Marika Rökk
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Marika Rökk
Marika Rökk (; born Marie Karoline Rökk, 3 November 1913 – 16 May 2004) was a German-Austrian dancer, singer and actress of Hungarian descent who gained prominence in German films in the Nazi era. She resumed her career in 1947 and was one of Europe's most famous operetta singers, performing onstage until 1986. Life and work Marie Karoline Rökk was born in 1913 in Cairo, Egypt, the daughter of Hungarian architect and contractor Eduard Rökk and his wife, Maria Karoline Charlotte (born Karoly) Rökk. She spent her childhood in Budapest, but in 1924 her family moved to Paris where her father had been contractually engaged. Here she learned to dance and starred with the Hoffmann Girls at the Moulin Rouge cabaret. After a tour that led her to Broadway she continued her dance training in the United States, where she worked with Ned Wayburn. In 1929 she returned to Europe and the next year acted in her first film, ''Why Sailors Leave Home'', a British comedy directed by Monty Ba ...
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Nazism And Cinema
Nazism created an elaborate system of propaganda, which made use of the new technologies of the 20th century, including cinema. Nazism courted the masses by the means of slogans that were aimed directly at the instincts and emotions of the people. The Nazis valued film as a propaganda instrument of enormous power. The interest that Adolf Hitler and his propaganda minister Joseph Goebbels took in film was not only the result of a personal fascination. The use of film for propaganda had been planned by the Nazi Party as early as 1930, when the party first established a film department. Background The Nazis were very aware of the propagandistic effect of movies and already in 1920 the issues of the '' Racial Observer'' included film criticism. The SS-philosopher Walter Julius Bloem published the book ''The Soul of the Cinema – A Commitment to the Movies'' in 1922. In September 1923, Philipp Nickel produced a documentary of the "German Day in Nuremberg" where the " Battle-Leagu ...
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Cairo
Cairo ( ; ar, القاهرة, al-Qāhirah, ) is the capital of Egypt and its largest city, home to 10 million people. It is also part of the largest urban agglomeration in Africa, the Arab world and the Middle East: The Greater Cairo metropolitan area, with a population of 21.9 million, is the 12th-largest in the world by population. Cairo is associated with ancient Egypt, as the Giza pyramid complex and the ancient cities of Memphis and Heliopolis are located in its geographical area. Located near the Nile Delta, the city first developed as Fustat, a settlement founded after the Muslim conquest of Egypt in 640 next to an existing ancient Roman fortress, Babylon. Under the Fatimid dynasty a new city, ''al-Qāhirah'', was founded nearby in 969. It later superseded Fustat as the main urban centre during the Ayyubid and Mamluk periods (12th–16th centuries). Cairo has long been a centre of the region's political and cultural life, and is titled "the city of a thousand m ...
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Ginger Rogers
Ginger Rogers (born Virginia Katherine McMath; July 16, 1911 – April 25, 1995) was an American actress, dancer and singer during the Classical Hollywood cinema, Golden Age of Hollywood. She won an Academy Award for Best Actress for her starring role in Kitty Foyle (film), ''Kitty Foyle'' (1940), and performed during the 1930s in RKO Pictures, RKO's musical films with Fred Astaire. Her career continued on stage, radio and television throughout much of the 20th century. Rogers was born in Independence, Missouri, and raised in Kansas City, Missouri, Kansas City. She and her family moved to Fort Worth, Texas, when she was nine years old. In 1925, she won a Charleston dance contest that helped her launch a successful vaudeville career. After that, she gained recognition as a Broadway theatre, Broadway actress for her stage debut in ''Girl Crazy''. This led to a contract with Paramount Pictures, which ended after five films. Rogers had her first successful film roles as a supporting ...
