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Mario Sammarco
(Giuseppe) Mario Sammarco (13 December 1868, although some sources say 1867 – 24 January 1930) was an Italian operatic baritone noted for his acting ability. Biography Sammarco was born in Palermo, Sicily, and studied locally with Antonio Cantelli. He made his operatic début in Palermo as Valentine in ''Faust'' in 1888. He subsequently sang to acclaim in Milan (at La Scala, Italy's most celebrated theatre), Buenos Aires and London. Between 1904 and 1919 he appeared intermittently, in 26 different roles, at the Royal Opera House, Covent Garden. In New York City, he was hired by Oscar Hammerstein I for his Manhattan Opera Company as a replacement for the great French singing-actor Maurice Renaud. He sang with the Manhattan company in 1908–1910, becoming its principal Italian baritone, but he never 'graduated' to the rival Metropolitan Opera. Sammarco next joined the Chicago–Philadelphia opera company. His career there continued smoothly enough until 1913 when he encou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Sammarco Cph
is a character created by Japanese video game designer Shigeru Miyamoto. He is the title character of the ''Mario'' franchise and the mascot of Japanese video game company Nintendo. Mario has appeared in over 200 video games since his creation. Depicted as a short, pudgy, Italian plumber who resides in the Mushroom Kingdom, his adventures generally center on rescuing Princess Peach from the Koopa villain Bowser. Mario has access to a variety of power-ups that give him different abilities. Mario's fraternal twin brother is Luigi. Mario first appeared as the player character of ''Donkey Kong'' (1981), a platform game. Miyamoto wanted to use Popeye as the protagonist, but when he could not achieve the licensing rights, he created Mario instead. Miyamoto expected the character to be unpopular and planned to use him for cameo appearances; originally called "Mr. Video", he was renamed to Mario after Mario Segale. Mario's clothing and characteristics were themed after the sett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tosca
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, ''La Tosca'', is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's Campaigns of 1800 in the French Revolutionary Wars#Italy, invasion of Italy. It contains depictions of torture, murder, and suicide, as well as some of Puccini's best-known lyrical arias. Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. ''Tosca'' premiered at a time of unrest in Rome, and its first performance was delayed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Scotti
Antonio Scotti (25 January 1866 – 26 February 1936) was an Italian baritone. He was a principal artist of the New York Metropolitan Opera for more than 33 seasons, but also sang with great success at London's Royal Opera House, Covent Garden, and Milan's La Scala. Life Antonio Scotti was born in Naples, Italy. His family wanted him to enter the priesthood but he embarked instead on a career in opera. He received his early vocal training from Esther Trifari-Paganini and Vincenzo Lombardi. According to most sources, he made his debut at Malta's Theatre Royal in 1889, performing the role of Amonasro in Giuseppe Verdi's ''Aida''. Engagements at various Italian operatic venues ensued and he later gained valuable stage experience singing in Spain, Portugal, Russia and South America (Buenos Aires from 1891 to 1894 and again 1897; Río de Janeiro 1893 and Chile 1898; he also sung in Montevideo). In 1898, he debuted at Italy's most renowned opera house, La Scala, Milan, as Hans Sachs in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Ancona
Mario Ancona (28 February 1860 – 23 February 1931), was a leading Italian baritone and master of bel canto singing. He appeared at some of the most important opera houses in Europe and America during what is commonly referred to as the "Golden Age of Opera". Career Ancona was born into a middle-class Jewish family at Livorno, Tuscany, on 28 February 1860. After embarking on a business career he decided to study voice with a local singing teacher named Matteini in his native city of Livorno. Later, he took lessons from Giuseppe Cima in Milan. Ancona is reputed to have made his debut as an amateur singer in 1880; but according to ''The Concise Oxford Dictionary of Opera''—from which many of the ensuing appearance dates, venues and career highlights are taken—his earliest known professional appearance in an opera did not occur until 1889, when he sang the role of Scindia in Massenet's ''Le roi de Lahore'' in Trieste. Not long afterwards, he appeared in another Massenet opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Campanari
Giuseppe Campanari (17 November 1855 – 31 May 1927) James Francis Cooke (1921) ''Great Singers on the Art of Singing'', Theodore Presser Co.Cooke (1921) gives his date of birth as 17 November 1858 but this is unlikely given the d.o.b. of his brother Leandro. was an Italian-born operatic baritone and cellist. He later became an American citizen. Campanari performed initially as a cellist at Milan's La Scala and on tour in other parts of Europe, but he later emigrated to the United States, where he played first solo cello for the Boston Symphony Orchestra, and was subsequently appointed professor of cello at the New England Conservatory of Music in Boston. He resigned from both positions to devote himself to singing, which he had studied as a second 'instrument' for years, becoming a major opera star with the Metropolitan Opera. In addition, he appeared at most of the major opera houses in Europe, including several seasons spent at the Royal Opera in London's Covent Garden, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Magini-Coletti
Antonio Magini-Coletti (17 February 1855 – 21 July 1912) was a leading Italian baritone who had a prolific career in Europe and the United States during the late 19th century and the early part of the 20th century. A versatile artist, he appeared in several opera world premieres but was particularly associated with the works of Giuseppe Verdi, Richard Wagner and the verismo composers. He was also an accomplished exponent of the bel canto repertoire. Biography Magini-Coletti was born in 1855 in the medieval town of Iesi (written Jesi in Italian), which is situated inland from Ancona on central Italy's east coast. Published details of his early life are scant but sources agree that he studied singing during the 1870s with the distinguished pedagogue Venceslao Persichini at Rome's Conservatorio di Santa Cecilia. (Persichini's other students included the lyric tenor Francesco Marconi and Magini-Coletti's fellow baritones Mattia Battistini, Giuseppe De Luca and Titta Ruffo.) In 1880, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mattia Battistini
