Martim Codax
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Martim Codax
Martin Codax or Codaz, Martín Codax () or Martim Codax () was a Galician medieval ''joglar'' (non-noble composer and performer, as opposed to a ''trobador''), possibly from Vigo, Galicia in present-day Spain. He may have been active during the middle of the thirteenth century, judging from scriptological analysis. He is one of only two out of a total of 88 authors of ''cantigas d'amigo'' who used ''only'' the archaic strophic form ''aaB'' (a rhymed distich followed by a refrain). He employed an archaic rhyme-system whereby ''i~o / a~o'' were used in alternating strophes. In addition Martin Codax consistently utilised a strict parallelistic technique known as ''leixa-pren'' (see the example below; the order of the third and fourth strophes is inverted in the Pergaminho Vindel but the correct order appears in the Cancioneiro da Biblioteca Nacional in Portugal, and the Cancioneiro da Vaticana). There is no documentary biographical information concerning the poet, dating the wor ...
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Martim Codax Cantigas De Amigo
Martim is a Portuguese Portuguese may refer to: * anything of, from, or related to the country and nation of Portugal ** Portuguese cuisine, traditional foods ** Portuguese language, a Romance language *** Portuguese dialects, variants of the Portuguese language ** Portu ... parish, located in the municipality of Barcelos. The population in 2011 was 2,375, in an area of 5.32 km². References Freguesias of Barcelos, Portugal {{braga-geo-stub ...
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Cicero
Marcus Tullius Cicero ( ; ; 3 January 106 BC – 7 December 43 BC) was a Roman statesman, lawyer, scholar, philosopher, and academic skeptic, who tried to uphold optimate principles during the political crises that led to the establishment of the Roman Empire. His extensive writings include treatises on rhetoric, philosophy and politics, and he is considered one of Rome's greatest orators and prose stylists. He came from a wealthy municipal family of the Roman equestrian order, and served as consul in 63 BC. His influence on the Latin language was immense. He wrote more than three-quarters of extant Latin literature that is known to have existed in his lifetime, and it has been said that subsequent prose was either a reaction against or a return to his style, not only in Latin but in European languages up to the 19th century. Cicero introduced into Latin the arguments of the chief schools of Hellenistic philosophy and created a Latin philosophical vocabulary ...
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Galician-Portuguese Lyric
In the Middle Ages, the Galician-Portuguese lyric, also known as ''trovadorismo'' in Portugal and ''trobadorismo'' in Galicia, was a lyric poetic school or movement. All told, there are around 1680 texts in the so-called secular lyric or ''lírica profana'' (see Cantigas de Santa Maria for the religious lyric). At the time Galician-Portuguese was the language used in nearly all of Iberia for lyric (as opposed to epic) poetry. From this language derives both modern Galician and Portuguese. The school, which was influenced to some extent (mainly in certain formal aspects) by the Occitan troubadours, is first documented at the end of the twelfth century and lasted until the middle of the fourteenth, with its zenith coming in the middle of the thirteenth century, centered on the person of Alfonso X, ''The Wise King''. It is the earliest known poetic movement in Galicia or Portugal and represents not only the beginnings of but one of the high points of poetic history in both countr ...
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A Fada E O Dragón, Xaime Quessada, 2006
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ...
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Denis Of Portugal
Denis (, ; 9 October 1261 – 7 January 1325 in Santarém), called the Farmer King (''Rei Lavrador'') and the Poet King (''Rei Poeta''), was King of Portugal. The eldest son of Afonso III of Portugal by his second wife, Beatrice of Castile, and grandson of Afonso II of Portugal, Denis succeeded his father in 1279. His marriage to Elizabeth of Aragon, who was later canonised as a saint of the Roman Catholic Church, was arranged in 1281 when she was 10 years old. Denis ruled Portugal for over 46 years. He worked to reorganise his country's economy and gave an impetus to Portuguese agriculture. He ordered the planting of a large pine forest (that still exists today) near Leiria to prevent the soil degradation that threatened the region and to serve as a source of raw materials for the construction of the royal ships. He was also known for his poetry, which constitutes an important contribution to the development of Portuguese as a literary language. Reign In 1290, Denis began to ...
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Cantigas D'amor
''Cantiga de amor'' (Portuguese and Galician) or ''cantiga d'amor'' (Galician-Portuguese), literally "love song", is a type of literary composition from the Middle Ages, typical of the medieval Galician-Portuguese lyric. A male-voiced love lyric, they on average have more complex forms, many never found in ''cantigas de amigo'' and some highly complex ones that were directly inspired by Occitan and Old French lyrics. On the other hand, ''cantigas de amor'' have a lack of variation in personae – with the man almost always speaking to or about a woman – and of situations. Usually the man is courting the woman, complaining that she is being cruel to him, despite his love and loyalty, though sometimes he is leaving or coming back, is away from her, and, seldom, the man gets so frustrated, angry or jealous that he gives up on her and even insults the woman. Obscenity and open sexual references are taboo on this lyric. ''Cantigas de amor'' have a more complex rhetoric, and ther ...