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Werner Hochbaum
Werner Hochbaum (7 March 1899, Kiel – 15 April 1946) was a German screenwriter, film producer and film director, director. Selected filmography * ''Brothers (1929 film), Brothers'' (1929) * ''Raid in St. Pauli'' (1932) * ''Tugboat M 17'' (1933) * ''Judgment of Lake Balaton'' (Hungary/Austria, 1933) * ''Life Begins Tomorrow'' (1933) * ''Suburban Cabaret'' (Austria, 1935) * ''The Eternal Mask'' (Austria/Switzerland, 1935) * ''Light Cavalry (1935 German film), Light Cavalry (German)'' (1935), ''Light Cavalry (1935 French film), Light Cavalry (French)'' (1935) * ''Schatten der Vergangenheit'' (Austria, 1936) * ''Hannerl and Her Lovers (1936 film), Hannerl and Her Lovers'' (Austria, 1936) * ''The Empress's Favourite'' (1936) * ''Talking About Jacqueline'' (1937) * ''A Girl Goes Ashore'' (1938) * ''Drei Unteroffiziere'' (1939) Bibliography * Bergfelder, Tim & Bock, Hans-Michael. ''The Concise Cinegraph: Encyclopedia of German Cinema. Berghahn Books, 2009. * Kreimeier, Klaus. ''The Ufa s ...
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Leichte Kavallerie
' (''Light Cavalry'') is an operetta in two acts by Franz von Suppé, with a libretto by . It was first performed in the Carltheater, Vienna, on 21 March 1866. The original work is set in a 19th-century Austrian village where several love intrigues and the discovery of a father-daughter relationship are accompanied by the arrival of a regiment of hussars. In 1934, completely rewrote the operetta. It was set in the 18th century amid the court intrigues of a Baron and his Hungarian Countess lover, whose ballet company is referred to as the "light cavalry". While much of the operetta remains in relative obscurity, the ''Light Cavalry Overture'' is one of Suppé's best known works. The music from the operetta was used as the soundtrack of a film of the same name in 1935. Roles Plot Act 1 - The Marketplace Vilma is an orphan who was educated by the community. Now she has become a pretty young woman and turns her head on all men, including those who are already married. In respons ...
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Revue
A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, ribald publicity campaigns and the occasional use of prurient material, the revue was typically patronized by audience members who earned more and felt even less restricted by middle-class ...
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Marika Rökk Postcard 1939
Marika is a feminine given name of Polish, Greek, and Japanese origin. It has its origin in the Hungarian and Greek nickname for Maria, or its Silesian diminutive "Maryjka". Marieke is the Dutch and Flemish equivalent. Marika is also a Fijian given name. Marika is also a surname of the Aboriginal Australian people of Arnhem Land known as the Yolngu. __TOC__ People with the given name *Marika Eensalu (born 1947), Estonian opera singer and music pedagogue *Marika Gombitová (born 1956), Slovak pop singer *Marika Green (born 1943), Swedish/French actress *Marika Hackman (born 1992), English nu-folk singer/songwriter *, Japanese actress and voice actress * Marta "Marika" Kosakowska (born 1980), Polish singer *Marika Kōno (born 1994), Japanese voice actress and singer *Marika Kotopouli (1887-1954), Greek actress *Marika Krevata (1910-1994), Greek actress *Marika Krook (born 1972), Finnish singer and actress *Marika Matsumoto (born 1984), Japanese actress *Marika Mitsotakis (1930–20 ...
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A Star Is Born (1937 Film)
''A Star Is Born'' is a 1937 American Technicolor romantic drama film produced by David O. Selznick, directed by William A. Wellman from a script by Wellman, Robert Carson, Dorothy Parker, and Alan Campbell, and starring Janet Gaynor (in her only Technicolor film) as an aspiring Hollywood actress, and Fredric March (in his Technicolor debut) as a fading movie star who helps launch her career. The supporting cast features Adolphe Menjou, May Robson, Andy Devine, Lionel Stander, and Owen Moore. The film has been remade three times: in 1954 (directed by George Cukor and starring Judy Garland and James Mason), in 1976 (directed by Frank Pierson and starring Barbra Streisand and Kris Kristofferson), and in 2018 (starring Lady Gaga and Bradley Cooper, who also directed). Plot North Dakota farm girl Esther Victoria Blodgett yearns to become a Hollywood actress. Although her aunt and father discourage such thoughts, Esther's grandmother gives Esther her savings to follow her dre ...
