Maestà
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Maestà , the Italian word for "majesty", designates a classification of
images An image is a visual representation of something. It can be two-dimensional, three-dimensional, or somehow otherwise feed into the visual system to convey information. An image can be an artifact, such as a photograph or other two-dimensiona ...
of the enthroned
Madonna Madonna Louise Ciccone (; ; born August 16, 1958) is an American singer-songwriter and actress. Widely dubbed the " Queen of Pop", Madonna has been noted for her continual reinvention and versatility in music production, songwriting, a ...
with the
child Jesus The Christ Child, also known as Divine Infant, Baby Jesus, Infant Jesus, the Divine Child, Child Jesus, the Holy Child, Santo Niño, and to some as Señor Noemi refers to Jesus Christ from his nativity to age 12. The four canonical gospels, ...
, the designation generally implying accompaniment by
angel In various theistic religious traditions an angel is a supernatural spiritual being who serves God. Abrahamic religions often depict angels as benevolent celestial intermediaries between God (or Heaven) and humanity. Other roles include ...
s,
saint In religious belief, a saint is a person who is recognized as having an exceptional degree of Q-D-Š, holiness, likeness, or closeness to God. However, the use of the term ''saint'' depends on the context and Christian denomination, denominat ...
s, or both. The ''Maestà'' is an extension of the "
Seat of Wisdom Seat of Wisdom or Throne of Wisdom (Latin: ''sedes sapientiae'') is one of many devotional titles for Mary in Roman Catholic tradition. In Seat of Wisdom icons and sculptures, Mary is seated on a throne with the Christ Child on her lap. For the ...
" theme of the seated "Mary
Theotokos ''Theotokos'' (Greek: ) is a title of Mary, mother of Jesus, used especially in Eastern Christianity. The usual Latin translations are ''Dei Genitrix'' or ''Deipara'' (approximately "parent (fem.) of God"). Familiar English translations are " ...
", "Mary Mother of God", which is a counterpart to the earlier icon of
Christ in Majesty Christ in Majesty or Christ in Glory ( la, Maiestas Domini) is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whos ...
, the enthroned Christ that is familiar in Byzantine Mosaics. ''Maria Regina'' is an art historians' synonym for the
icon An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. They are not simply artworks; "an icon is a sacred image used in religious devotion". The most ...
ic image of Mary enthroned, with or without the Child. In the West, the image seems to have developed, based perhaps on Byzantine precedents such as the coin of Constantine's Empress
Fausta Flavia Maxima Fausta ''Augusta'' (289–326 AD) was a Roman empress. She was the daughter of Maximian and second wife of Constantine the Great, who had her executed and excluded from all official accounts for unknown reasons. Historians Zosimu ...
, crowned and with their sons on her lap and on literary examples, such as
Flavius Cresconius Corippus Flavius Cresconius Corippus was a late Berber-Roman epic poet of the 6th century, who flourished under East Roman Emperors Justinian I and Justin II. His major works are the epic poem ''Iohannis'' and the panegyric ''In laudem Iustini minoris''. ...
's celebration of
Justin II Justin II ( la, Iustinus; grc-gre, Ἰουστῖνος, Ioustînos; died 5 October 578) or Justin the Younger ( la, Iustinus minor) was Eastern Roman Emperor from 565 until 578. He was the nephew of Justinian I and the husband of Sophia, the ...
's coronation in 565. Paintings depicting the ''Maestà'' came into the mainstream artistic repertory, especially in Rome, in the late twelfth and early thirteenth centuries, with an increased emphasis on the veneration of Mary. The ''Maestà'' was often executed in
fresco Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaste ...
technique directly on plastered walls or as paintings on gessoed wooden
altar An altar is a table or platform for the presentation of religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, churches, and other places of worship. They are used particularly in paga ...
panels. A more domestic representation, suitable to private devotion, is the iconographic theme of
Madonna and Child In art, a Madonna () is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is (archaic). The Madonna and Child type is very prevalent in ...
.


Examples of ''Maestà'' in painting

The most famous example of the ''Maestà'' is the ''Maestà with Twenty Angels and Nineteen Saints'', an
altarpiece An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting o ...
comprising many individual paintings commissioned by the city of
Siena Siena ( , ; lat, Sena Iulia) is a city in Tuscany, Italy. It is the capital of the province of Siena. The city is historically linked to commercial and banking activities, having been a major banking center until the 13th and 14th centuri ...
in 1308 from the artist
Duccio di Buoninsegna Duccio di Buoninsegna ( , ; – ) was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Ducc ...
. The painting was installed in the city's cathedral on June 9, 1311. Although it took a generation for its effect truly to be felt, Duccio's ''Maestà'' set Italian painting on a course leading away from the hieratic representations of Byzantine art towards more direct presentations of reality. Creating this altarpiece assembled from many wood panels bonded together before painting was an arduous undertaking. The work was not only large, the central panel was 7 by 13 feet, but it had to be painted on both sides since it could be seen from all directions when installed on the main altar at the centre of the sanctuary. On the back of the ''Maesta'' were episodes from the life of Christ, focusing on his Passion. Sacred narrative unfolds in elegant episodes enacted by graceful figures who seem to dance their way through these stories while still conveying emotional content. Because the ''Maesta'' was dismantled in 1771, its power and beauty can only be imagined from scattered parts, some still in Siena, Italy, but others elsewhere.Stokstad, Marilyn Other noted examples of the ''Maestà'' are
Simone Martini Simone Martini ( – 1344) was an Italian painter born in Siena. He was a major figure in the development of early Italian painting and greatly influenced the development of the International Gothic style. It is thought that Martini was a pupil ...
's ''Maestà'' in the
Palazzo Pubblico The Palazzo Pubblico (''town hall'') is a palace in Siena, Tuscany, central Italy. Construction began in 1297 to serve as the seat of the Republic of Siena's government, which consisted of the Podestà and Council of Nine, the elected officia ...
, Siena, or
Cimabue Cimabue (; ; – 1302), Translated with an introduction and notes by J.C. and P Bondanella. Oxford: Oxford University Press (Oxford World’s Classics), 1991, pp. 7–14. . also known as Cenni di Pepo or Cenni di Pepi, was an Italian painter a ...
's fresco in the
Basilica of San Francesco d'Assisi The Basilica of Saint Francis of Assisi ( it, Basilica di San Francesco d'Assisi; la, Basilica Sancti Francisci Assisiensis) is the mother church of the Roman Catholic Order of Friars Minor Conventual in Assisi, a town in the Umbria region in ce ...
.


Notes


References

* *Stokstad, Marilyn; ''Art History'', 2011, 4th ed.,


Further reading

* Bellosi, Luciano (1999). ''Duccio: The Maestà''. New York: Thames and Hudson. .


External links

{{DEFAULTSORT:Maesta Virgin Mary in art Christian art Gothic paintings Italian words and phrases