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Madonna Della Clemenza
The Madonna della Clemenza is a panel painting in encaustic (with later over-painting), variously dated between the 6th and 9th century, in the Basilica Santa Maria in Trastevere, Rome, Italy. It is an icon of the enthroned Virgin and Child. The origins of the painting are debated among scholars, but it is regarded as having been produced in Rome, perhaps commissioned by the ethnically Greek Pope John VII (r. 705–707), one of the Byzantine popes, which would help to account for the especially strong Greek elements. The Madonna della Clemenza is one of the five oldest existing Marian Icons from the medieval period. Its proximity to the rise of Christianity is one of the reasons it was believed to be a divine image. It is the largest of the five at 164 x 116 cm (64.5in by 45.5 in). While most scholars believe that the painting was always intended for Santa Maria in Trastevere, where it appears to be documented in the reign of Pope Gregory IV (828–844), others suggest this was n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna Della Clemenza Icon Of The Virgin And Child
Madonna Louise Ciccone (; ; born August 16, 1958) is an American singer-songwriter and actress. Widely dubbed the "Queen of Pop", Madonna has been noted for her continual reinvention and versatility in music production, songwriting, and visual presentation. She has pushed the boundaries of artistic expression in mainstream music, while continuing to maintain control over every aspect of her career. Her works, which incorporate social, political, sexual, and religious themes, have generated both controversy and critical acclaim. A prominent cultural figure crossing both the 20th and 21st centuries, Madonna remains one of the most "well-documented figures of the modern age", with a broad amount of scholarly reviews and literature works on her, as well as an academic mini subdiscipline devoted to her named Madonna studies. At 20 years old, Madonna moved to New York City in 1978 to pursue a career in modern dance. After performing as a drummer, guitarist, and vocalist in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regina Coeli
"Regina caeli" (; Queen of Heaven) is a musical antiphon addressed to the Blessed Virgin Mary that is used in the liturgy of the Roman Rite of the Catholic Church during the Easter season, from Easter Sunday until Pentecost. During this season, it is the Marian antiphon that ends Compline (Night Prayer) and it takes the place of the traditional thrice-daily ''Angelus'' prayer. In the past, the spelling Regina coeli was sometimes used, but this spelling is no longer found in official liturgical books. Text The antiphon itself consists of four lines: Compline, as revised in 1969 after the Second Vatican Council, ends with the antiphon alone. In the earlier Roman Breviary and in recitation at Angelus time during Eastertide, the following versicle (℣) and response (℟) and the following prayer are added to the antiphon: A verse translation in 7.7.7.7 metre used in some Anglican churches is usually sung to the hymn tune known as Easter Hymn, " Christ the Lord is Ri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
7th-century Paintings
The 7th century is the period from 601 ( DCI) through 700 ( DCC) in accordance with the Julian calendar in the Common Era. The spread of Islam and the Muslim conquests began with the unification of Arabia by Muhammad starting in 622. After Muhammad's death in 632, Islam expanded beyond the Arabian Peninsula under the Rashidun Caliphate (632–661) and the Umayyad Caliphate (661–750). The Muslim conquest of Persia in the 7th century led to the downfall of the Sasanian Empire. Also conquered during the 7th century were Syria, Palestine, Armenia, Egypt, and North Africa. The Byzantine Empire suffered setbacks during the rapid expansion of the Caliphate, a mass incursion of Slavs in the Balkans which reduced its territorial limits. The decisive victory at the Siege of Constantinople in the 670s led the empire to retain Asia Minor which assured the existence of the empire. In the Iberian Peninsula, the 7th century was known as the ''Siglo de Concilios'' (century of councils) refer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Of The Madonna And Child
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Maggiore
The Basilica of Saint Mary Major ( it, Basilica di Santa Maria Maggiore, ; la, Basilica Sanctae Mariae Maioris), or church of Santa Maria Maggiore, is a Major papal basilica as well as one of the Seven Pilgrim Churches of Rome and the largest Catholic Marian church in Rome, Italy. The basilica enshrines the venerated image of ''Salus Populi Romani'', depicting the Blessed Virgin Mary as the health and protectress of the Roman people, which was granted a Canonical coronation by Pope Gregory XVI on 15 August 1838 accompanied by his Papal bull ''Cælestis Regina''. Pursuant to the Lateran Treaty of 1929 between the Holy See and Italy, the Basilica is within Italian territory and not the territory of the Vatican City State.Lateran Treaty of 1929, Article 15 However, the Holy See fully owns the Basilica, and Italy is legally obligated to recognize its full ownership thereof and to concede to it "the immunity granted by International Law to the headquarters of the diplomatic age ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canonical Coronation
A canonical coronation ( la, Coronatio Canonica) is a pious institutional act of the pope, duly expressed in a bull, in which the pope bestows the right to impose an ornamental crown, a diadem or an aureole to an image of Christ, Mary or Joseph that is widely venerated in a particular diocese or locality. The formal act is generally carried out by a representing proxy of the pope, via the designated apostolic nuncio to a country or kingdom, or at times a lesser papal legate, or on rare occasions by the pope himself, by ceremonially attaching a crown, tiara, or stellar halo to the devotional image or statue. The Holy Office originally issued the authorisation of a canonical coronation through a dicastery, called the "Vatican Chapter". Subsequently, until 1989, the Vatican's Sacred Congregation of Rites was assigned this duty. Since then, the Congregation for Divine Worship and the Discipline of the Sacraments arranges to execute the ceremonial act which the decree authorizes. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Alexander VII
