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Mythos (Aristotle)
Mythos rom Ancient Greek μῦθος ''mûthos''is the term used by Aristotle in his ''Poetics'' (c. 335 BCE) to mean an Athenian tragedy's plot as a "representation of an action" or "the arrangement of the incidents" that "represents the action". Aristotle distinguishes plot from ''praxis'' – which are the actions the plots represent. It is the first of the six elements of tragedy that Aristotle lists. Variations on plot According to Elizabeth S. Belfiore, in "Chapter five; Parts and Wholes" of her book, ''Tragic Pleasures: Aristotle on Plot and Emotion'': :"In ''Poetics'' 13 and 14, Aristotle turns from the discussion of the three separate parts of the plot to a consideration of the plot as a whole composed of these three parts. Aristotle begins ''Poetics'' 13 with the premise that the function of tragedy is the arousal of pity and fear.” According to Belfiore, even though Aristotle "uses one set of criteria for good plots in ''Poetics'' 13 and a different set in ''Poeti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristotle
Aristotle (; grc-gre, Ἀριστοτέλης ''Aristotélēs'', ; 384–322 BC) was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the Peripatetic school of philosophy within the Lyceum and the wider Aristotelian tradition. His writings cover many subjects including physics, biology, zoology, metaphysics, logic, ethics, aesthetics, poetry, theatre, music, rhetoric, psychology, linguistics, economics, politics, meteorology, geology, and government. Aristotle provided a complex synthesis of the various philosophies existing prior to him. It was above all from his teachings that the West inherited its intellectual lexicon, as well as problems and methods of inquiry. As a result, his philosophy has exerted a unique influence on almost every form of knowledge in the West and it continues to be a subject of contemporary philosophical discussion. Little is known about his life. Aristotle was born in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetics (Aristotle)
Aristotle's ''Poetics'' ( grc-gre, Περὶ ποιητικῆς ''Peri poietikês''; la, De Poetica; c. 335 BCDukore (1974, 31).) is the earliest surviving work of Greek dramatic theory and first extant philosophical treatise to focus on literary theory. In this text Aristotle offers an account of ποιητική, which refers to poetry and more literally "the poetic art," deriving from the term for "poet; author; maker," ποιητής. Aristotle divides the art of poetry into verse drama (to include comedy, tragedy, and the satyr play), lyric poetry, and epic. The genres all share the function of mimesis, or imitation of life, but differ in three ways that Aristotle describes: # Differences in music rhythm, harmony, meter and melody. # Difference of goodness in the characters. # Difference in how the narrative is presented: telling a story or acting it out. The surviving book of ''Poetics'' is primarily concerned with drama, and the analysis of tragedy constitutes t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamartia
The term ''hamartia'' derives from the Greek , from ''hamartánein'', which means "to miss the mark" or "to err". It is most often associated with Greek tragedy, although it is also used in Christian theology. The term is often said to depict the flaws or defects of a character and portraying these as the reason of a potential downfall. However, other critics point to the term's derivation and say that it refers only to a tragic but random accident or mistake, with devastating consequences but with no judgment implied as to the character. Definition ''Hamartia'' as it pertains to dramatic literature was first used by Aristotle in his ''Poetics (Aristotle), Poetics''. In tragedy, ''hamartia'' is commonly understood to refer to the protagonist, protagonist's error that leads to a chain of actions which culminate in a reversal of events from felicity to disaster. What qualifies as the error or flaw varies, and can include an error resulting from ignorance, an error of judgment, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meir Sternberg
Meir Sternberg is an Israeli literary critic and biblical scholar. He is Artzt Professor of Poetics and Comparative Literature at Tel Aviv University. Along with Robert Alter and Adele Berlin, Sternberg is one of the most prominent practitioners of a literary approach to the Bible. Sternberg made an important contribution to narrative theory in his book ''Expositional Modes and Temporal Ordering in Fiction'', first published in Johns Hopkins University Press (1978) and later in Indiana University Press (1993). In his book Sternberg systematically explores how the order of information offered by the literary text creates for readers effects such as curiosity, suspense and surprise by analyzing examples that range from Homer's Odyssey to selected modern novels. Sternberg's contribution in this book to Narratology, with its emphasis on the effects of the literary texts on readers, can be seen as part of Reader-response criticism. Sternberg is best known for his 1985 book ''The P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetics Today
''Poetics Today: International Journal for Theory and Analysis of Literature and Communication'' is a quarterly peer-reviewed academic journal in the field of poetics. The editors-in-chief An editor-in-chief (EIC), also known as lead editor or chief editor, is a publication's editorial leader who has final responsibility for its operations and policies. The highest-ranking editor of a publication may also be titled editor, managing ... are Irene Tucker and Milette Shamir. Abstracting and indexing The journal is abstracted and indexed in: External links * {{Official website, http://poeticstoday.dukejournals.org/ Duke University Press academic journals Quarterly journals Publications established in 1979 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Idealism
