Manfred Kelkel
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Manfred Kelkel
Manfred Kelkel (15 January 1929 – 18 April 1999) was a 20th-century French musicologist and composer of contemporary music. A pupil of Darius Milhaud at the Conservatoire de Paris, he got interested in the music of Russian composer Alexander Scriabin, whose latest works (from '' Prometheus: The Poem of Fire to Mysterium'') influenced his own compositions. His work on Scriabin and a certain esoteric aesthetic of music are authoritative. Studies and publications Kelkel was born in in Saarland, then under French occupation As a student of Darius Milhaud at the Conservatoire de Paris, Kelkel "always felt a sincere admiration and almost filial recognition for his former teacher, even if, aesthetically speaking, he followed a divergent path.". From 1969 onwards, the composer resumed his university studies, obtaining a doctoral degree and a State doctorate of music and musicology, "with works that have since become authoritative in their fields", from his study ''À la recherche ...
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Musicologist
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ...
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Paul Verlaine University – Metz
Paul Verlaine University – Metz (Université Paul Verlaine - Metz, or UPV-M) was a French university, based in Metz. It merged with Nancy-I, Nancy-II, and the INPL forming the University of Lorraine. The merger process started in 2009 with the creation of a "pôles de recherche et d'enseignement supérieur" or PRES and was completed 1 January 2012. See also * List of public universities in France by academy In France, various types of institution have the term "University" in their name. These include the public universities, which are the autonomous institutions that are distinguished as being state institutes of higher education and research that p ... Defunct universities and colleges in France Universities and colleges in Metz Educational institutions established in 1970 1970 establishments in France Educational institutions disestablished in 2011 2011 disestablishments in France University of Lorraine {{france-university-stub ...
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Magic Square
In recreational mathematics, a square array of numbers, usually positive integers, is called a magic square if the sums of the numbers in each row, each column, and both main diagonals are the same. The 'order' of the magic square is the number of integers along one side (''n''), and the constant sum is called the ' magic constant'. If the array includes just the positive integers 1,2,...,n^2, the magic square is said to be 'normal'. Some authors take magic square to mean normal magic square. Magic squares that include repeated entries do not fall under this definition and are referred to as 'trivial'. Some well-known examples, including the Sagrada Família magic square and the Parker square are trivial in this sense. When all the rows and columns but not both diagonals sum to the magic constant this gives a ''semimagic square (sometimes called orthomagic square). The mathematical study of magic squares typically deals with their construction, classification, and enumeration. A ...
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Mandala
A mandala ( sa, मण्डल, maṇḍala, circle, ) is a geometric configuration of symbols. In various spiritual traditions, mandalas may be employed for focusing attention of practitioners and adepts, as a spiritual guidance tool, for establishing a sacred space and as an aid to meditation and trance induction. In the Eastern religions of Hinduism, Buddhism, Jainism and Shinto it is used as a map representing deities, or especially in the case of Shinto, paradises, kami or actual shrines. A mandala generally represents the spiritual journey, starting from outside to the inner core, through layers. Hinduism In Hinduism, a basic mandala, also called a ''yantra'', takes the form of a square with four gates containing a circle with a center point. Each gate is in the general shape of a T. Mandalas often have radial balance. A ''yantra'' is similar to a mandala, usually smaller and using a more limited colour palette. It may be a two- or three-dimensional geometric compos ...
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Buddhist
Buddhism ( , ), also known as Buddha Dharma and Dharmavinaya (), is an Indian religion or philosophical tradition based on teachings attributed to the Buddha. It originated in northern India as a -movement in the 5th century BCE, and gradually spread throughout much of Asia via the Silk Road. It is the world's fourth-largest religion, with over 520 million followers (Buddhists) who comprise seven percent of the global population. The Buddha taught the Middle Way, a path of spiritual development that avoids both extreme asceticism and hedonism. It aims at liberation from clinging and craving to things which are impermanent (), incapable of satisfying ('), and without a lasting essence (), ending the cycle of death and rebirth (). A summary of this path is expressed in the Noble Eightfold Path, a training of the mind with observance of Buddhist ethics and meditation. Other widely observed practices include: monasticism; " taking refuge" in the Buddha, the , and th ...
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Magnum Opus (alchemy)
The Great Work (Latin: ''Magnum opus'') is an alchemical term for the process of working with the prima materia to create the philosopher's stone. It has been used to describe personal and spiritual transmutation in the Hermetic tradition, attached to laboratory processes and chemical color changes, used as a model for the individuation process, and as a device in art and literature. The magnum opus has been carried forward in New Age and neo-Hermetic movements which sometimes attached new symbolism and significance to the processes. The original process philosophy has four stages: *''nigredo'', the blackening or melanosis *''albedo'', the whitening or leucosis *''citrinitas'', the yellowing or xanthosis *''rubedo'', the reddening, purpling, or iosis The origin of these four phases can be traced at least as far back as the first century. Zosimus of Panopolis wrote that it was known to Mary the Jewess. The development of black, white, yellow, and red can also be found in the ...
