|
Musidora
Jeanne Roques (23 February 1889 – 11 December 1957), known professionally as Musidora, was a French actress, film director, and writer. She is best known for her acting in silent films, and rose to public attention for roles in the Louis Feuillade serials ''Les Vampires'' as Irma Vep and in ''Judex'' as Marie Verdier. Early life Born Jeanne Roques in Paris, France to music composer and theorist of socialism Jacques Roques and painter and feminist Adèle Clémence Porchez, Musidora began her career in the arts at an early age, writing her first novel at the age of fifteen and acting on the stage with the likes of Colette, one of her lifelong friends. During the very early years of French cinema Musidora began a professional collaboration with the highly successful French film director Louis Feuillade. She made her film debut in ''Les miseres de l'aiguille'', directed by Raphael Clamour, in January 1914. The film highlights the problems of the urban women in the French wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musidora Graffiti
Jeanne Roques (23 February 1889 – 11 December 1957), known professionally as Musidora, was a French actress, film director, and writer. She is best known for her acting in silent films, and rose to public attention for roles in the Louis Feuillade serials ''Les Vampires'' as Irma Vep and in ''Judex'' as Marie Verdier. Early life Born Jeanne Roques in Paris, France to music composer and theorist of socialism Jacques Roques and painter and feminist Adèle Clémence Porchez, Musidora began her career in the arts at an early age, writing her first novel at the age of fifteen and acting on the stage with the likes of Colette, one of her lifelong friends. During the very early years of French cinema Musidora began a professional collaboration with the highly successful French film director Louis Feuillade. She made her film debut in ''Les miseres de l'aiguille'', directed by Raphael Clamour, in January 1914. The film highlights the problems of the urban women in the French wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musidora - Irma Vep - Les Vampires
Jeanne Roques (23 February 1889 – 11 December 1957), known professionally as Musidora, was a French actress, film director, and writer. She is best known for her acting in silent films, and rose to public attention for roles in the Louis Feuillade serials ''Les Vampires'' as Irma Vep and in ''Judex'' as Marie Verdier. Early life Born Jeanne Roques in Paris, France to music composer and theorist of socialism Jacques Roques and painter and feminist Adèle Clémence Porchez, Musidora began her career in the arts at an early age, writing her first novel at the age of fifteen and acting on the stage with the likes of Colette, one of her lifelong friends. During the very early years of French cinema Musidora began a professional collaboration with the highly successful French film director Louis Feuillade. She made her film debut in ''Les miseres de l'aiguille'', directed by Raphael Clamour, in January 1914. The film highlights the problems of the urban women in the French wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Vampires
''Les Vampires'' is a 1915–16 French silent crime serial film written and directed by Louis Feuillade. Set in Paris, it stars Édouard Mathé, Musidora and Marcel Lévesque. The main characters are a journalist and his friend who become involved in trying to uncover and stop a bizarre underground Apache gang, known as The Vampires (who are not the mythological beings their name suggests). The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made. It was produced and distributed by Feuillade's company Gaumont. Due to its stylistic similarities with Feuillade's other crime serials ''Fantômas'' and ''Judex'', the three are often considered a trilogy. Fresh from the success of Feuillade's previous serial, ''Fantômas'', and facing competition from rival company Pathé, Feuillade made the film quickly and inexpensively with very little written script. Upon its initial release ''Les Vampires' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Judex (1916 Film)
''Judex'' is the title of a 1916 silent French film serial concerning the adventures of Judex, who is a pulp hero, similar to The Shadow, created by Louis Feuillade and Arthur Bernède. Plot The story is complex and is told in 12 chapters. The basic plot involves a corrupt banker named Favraux, who is the target of Judex's revenge. It is eventually revealed that Judex's real identity is Jacques de Trémeuse, a man trying to avenge his family ruined by Favraux. Complicating matters is Favraux's beautiful and innocent daughter Jacqueline, with whom the avenger has fallen in love. A final element comes in the form of Diana Monti and her criminal gang who are working at cross purposes with Judex. Cast *René Cresté - Jacques de Tremeuse a.k.a. Judex *Musidora - Diana Monti aka Marie Verdier *René Poyen - Le môme Réglisse *Édouard Mathé - Roger de Tremeuse *Gaston Michel - Pierre Kerjean *Yvonne Dario - Comtesse de Tremeuse *Yvette Andréyor - Jacqueline Aubry *Juliette Clare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Feuillade
Louis Feuillade (; 19 February 1873 – 25 February 1925) was a French filmmaker of the silent era. Between 1906 and 1924, he directed over 630 films. He is primarily known for the crime serials ''Fantômas'', ''Les Vampires'' and ''Judex'' made between 1913 and 1916. Early life and career Feuillade was born in Lunel (Hérault) to Barthélémy Feuillade, a modest wine merchant, and Marie Avesque. Just beyond adolescence, he showed a deep interest in literature and created numerous drama and vaudeville projects. His excessively academic poems were occasionally published in local newspapers, and he acquired a reputation for his articles devoted to bullfighting. At twelve, he was sent by his parents to a Catholic seminary in Carcassonne, which has been credited for his gothic stylization in his later career. His biographer Francis Lacassin has suggested that "the strange, surrealist flashes of anarchy which spark through the work of this pillar of society can only be explained ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théophile Gautier