Mattia Battistini (27 February 1856 – 7 November 1928) was an Italian operatic baritone, referred to as the "King of Baritones" in multiple publications.Steane, J.B., 1998. Singers of the Century, vol. 2. Amadeus Press, Portland, pp. 48–52. Early life Battistini was born in Rome on February 27, 1856. He spent most of his childhood at the village of Collebaccaro di Contigliano, near Rieti, where his parents held an estate. His grandfather Giovanni and uncle Raffaele were personal physicians to the Pope, and his father, Cavaliere Luigi Battistini, was a professor of anatomy at the University of Rome. Battistini attended the Collegio Bandinelli and later the Istituto dell' Apollinare. Battistini dropped out of law school to study with Emilio Terziani (who taught composition) and with Venceslao Persichini (professor of singing) at the Accademia Nazionale di Santa Cecilia—then the Liceo Musicale of Rome. Battistini worked with conductor Luigi Mancinelli and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zazà
''Zazà'' is an opera by Ruggero Leoncavallo, with a libretto by the composer. The story concerns the French music hall singer, Zazà, and her affair and subsequent decision to leave her lover, Milio, when she discovers that he is married. The music is influenced by the French music halls where Leoncavallo had spent his early years as a composer. Its premiere was at the Teatro Lirico (Milan), Teatro Lirico in Milan on 10 November 1900, starring Rosina Storchio as Zazà, Edoardo Garbin as Milio, Mario Sammarco as Cascart and Clorinda Pini-Corsi as Anaide, and conducted by Arturo Toscanini. It was later seen in opera houses around the world. Over the following twenty years it received over fifty new productions from Palermo to Paris, Buenos Aires to Moscow, Cairo to San Francisco, arriving at the Metropolitan Opera on 16 January 1920 in a production directed by David Belasco and conducted by Roberto Moranzoni, starring Geraldine Farrar, Giulio Crimi and Pasquale Amato, and later, G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruggiero Leoncavallo
Ruggero (or Ruggiero) Leoncavallo ( , , ; 23 April 18579 August 1919) was an Italian opera composer and librettist. Although he produced numerous operas and other songs throughout his career it is his opera '' Pagliacci'' (1892) that remained his lasting contribution, despite attempts to escape the shadow of his greatest success. Today he remains largely known for ''Pagliacci'', one of the most popular and frequently performed works in the opera repertory. His other compositions include the song " Mattinata", popularized by Enrico Caruso, and the symphonic poem ''La Nuit de mai''. Biography The son of Vincenzo Leoncavallo, a police magistrate and judge, Leoncavallo was born in Naples on 23 April 1857. As a child, Leoncavallo moved with his father to the town of Montalto Uffugo in Calabria, where he lived during his adolescence. He later returned to Naples and was educated at the city's San Pietro a Majella Conservatory and later the University of Bologna studying literatu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Chénier
''Andrea Chénier'' () is a verismo opera in four acts by Umberto Giordano, set to an Italian libretto by Luigi Illica, and first performed on 28 March 1896 at La Scala, Milan. The story is based loosely on the life of the French poet André Chénier (1762–1794), who was executed during the French Revolution. The character Carlo Gérard is partly based on Jean-Lambert Tallien, a leading figure in the Revolution. It remains popular with audiences, though less frequently performed than in the first half of the 20th century. One reason for its survival in the repertoire is the lyrical-dramatic music provided by Giordano for the tenor lead, which gives a talented singer opportunities to demonstrate his skills and flaunt his voice. Giuseppe Borgatti's triumph in the title role at the first performance immediately propelled him to the front rank of Italian opera singers. He went on to become Italy's greatest Wagnerian tenor, rather than a verismo-opera specialist. Performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umberto Giordano
Umberto Menotti Maria Giordano (28 August 186712 November 1948) was an Italian composer, mainly of operas. He was born in Foggia in Apulia, southern Italy, and studied under Paolo Serrao at the Conservatoire of Naples. His first opera, ''Marina'', was written for a competition promoted by the music publishers Casa Sonzogno for the best one-act opera, remembered today because it marked the beginning of Italian ''verismo''. The winner was Mascagni's ''Cavalleria rusticana''. Giordano, the youngest contestant, was placed sixth among seventy-three entries with his ''Marina'', a work which generated enough interest for Sonzogno to commission the staging of an opera based on it in the 1891–92 season. The result was ''Mala vita'', a gritty ''verismo'' opera about a labourer who vows to reform a prostitute if he is cured of his tuberculosis. This work caused something of a scandal when performed at the Teatro Argentina, Rome, in February 1892. It played successfully in Vienna, Pragu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verismo
In opera, ''verismo'' (, from , meaning "true") was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini. ''Verismo'' as an operatic genre had its origins in an Italian literary movement of the same name. This was in turn related to the international literary movement of naturalism as practised by Émile Zola and others. Like naturalism, the ''verismo'' literary movement sought to portray the world with greater realism. In so doing, Italian ''verismo'' authors such as Giovanni Verga wrote about subject matter, such as the lives of the poor, that had not generally been seen as a fit subject for literature. History A short story by Verga called ' (), then developed into a play by the same author, became the source for what is usually considered to be the first ''verismo'' opera: ''Cavalleria rusticana'' by Mascagni, which premiered on 17 May 1890 at the Teat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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