Pope Alexander VII ( it, Alessandro VII; 13 February 159922 May 1667), born Fabio Chigi, was head of the Catholic Church and ruler of the Papal States from 7 April 1655 to his death in May 1667. He began his career as a vice- papal legate, and he held various diplomatic positions in the Holy See. He was ordained as a priest in 1634, and he became bishop of Nardo in 1635. He was later transferred in 1652, and he became bishop of Imola. Pope Innocent X made him secretary of state in 1651, and in 1652, he was appointed a cardinal. Early in his papacy, Alexander, who was seen as an anti-nepotist at the time of his election, lived simply; later, however, he gave jobs to his relatives, who eventually took over his administration. His administration worked to support the Jesuits. However, his administration's relations with France were strained due to his frictions with French diplomats. Alexander was interested in architecture and supported various urban projects in Rome. He als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counter-Reformation
The Counter-Reformation (), also called the Catholic Reformation () or the Catholic Revival, was the period of Catholic resurgence that was initiated in response to the Protestant Reformation. It began with the Council of Trent (1545–1563) and largely ended with the conclusion of the European wars of religion in 1648. Initiated to address the effects of the Protestant Reformation, the Counter-Reformation was a comprehensive effort composed of apologetic and polemical documents and ecclesiastical configuration as decreed by the Council of Trent. The last of these included the efforts of Imperial Diets of the Holy Roman Empire, heresy trials and the Inquisition, anti-corruption efforts, spiritual movements, and the founding of new religious orders. Such policies had long-lasting effects in European history with exiles of Protestants continuing until the 1781 Patent of Toleration, although smaller expulsions took place in the 19th century. Such reforms included the foundation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donor Portrait
A donor portrait or votive portrait is a portrait in a larger painting or other work showing the person who commissioned and paid for the image, or a member of his, or (much more rarely) her, family. ''Donor portrait'' usually refers to the portrait or portraits of donors alone, as a section of a larger work, whereas ''votive portrait'' may often refer to a whole work of art intended as an ex-voto, including for example a Madonna, especially if the donor is very prominent. The terms are not used very consistently by art historians, as Angela Marisol Roberts points out, and may also be used for smaller religious subjects that were probably made to be retained by the commissioner rather than donated to a church. Donor portraits are very common in religious works of art, especially paintings, of the Middle Ages and Renaissance, the donor usually shown kneeling to one side, in the foreground of the image. Often, even late into the Renaissance, the donor portraits, especially when of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Halo (religious Iconography)
A halo (from the Greek , ; also known as a nimbus, aureole, glory, or gloriole) is a crown of light rays, circle or disk of light that surrounds a person in art. It has been used in the iconography of many religions to indicate holy or sacred figures, and has at various periods also been used in images of rulers and heroes. In the religious art of Ancient Greece, Ancient Rome, Christianity, Hinduism, and Buddhism among other religions, sacred persons may be depicted with a halo in the form of a circular glow, or flames in Asian art, around the head or around the whole body—this last one is often called a mandorla. Halos may be shown as almost any colour or combination of colours, but are most often depicted as golden, yellow or white when representing light or red when representing flames. Ancient Mesopotamia Sumerian religious literature frequently speaks of (loaned into Akkadian as ), a "brilliant, visible glamour which is exuded by gods, heroes, sometimes by kings, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christ Child
The Christ Child, also known as Divine Infant, Baby Jesus, Infant Jesus, the Divine Child, Child Jesus, the Holy Child, Santo Niño, and to some as Señor Noemi refers to Jesus Christ from his nativity to age 12. The four canonical gospels, accepted by most Christians today, lack any narration of the years between Jesus' infancy and the Finding in the Temple when he was 12. Liturgical feasts Liturgical feasts relating to Christ's infancy and childhood include: * The Feast of the Nativity of Jesus Christ (25 December); * The Feast of the Circumcision of Christ (1 January – Eastern Orthodox Church, Latin Rite-Extraordinary Form); * The Feast of the Holy Name of Jesus (3 January – Latin Rite; others – various); * The Feast of the Epiphany (6 January or 19 January in the Gregorian equivalent of the Julian calendar) * The Feast of the Presentation of the Lord (2 February) Depictions in art From about the third or fourth century onwards, the child Jesus is frequently shown ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maestà
Maestà , the Italian word for "majesty", designates a classification of images of the enthroned Madonna with the child Jesus, the designation generally implying accompaniment by angels, saints, or both. The ''Maestà'' is an extension of the "Seat of Wisdom" theme of the seated "Mary Theotokos", "Mary Mother of God", which is a counterpart to the earlier icon of Christ in Majesty, the enthroned Christ that is familiar in Byzantine Mosaics. ''Maria Regina'' is an art historians' synonym for the iconic image of Mary enthroned, with or without the Child. In the West, the image seems to have developed, based perhaps on Byzantine precedents such as the coin of Constantine's Empress Fausta, crowned and with their sons on her lap and on literary examples, such as Flavius Cresconius Corippus's celebration of Justin II's coronation in 565. Paintings depicting the ''Maestà'' came into the mainstream artistic repertory, especially in Rome, in the late twelfth and early thirteenth centuries ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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