Pierre Jules Théophile Gautier ( , ; 30 August 1811 – 23 October 1872) was a French poet, dramatist, novelist, journalist, and art and literary critic. While an ardent defender of Romanticism, Gautier's work is difficult to classify and remains a point of reference for many subsequent literary traditions such as Parnassianism, Symbolism, Decadence and Modernism. He was widely esteemed by writers as disparate as Balzac, Baudelaire, the Goncourt brothers, Flaubert, Pound, Eliot, James, Proust and Wilde. Life and times Gautier was born on 30 August 1811 in Tarbes, capital of Hautes-Pyrénées département (southwestern France). His father was Jean-Pierre Gautier,See "Cimetières de France et d'ailleurs – La descendance de Théophile Gautier", landrucimetieres.fr/ref> a fairly cultured minor government official, and his mother was Antoinette-Adelaïde Cocard. The family moved to Paris in 1814, taking up residence in the ancient Marais district. Gautier's education comm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vamp (woman)
A ''femme fatale'' ( or ; ), sometimes called a maneater or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising, deadly traps. She is an archetype of literature and art. Her ability to enchant, entice and hypnotize her victim with a spell was in the earliest stories seen as verging on supernatural; hence, the femme fatale today is still often described as having a power akin to an enchantress, seductress, witch, having power over men. Femmes fatales are typically villainous, or at least morally ambiguous, and always associated with a sense of mystification, and unease.Mary Ann Doane, ''Femme Fatales'' (1991) pp. 1–2 The term originates from the French phrase '' femme fatale'', which means 'deadly woman' or 'lethal woman'. A femme fatale tries to achieve her hidden purpose by using feminine wiles such as beauty, charm, or sexual allure. In many cases, her attitude towards sexuality is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luis Buñuel
Luis Buñuel Portolés (; 22 February 1900 – 29 July 1983) was a Spanish-Mexican filmmaker who worked in France, Mexico, and Spain. He has been widely considered by many film critics, historians, and directors to be one of the greatest and most influential filmmakers of all time. When Buñuel died at age 83, his obituary in ''The New York Times'' called him "an iconoclast, moralist, and revolutionary who was a leader of avant-garde surrealism in his youth and a dominant international movie director half a century later". His first picture, ''Un Chien Andalou''—made in the silent era—is still viewed regularly throughout the world and retains its power to shock the viewer, and his last film, ''That Obscure Object of Desire''—made 48 years later—won him Best Director awards from the National Board of Review and the National Society of Film Critics. Writer Octavio Paz called Buñuel's work "the marriage of the film image to the poetic image, creating a new reality...scan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Franju
Georges Franju (; 12 April 1912 – 5 November 1987) was a French filmmaker. He was born in Fougères, Ille-et-Vilaine. Biography Early life Before working in French cinema, Franju held several different jobs. These included working for an insurance company and a noodle factory. He served briefly in the military in Algeria and was discharged in 1932. Upon his return, he studied to become a set designer and later created backdrops for music halls including Casino de Paris and the Folies Bergère. In the mid-thirties, Franju and Henri Langlois met through Franju's twin brother Jacques Franju.Ince, 2005. p.2 As well as creating the 16 mm short film ''Le Métro'', Langlois and Franju also started a short-lived film magazine and created a film club called ''Le Cercle du Cinema'' with 500 francs he borrowed from Langlois' parents. The club showed silent films from their own collections followed by an informal debate about them amongst members. From ''Le Cercle du Cinema'', Franju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alain Resnais
Alain Resnais (; 3 June 19221 March 2014) was a French film director and screenwriter whose career extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct a number of short films which included ''Night and Fog'' (1956), an influential documentary about the Nazi concentration camps.Ephraim Katz, ''The International Film Encyclopedia''. (London: Macmillan, 1980.) p. 966–967. Resnais began making feature films in the late 1950s and consolidated his early reputation with ''Hiroshima mon amour'' (1959), ''Last Year at Marienbad'' (1961), and '' Muriel'' (1963), all of which adopted unconventional narrative techniques to deal with themes of troubled memory and the imagined past. These films were contemporary with, and associated with, the French New Wave (''la nouvelle vague''), though Resnais did not regard himself as being fully part of that movement. He had closer links to the "Left Bank" group of authors and filmmakers wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Vagabond (novel)
''The Vagabond'' (french: La Vagabonde) is a 1910 novel by the French writer Colette. It tells the story of a woman, Renée Néré, who after a divorce becomes a dancer in music halls. It was inspired by Colette's own experiences. Synopsis Divorced after eight years of her husband’s faithlessness and cruelty, Renée Néré has been struggling to support herself as a music-hall performer for the past three years. The first part of the three parts of the book opens as she waits in her dressing room until it is time for her to perform. She checks her make-up in the mirror that she hates to face, then goes off to perform, no longer anxious, but confident and controlled. Renée’s life as an artist is described: her work as a dancer, her casual relations with her fellow performers, the small apartment that she shares with her maid, Blandine, and her dog Fossette, and her introduction to Maxime Dufferein-Chautel. Maxime presents himself at her dressing-room door one evening, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.png "Click for more on -> Musidora - Irma Vep - Les Vampires")