German idealism was a philosophical movement that emerged in Germany in the late 18th and early 19th centuries. It developed out of the work of Immanuel Kant in the 1780s and 1790s, and was closely linked both with Romanticism and the revolutionary politics of the Enlightenment. The best-known thinkers in the movement, besides Kant, were Johann Gottlieb Fichte, Friedrich Wilhelm Joseph Schelling, Arthur Schopenhauer, Georg Wilhelm Friedrich Hegel, and the proponents of Jena Romanticism (Friedrich Hölderlin, Novalis, and Friedrich Schlegel). August Ludwig Hülsen, Friedrich Heinrich Jacobi, Gottlob Ernst Schulze, Karl Leonhard Reinhold, Salomon Maimon and Friedrich Schleiermacher also made major contributions. The period of German idealism after Kant is also known as post-Kantian idealism, post-Kantian philosophy, or simply post-Kantianism. Fichte's philosophical work has controversially been interpreted as a stepping stone in the emergence of German speculative idealism, the the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Wilhelm Friedrich Hegel
Georg Wilhelm Friedrich Hegel (; ; 27 August 1770 – 14 November 1831) was a German philosopher. He is one of the most important figures in German idealism and one of the founding figures of modern Western philosophy. His influence extends across the entire range of contemporary philosophical topics, from metaphysical issues in epistemology and ontology, to political philosophy, the philosophy of history, philosophy of art, philosophy of religion, and the history of philosophy. Born in 1770 in Stuttgart during the transitional period between the Enlightenment and the Romantic movement in the Germanic regions of Europe, Hegel lived through and was influenced by the French Revolution and the Napoleonic wars. His fame rests chiefly upon ''The Phenomenology of Spirit'', ''The Science of Logic'', and his lectures at the University of Berlin on topics from his ''Encyclopedia of the Philosophical Sciences''. Throughout his work, Hegel strove to address and correct the probl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Brook
Peter Stephen Paul Brook (21 March 1925 – 2 July 2022) was an English theatre and film director. He worked first in England, from 1945 at the Birmingham Repertory Theatre, from 1947 at the Royal Opera House, and from 1962 for the Royal Shakespeare Company (RSC). With them, he directed the first English-language production in 1964 of ''Marat/Sade'' by Peter Weiss, which was transferred to Broadway theatre, Broadway in 1965 and won the Tony Award for Best Play, and Brook was named Tony Award for Best Direction of a Play, Best Director. He also directed films such as an iconic version of ''Lord of the Flies (1963 film), Lord of the Flies'' in 1963. He was based in France from the early 1970s on, where he founded an international theatre company, playing in developing countries, in an approach of great simplicity. He was often referred to as "our greatest living theatre director". He won multiple Emmy Awards, a Laurence Olivier Award, the Japanese Praemium Imperiale, the Prix It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Propp
Vladimir Yakovlevich Propp (russian: Владимир Яковлевич Пропп; – 22 August 1970) was a Soviet folklorist and scholar who analysed the basic structural elements of Russian folk tales to identify their simplest irreducible structural units. Biography Vladimir Propp was born on 29 April 1895 in Saint Petersburg to an assimilated Russian family of German descent. His parents, Yakov Philippovich Propp and Anna-Elizaveta Fridrikhovna Propp (née Beisel), were Volga German wealthy peasants from Saratov Governorate. He attended Saint Petersburg University (1913–1918), majoring in Russian and German philology.Propp, Vladimir. "Introduction." ''Theory and History of Folklore.'' Ed. Anatoly Liberman. University of Minnesota: University of Minnesota Press, 1984. pg ix Upon graduation he taught Russian and German at a secondary school and then became a college teacher of German. His ''Morphology of the Folktale'' was published in Russian in 1928. Although i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edwin Mellen Press
The Edwin Mellen Press or Mellen Press is an international Independent business, independent company and Academic publisher, academic publishing house with editorial offices in Lewiston (town), New York, Lewiston, New York, and Lampeter, Lampeter, Wales. It was founded, in 1972, by the religious studies scholar Professor Herbert Richardson (publisher), Herbert W. Richardson. The press is a "non-subsidy academic publisher of books in the humanities and social sciences" releasing "Monographs, Textual criticism, critical editions, collections, translations, revisionist studies, constructive essays, bibliographies, dictionaries, reference guides and Thesis, dissertations". Most Mellen books are in English but many are also in a variety of other languages, including French, German, Spanish, and Russian. History When it was founded in 1972, the press's initial purpose was to publish specialized scholarship produced in Herbert Richardson (publisher), Richardson's department at the Uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Princeton University Press
Princeton University Press is an independent publisher with close connections to Princeton University. Its mission is to disseminate scholarship within academia and society at large. The press was founded by Whitney Darrow, with the financial support of Charles Scribner, as a printing press to serve the Princeton community in 1905. Its distinctive building was constructed in 1911 on William Street in Princeton. Its first book was a new 1912 edition of John Witherspoon's ''Lectures on Moral Philosophy.'' History Princeton University Press was founded in 1905 by a recent Princeton graduate, Whitney Darrow, with financial support from another Princetonian, Charles Scribner II. Darrow and Scribner purchased the equipment and assumed the operations of two already existing local publishers, that of the ''Princeton Alumni Weekly'' and the Princeton Press. The new press printed both local newspapers, university documents, ''The Daily Princetonian'', and later added book publishing to it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