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Pergaminho Sharrer
The Pergaminho Sharrer (; gl, Pergamiño Sharrer {{IPA-gl, peɾɣaˈmiɲʊ ˈʃarɪɾ}; "Sharrer Parchment") is a mediaeval parchment fragment containing seven songs by King Denis of Portugal, with lyrics in the Galician-Portuguese language and musical notation. The fragment was discovered in 1990 by American scholar Harvey L. Sharrer, of University of California, Santa Barbara. Sharrer was analysing documents in the Torre do Tombo archive in Lisbon, when he found the folio in the binding of a 16th-century book. Before Sharrer's discovery, the only known Galician-Portuguese mediaeval manuscript with love (non-religious) songs and musical notation was the Vindel Parchment, which contains seven songs by troubadour Martim Codax. Several songbooks covering the period exist, but all of them lack musical notation except the ''Cantigas de Santa Maria'', which are religious in tone. The text and musical notation of the Sharrer Parchment are fragmentary, due to damage done to the fol ...
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Cantigas D'amigo
''Cantiga de amigo'' (, ) or ''cantiga d'amigo'' (Galician-Portuguese spelling), literally "friend song", is a genre of medieval lyric poetry, apparently rooted in a female-voiced song tradition native to the northwest quadrant of the Iberian Peninsula. According to Rip Cohen, “In 98% of the poems, the speaker is a girl, her mother, the girl’s girlfriend, or a boy (who is given a voice only in dialogues with the girl—which she begins). The girl can speak to any of the other three personae, but they can only address her (there is no directly represented communication between the other three personae: mother, girlfriend and boy do not speak with one another onstage). There are a dozen cantigas with an outside narrative voice, but most of them include words from a girl’s song.” Much has been made of nature symbolism in this genre, but “Erotic symbolism, though it has rightly attracted attention is not as common as might be imagined. All told, a few dozen poems make ...
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De Officiis
''De Officiis'' (''On Duties'' or ''On Obligations'') is a political and ethical treatise by the Roman orator, philosopher, and statesman Marcus Tullius Cicero written in 44 BC. The treatise is divided into three books, in which Cicero expounds his conception of the best way to live, behave, and observe moral obligations. The work discusses what is honorable (Book I), what is to one's advantage (Book II), and what to do when the honorable and one's private interest apparently conflict (Book III). In the first two books Cicero was heavily influenced by the Stoic philosopher Panaetius, but wrote more independently for the third book. In addition to being a central component of liberal education for centuries, the work was held in high regard among many prolific philosophers and statesman including Augustine, Thomas Aquinas, Hugo Grotius, Montesquieu, Voltaire, and the American Founding Fathers. ''De Officiis'', along with Xenophon's ''Cyropaedia,'' are considered among the foundati ...
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Galician-Portuguese
Galician-Portuguese ( gl, galego-portugués or ', pt, galego-português or ), also known as Old Portuguese or as Medieval Galician when referring to the history of each modern language, was a West Iberian languages, West Iberian Romance language spoken in the Middle Ages, in the northwest area of the Iberian Peninsula. Alternatively, it can be considered a historical period of the Galician language, Galician and Portuguese languages. Galician-Portuguese was first spoken in the area bounded in the north and west by the Atlantic Ocean and by the Douro River in the south, comprising Galicia and northern Portugal, but it was later extended south of the Douro by the ''Reconquista''. It is the common ancestor of modern Portuguese language, Portuguese, Galician language, Galician, Galician-Asturian, Eonavian, and Fala language, Fala varieties, all of which maintain a very high level of mutual intelligibility. The term "Galician-Portuguese" also designates the subdivision of the modern ...
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Galician People
Galicians ( gl, galegos, es, gallegos, link=no) are a Celtic-Romance ethnic group from Spain that is closely related to the Portuguese people and has its historic homeland is Galicia, in the north-west of the Iberian Peninsula. Two Romance languages are widely spoken and official in Galicia: the native Galician and Spanish. Etymology The ethnonym of the Galicians (''galegos'') derives directly from the Latin ''Gallaeci'' or ''Callaeci'', itself an adaptation of the name of a local Celtic tribe known to the Greeks as Καλλαϊκoί (''Kallaikoí''). They lived in what is now Galicia and northern Portugal and were defeated by the Roman General Decimus Junius Brutus Callaicus in the 2nd century BCE and later conquered by Augustus. The Romans later applied that name to all the people who shared the same culture and language in the north-west, from the Douro River valley in the south to the Cantabrian Sea in the north and west to the Navia River. That encompassed such tribes ...
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Cantiga De Amigo
''Cantiga de amigo'' (, ) or ''cantiga d'amigo'' (Galician-Portuguese spelling), literally "friend song", is a genre of medieval lyric poetry, apparently rooted in a female-voiced song tradition native to the northwest quadrant of the Iberian Peninsula. According to Rip Cohen, “In 98% of the poems, the speaker is a girl, her mother, the girl’s girlfriend, or a boy (who is given a voice only in dialogues with the girl—which she begins). The girl can speak to any of the other three personae, but they can only address her (there is no directly represented communication between the other three personae: mother, girlfriend and boy do not speak with one another onstage). There are a dozen cantigas with an outside narrative voice, but most of them include words from a girl’s song.” Much has been made of nature symbolism in this genre, but “Erotic symbolism, though it has rightly attracted attention is not as common as might be imagined. All told, a few dozen poems make ...
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