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Nothing Sacred (film)
''Nothing Sacred'' is a 1937 American Technicolor screwball comedy film directed by William A. Wellman, produced by David O. Selznick, and starring Carole Lombard and Fredric March with a supporting cast featuring Charles Winninger and Walter Connolly. Ben Hecht was credited with the screenplay based on the 1937 story "Letter to the Editor" by James H. Street, and an array of additional writers, including Ring Lardner Jr., Budd Schulberg, Dorothy Parker, Sidney Howard, Moss Hart, George S. Kaufman and Robert Carson (writer), Robert Carson made uncredited contributions. The lush, George Gerswin, Gershwinesque music score was by Oscar Levant, with additional music by Alfred Newman (composer), Alfred Newman and Max Steiner and a swing number by Raymond Scott's Quintette. The film was shot in Technicolor by W. Howard Greene and edited by James E. Newcom, and was a Selznick International Pictures production distributed by United Artists. The film's opening credits feature distinctive c ...
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The Garden Of Allah (1936 Film)
''The Garden of Allah'' is a 1936 American adventure drama romance film directed by Richard Boleslawski, produced by David O. Selznick, and starring Marlene Dietrich and Charles Boyer. The screenplay was written by William P. Lipscomb and Lynn Riggs, who based it on the 1904 novel of the same title by Robert S. Hichens. Hichens's novel had been filmed twice before, as silent films made in 1916 and 1927. The supporting cast of the sound version features Basil Rathbone, C. Aubrey Smith, Joseph Schildkraut, John Carradine, Alan Marshal, and Lucile Watson. The music score is by Max Steiner. It was the third feature film to be photographed in Three-strip Technicolor, and (uncredited) cinematographers W. Howard Greene and Harold Rosson received a special Oscar for advances in color cinematography. The filming locations were in Buttercup, California and Yuma, Arizona. Plot After the death of her invalid father, wealthy Domini Enfilden returns to Le Couvent de Ste. Cecile, where s ...
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Becky Sharp (film)
''Becky Sharp'' is a 1935 American Technicolor historical drama film directed by Rouben Mamoulian and starring Miriam Hopkins who was nominated for the Best Actress Oscar. Other supporting cast were William Faversham, Frances Dee, Cedric Hardwicke, Billie Burke, Alison Skipworth, Nigel Bruce, and Alan Mowbray. The film is based on the 1899 play of the same name by Langdon Mitchell, which in turn was based on William Makepeace Thackeray's 1848 novel '' Vanity Fair''. The play was made famous in the late 1890s by actress Minnie Maddern Fiske. The screenplay was written by Francis Edward Faragoh. The film was considered a landmark in cinema as the first feature film to use the newly developed three-strip Technicolor production throughout, opening the way for a growing number of color films to be made in Britain and the United States in the years leading up to World War II. In 2019, the film was selected by the Library of Congress for preservation in the United States National F ...
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Technicolor
Technicolor is a series of Color motion picture film, color motion picture processes, the first version dating back to 1916, and followed by improved versions over several decades. Definitive Technicolor movies using three black and white films running through a special camera (3-strip Technicolor or Process 4) started in the early 1930s and continued through to the mid-1950s when the 3-strip camera was replaced by a standard camera loaded with single strip 'monopack' color negative film. Technicolor Laboratories were still able to produce Technicolor prints by creating three black and white matrices from the Eastmancolor negative (Process 5). Process 4 was the second major color process, after Britain's Kinemacolor (used between 1908 and 1914), and the most widely used color process in Cinema of the United States, Hollywood during the Golden Age of Hollywood. Technicolor's #Process 4: Development and introduction, three-color process became known and celebrated for its highly s ...
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