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Geomancy
Geomancy (Greek: γεωμαντεία, "earth divination") is a method of divination that interprets markings on the ground or the patterns formed by tossed handfuls of soil, rocks, or sand. The most prevalent form of divinatory geomancy involves interpreting a series of 16 figures formed by a randomized process that involves recursion, followed by analyzing them, often augmented with astrological interpretations. Geomancy was practiced by people from all social classes. It was one of the most popular forms of divination throughout Africa and Europe, particularly during the Middle Ages and the Renaissance. In Renaissance magic, geomancy was classified as one of the seven "forbidden arts", along with necromancy, hydromancy, aeromancy, pyromancy, chiromancy (palmistry), and spatulamancy (scapulimancy). History The word "geomancy", from Late Greek ''geōmanteía'', translates literally to "foresight by earth"; it is a calque translation of the Arabic term ''‛ilm al-raml'', ...
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Esoterism
Western esotericism, also known as esotericism, esoterism, and sometimes the Western mystery tradition, is a term scholars use to categorise a wide range of loosely related ideas and movements that developed within Western society. These ideas and currents are united since they are largely distinct both from orthodox Judeo-Christian religion and Enlightenment rationalism. Esotericism has pervaded various forms of Western philosophy, religion, pseudoscience, art, literature, and music—and continues to influence intellectual ideas and popular culture. The idea of grouping a wide range of Western traditions and philosophies together under the term ''esotericism'' developed in Europe during the late seventeenth century. Various academics have debated various definitions of Western esotericism. One view adopts a definition from certain esotericist schools of thought themselves, treating "esotericism" as a perennial hidden inner tradition. A second perspective sees esotericism as ...
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Emerald Tablet
The ''Emerald Tablet'', also known as the ''Smaragdine Tablet'' or the ''Tabula Smaragdina'' (Latin, from the Arabic: , ''Lawḥ al-zumurrudh''), is a compact and cryptic Hermetic text. It was highly regarded by Islamic and European alchemists as the foundation of their art. Though attributed to the legendary Hellenistic figure Hermes Trismegistus, the text of the ''Emerald Tablet'' first appears in a number of early medieval Arabic sources, the oldest of which dates to the late eighth or early ninth century. It was translated into Latin several times in the twelfth and thirteenth centuries. Numerous interpretations and commentaries followed. Medieval and early modern alchemists associated the ''Emerald Tablet'' with the creation of the philosophers' stone and the artificial production of gold. It has also been popular with nineteenth and twentieth century occultists and esotericists, among whom the expression "as above, so below" (a modern paraphrase of the second verse of th ...
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The Mighty Handful
The Five ( rus, link=no, Могучая кучка, lit. ''Mighty Bunch''), also known as the Mighty Handful, The Mighty Five, and the New Russian School, were five prominent 19th-century Russian composers who worked together to create a distinct national style of classical music: Mily Balakirev (the leader), César Cui, Modest Mussorgsky, Nikolai Rimsky-Korsakov and Alexander Borodin. They lived in Saint Petersburg, and collaborated from 1856 to 1870. History Name In May 1867 the critic Vladimir Stasov wrote an article, titled ''Mr. Balakirev's Slavic Concert'', covering a concert that had been performed for visiting Slav delegations at the "All-Russian Ethnographical Exhibition" in Moscow. The four Russian composers whose works were played at the concert were Mikhail Glinka, Alexander Dargomyzhsky, Mily Balakirev, and Nikolai Rimsky-Korsakov. The article ended with the following statement: The expression "mighty handful" (russian: Могучая кучка, ''Moguchaya ...
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Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets '' Swan Lake'' and ''The Nutcracker'', the ''1812 Overture'', his First Piano Concerto, Violin Concerto, the ''Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary nati ...
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André Lischke
André Lischke (born 1952 in Paris) is a French musicologist and translator, specialising in Russian classical music. Biography André Lischke was born into a family of Russian immigrant musicians. He began his musical education at the piano. After courses in musical composition, he turned to musicology with Michel Guiomar at the Schola Cantorum, then with Norbert Dufourcq and Yves Gérard at the Conservatoire de Paris, where he obtained his first prize. He specialized in Russian music and passed his doctoral thesis at the Sorbonne with ''Tchaikovski au miroir de ses écrits'' for subject (1996). As a journalist and music critic, he collaborates with magazines such as '' Diapason'', '' L'Avant-scène opéra'' and ''Lyrica''. He is also a producer of radio programs. Between 1989 and 1997, he was artistic director of the record label Le Chant du Monde, a company soon bought over by Harmonia Mundi. Since 2001, André Lischke has been teaching at the University of Evry
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