palace of Pleasure'' by William Painter (author), William Painter in 1567. Shakespeare borrowed heavily from both but expanded the plot by developing a number of supporting characters, particularly Mercutio and Count Paris, Paris. Believed to have been written between ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colley Cibber
Colley Cibber (6 November 1671 – 11 December 1757) was an English actor-manager, playwright and Poet Laureate. His colourful memoir ''Apology for the Life of Colley Cibber'' (1740) describes his life in a personal, anecdotal and even rambling style. He wrote 25 plays for his own company at Drury Lane, half of which were adapted from various sources, which led Robert Lowe and Alexander Pope, among others, to criticise his "miserable mutilation" of "crucified Molière ndhapless Shakespeare". He regarded himself as first and foremost an actor and had great popular success in comical fop parts, while as a tragic actor he was persistent but much ridiculed. Cibber's brash, extroverted personality did not sit well with his contemporaries, and he was frequently accused of tasteless theatrical productions, shady business methods, and a social and political opportunism that was thought to have gained him the laureateship over far better poets. He rose to ignominious fame when he became t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beefsteak Club
Beefsteak Club is the name or nickname of several 18th- and 19th-century male dining clubs in Britain and Australia that celebrated the beefsteak as a symbol of patriotic and often Whig concepts of liberty and prosperity. The first beefsteak club was founded about 1705 in London by the actor Richard Estcourt and others in the arts and politics. This club flourished for less than a decade. The Sublime Society of Beef Steaks was established in 1735 by another performer, John Rich, at the Theatre Royal, Covent Garden, where he was then manager, and George Lambert, his scenic artist, with two dozen members of the theatre and arts community ( Samuel Johnson joined in 1780). The society became much celebrated, and new members included royalty, statesmen and great soldiers: in 1785, the Prince of Wales joined. At the weekly meetings, the members wore a blue coat and buff waistcoat with brass buttons bearing a gridiron motif and the words "Beef and liberty". The steaks and baked potato ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Restoration Spectacular
The Restoration spectacular was a type of theatre production of the late 17th-century Restoration period that is defined by the amount of money, time, sets, and performers required to produce. These productions attracted and enticed audiences with elaborate action, acrobatics, dance, costume, scenery, illusionistic painting, trapdoors, and fireworks. Although they were popular with contemporary audiences, spectaculars have endured a bad reputation as a vulgar in contrast to the witty Restoration drama. The spectacular has roots in early 17th-century court masque, although it borrowed ideas and technology from French opera. Although sometimes called "English opera", spectaculars were so varied as to give reluctance to theatre historians to define them as a genre. As their visual aspects were emphasized over their music, few works are usually called "opera". Spectaculars became increasingly expensive for their theatre companies; a flop could leave a company deeply in debt, while ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
War Of The Theatres
The War of the Theatres is the name commonly applied to a controversy from the later Elizabethan theatre; Thomas Dekker termed it the ''Poetomachia''. Because of an actual ban on satire in prose and verse publications in 1599 (the Bishops' Ban of 1599), the satirical urge had no other remaining outlet than the stage. The resulting controversy, which unfolded between 1599 and 1602, involved the playwright Ben Jonson on one side and his rivals John Marston and Thomas Dekker (with Thomas Middleton as an ancillary combatant) on the other. The role Shakespeare played in the conflict, if any, has long been a topic of dispute among scholars. Sequence of events The least disputed facts of the matter yield a schema like this: # In his play ''Histriomastix'' (1599), Marston satirized Jonson’s pride through the character Chrisoganus. # Jonson responded by satirizing Marston's wordy style in ''Every Man out of His Humour'' (1599), a play acted by the Lord Chamberlain's Men. (Note: the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
