|
Mârouf, Savetier Du Caire
''Mârouf, savetier du Caire'' (''Marouf, Cobbler of Cairo'') is an '' opéra comique'' by the French composer Henri Rabaud. The libretto, by Lucien Nepoty, is based on a tale from the '' Arabian Nights''. ''Mârouf'' was first performed at the Opéra-Comique, Paris, on 15 May 1914. The premiere was a great success and ''Mârouf'' became Rabaud's most popular opera. The score makes great use of oriental colour. The United States premiere of the opera was given at the Metropolitan Opera on December 19, 1917, with Giuseppe De Luca in the title role, Frances Alda as Princess Saamcheddine, and Pierre Monteux conducting. The Viennese premiere was at the Vienna State Opera The Vienna State Opera (, ) is an opera house and opera company based in Vienna, Austria. The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August ... on 24 January 1929, with Josef Kalenberg and Margit Angerer ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marthe Davelli In Henri Rabaud's Mârouf
Marthe may refer to: *Marthe (given name) a feminine given name * ''Marthe'' (novel), an 1876 novel by Joris-Karl Huysmans *''Marthe'', an 1877 play by Georges Ohnet * ''Marthe'' (film), a 1997 film by Gérard Jugnot People with the surname *William Marthé (1894–?), Swiss long-distance runner See also *Sainte-Marthe (other) *Martha (other) *Marta (other) *Marte (other) Marte may refer to: *Marte, Nigeria, a Local Government Area in Borno State *Marte (surname), including a list of people with the name * C.D. Marte, a Mexican football club * C.D. Atlético Marte, a Salvadoran football club * ST ''Marte'', a tug i ... * Marth (other) {{disambiguation, surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genie
Jinn ( ar, , ') – also romanized as djinn or anglicized as genies (with the broader meaning of spirit or demon, depending on sources) – are invisible creatures in early pre-Islamic Arabian religious systems and later in Islamic mythology and theology. Like humans, they are accountable for their deeds, can be either believers (''Muslim'') or unbelievers (''kafir''); depending on whether they accept God's guidance. Since jinn are neither innately evil nor innately good, Islam acknowledged spirits from other religions and was able to adapt spirits from other religions during its expansion. Jinn are not a strictly Islamic concept; they may represent several pagan beliefs integrated into Islam. To assert a strict monotheism and the Islamic concept of ''Tauhid'', Islam denies all affinities between the jinn and God, thus placing the jinn parallel to humans, also subject to God's judgment and afterlife. The Quran condemns the pre-Islamic Arabian practise of worshipping the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fellah
A fellah ( ar, فَلَّاح ; feminine ; plural ''fellaheen'' or ''fellahin'', , ) is a peasant, usually a farmer or agricultural laborer in the Middle East and North Africa. The word derives from the Arabic word for "ploughman" or "tiller". Due to a continuity in beliefs and lifestyle with that of the Ancient Egyptians, the fellahin of Egypt have been described as the "true Egyptians". A fellah could be seen wearing a simple Egyptian cotton robe called ''galabieh'' (''jellabiya''). The word ''galabieh'' originated around 1715–25 and derived from the Egyptian slang word ''gallabīyah''. Origins and usage "Fellahin," throughout the Middle East in the Islamic periods referred to native villagers and farmers. It is translated as "peasants" or " farmers". Fellahin were distinguished from the ''effendi'' (land-owning class), although the fellahin in this region might be tenant farmers, smallholders, or live in a village that owned the land communally. Others applied the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Delvoye
Jean Delvoye (25 November 1854, in Liège – 13 June 1938, in Ougrée) was a Belgian baritone, who, after working in the French provinces, enjoyed a long career in Paris, centred on the Opéra-Comique, and left some recordings representative of his repertoire. Life and career Delvoye studied singing at the Conservatoire de Liège under Georges Bonheur, obtaining a 2nd prize after only five months. He also won two first prizes in the "déclamation lyrique" class of baritone Sébastien Carman. Around 1881 he appeared in several performances of opéras comiques at the Salle de Fontainebleau in his home city. He sang in Dunkerque during the 1886-1887 season, before moving on to Angers (1887-1888) then Nantes for two seasons, singing Zurga in '' Les pêcheurs de perles'', and appearing as well in ''Les dragons de Villars'', '' La Béarnaise'', ''Si j'étais roi'' and ''Le Roi d'Ys''. He spent 1890 to 1893 in Marseille, where he also took lessons from Ismaël as well as appear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vizier
A vizier (; ar, وزير, wazīr; fa, وزیر, vazīr), or wazir, is a high-ranking political advisor or minister in the near east. The Abbasid caliphs gave the title ''wazir'' to a minister formerly called ''katib'' (secretary), who was at first merely a helper but afterwards became the representative and successor of the ''dapir'' (official scribe or secretary) of the Sassanian kings. In modern usage, the term has been used for government ministers in much of the Middle East and beyond. Several alternative spellings are used in English, such as ''vizir'', ''wazir'', and ''vezir''. Etymology Vizier is suggested to be an Iranian word, from the Pahlavi root of ''vičir'', which originally had the meaning of a ''decree'', ''mandate'', and ''command'', but later as its use in Dinkard also suggests, came to mean ''judge'' or ''magistrate''. Arthur Jeffery considers the word to be a "good Iranian" word, as has a well-established root in Avestan language. The Pahlavi ''viči ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Félix Vieuille
Félix Vieuille (15 October 1872, Saujon – 28 February 1953, Saujon) was a French operatic bass who sang for more than four decades with the Opéra-Comique in Paris during the first half of the twentieth century. He created roles in numerous world premieres, most notably portraying Arkel in the original production of Claude Debussy's '' Pelléas et Mélisande'' in 1902 which he went on to sing 208 times at that house. He possessed a rich voice and a solid technique which helped sustain his career for a long time. His voice is preserved on a number of recordings made on the Odeon, Lyrophon, and Beka labels. Biography Vieuille studied at the Conservatoire de Paris with teachers Léon Achard and Alfred Auguste Giraudet. He made his debut as Leporello in Mozart's '' Don Giovanni'' in 1897 at Aix-les-Bains. He joined the Paris Opéra-Comique in 1898 where he initially sang supporting roles until he was made a leading bass in 1902, with his first major role being Arkel in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Périer
Jean (Alexis) Périer (2 February 1869 – 3 November 1954) was a French operatic baryton-martin and actor. Although he sang principally within the operetta repertoire, Périer did portray a number of opera roles; mostly within operas by Wolfgang Amadeus Mozart and Giacomo Puccini. His career was almost entirely centered in Paris and he had a long association with the Opéra-Comique. He sang in a large number of world premieres, most notably originating the role of Pelléas in Debussy's '' Pelléas et Mélisande'' in 1902. In addition to his opera career, Périer appeared in several films between 1900 and 1938. Biography Jean Périer was born in Paris, the son of Belgian parents. His father was an opera singer and repetiteur. After initially working at the Credit Lyonnais,Gänzl K. ''The Encyclopedia of the Musical Theatre.'' Blackwell, Oxford, 1994. he became a pupil of Émile-Alexandre Taskin (opéra comique) and Romain Bussine (singing) at the Paris Conservatoire, winning firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
