|
Musicology In Cuba
Throughout the years, the Cuban nation has developed a wealth of musicological material created by numerous investigators and experts on this subject. Early 20th century Apart from the work of some authors who provided information about the music in Cuba during the 19th century, that was usually included in chronicles covering a more general subject, the first investigations and studies specifically dedicated to the musical art and practice did not appear in Cuba until the beginning of the 20th century.Valdés Cantero, Alicia, Determined women ready to succeed. The ''International Journal of Cuban Studies'', 2 December 2008. http://www.londonmet.ac.uk/library/i18088_3.pdf At that time, musicological research and documentation in Cuba was not undertaken by professionals fully dedicated to that subject, but instead it was conducted by historians, ethnologists or composers such as polymath Fernando Ortiz Fernández, Fernando Ortiz (b. 1881) or composer Eduardo Sánchez de Fuentes (b. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernando Ortiz Fernández
Fernando Ortiz Fernández (16 July 1881 – 10 April 1969) was a Cuban essayist, anthropologist, ethnomusicologist and scholar of Afro-Cuban culture. Ortiz was a prolific polymath dedicated to exploring, recording, and understanding all aspects of indigenous Cuban culture. Ortiz coined the term "transculturation," the notion of converging cultures. Life Ortiz was born in Havana. Disillusioned with politics in the early period of Cuban history and having been a member of President Gerardo Machado's Liberal Party, and a Liberal member of its House of Representatives from 1917 to 1922, he became active in the early nationalist civic revival movement. Throughout his life Ortiz was involved in the foundation of institutions and journals dedicated to the study of Cuban culture. He was the cofounder of the Cuban Academy of the Language in 1926. He also founded ''Surco'' (founded 1930) and ''Ultra'' (1936–47), both journals that provided commentary on foreign journals. In 1937 he fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guyún
Vincente González Rubiera (27 October 1908 – 29 September 1987), better known as Guyún, was an influential Cuban guitarist, harmonist and teacher, who tapped into classical guitar techniques to revive the accompaniment of the trova. He achieved the finest transcriptions for guitar. Born on 27 October 1908 in Santiago de Cuba, Guyún originally came to Havana to study medicine, but finding the university shut under Gerardo Machado, he started playing the guitar to earn a living. He started studying guitar under Sindo Garay, and later understudied Severino López, who had an excellent classical training in the Tárrega– Pujol tradition in Spain. Guyún developed a modern concept of harmony, and a way to apply classical technique to popular Cuban music. He became more adventurous, yet still in Cuban vein, and in 1938 stopped performing to devote himself to teaching the guitar. This bore fruit, and two generations of Cuban guitarists bear witness to his influence. He wrote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Alén Pérez
Alberto Alén Pérez (1948 in Havana – 14 October 2004) was a Cuban musicologist and cellist. Early life and education Alén studied violoncello with Professor Fabio Landa at Alejandro García Caturla Conservatory in Marianao, Havana, and at the Amadeo Roldán Conservatory in the same city. He also studied psychology at the Havana University and musicology in the Instituto Superior de Arte (ISA) where he graduated in 1982. Biography As a cellist, Alén worked in several orchestras such as the Orquesta Popular de Conciertos founded by Alfredo Diez Nieto and the Orchestra of the Grand Theater of Havana. He also performed in other orchestras affiliated to the Cuban Radio and Television Network. Alén taught at the Higher Institute of Art (ISA) and worked as researcher at the Center for Research and Development of Cuban Music. He worked also as an adviser for musical programs in Cuban Television. Alberto Alén gave classes and lectures in Cuba, Mexico and Algeria. His works o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rolando Antonio Pérez Fernández
Rolando Antonio Pérez Fernández (born 1947, Santiago de Cuba, Cuba) is a Cuban musicologist, cellist and professor. Academic background Rolando Pérez initiated his musical studies in Santiago de Cuba, where he also began his career as cellist under the guidance of distinguished performer and professor Ernesto Xancó. In 1976 he graduated from Music Medium Level in the specialty of violoncello at Havana Municipal Conservatory "Amadeo Roldán". This same year, after the inauguration of the Instituto Superior de Arte (ISA) and the School of Musicology in the same educational institution, Rolando Pérez began his studies in that area, which was founded by Cuban musicologist Argeliers León. After concluding his studies, Pérez received the degree of Licenciado en Música with a specialization in musicology from the Instituto Superior de Arte. In 1999, he also received the degree of Doctor en Ciencias del Arte from the same educational institution. Work as cellist Rolando Pérez s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instituto Superior De Arte
The University of Arts of Cuba / Instituto Superior de Arte (ISA) was established on September 1, 1976, by the Cuban government as a school for the arts. Its original structure had three schools: Music, Visual Arts, and Performing Arts. History The ISA has four schools, the previous three and one for Arts and Audiovisual Communication Media. There are also four teaching schools in the provinces, one in Camagüey, two in Holguín and one in Santiago de Cuba. ISA offers pre-degree and post-degree courses, as well as a wide spectrum of brief and extension courses, including preparation for Cuban and foreign professors for a degree of Doctor on Sciences in Art. Predegree education has increased to five careers: Music, Visual Arts, Theatre Arts, Dance Arts and Arts and Audiovisual Communication Media. In 1996, the ISA established the ''National Award of Artistic Teaching'', conceived for recognizing a lifework devoted to arts teaching. Faculty * José Villa Soberón, professor o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Faya
Alberto Faya (born 1944) is a Cuban Cuban may refer to: * Something of, from, or related to Cuba, a country in the Caribbean * Cubans, people from Cuba, or of Cuban descent ** Cuban exile, a person who left Cuba for political reasons, or a descendant thereof * Cuban citizen, a perso ... singer, researcher, composer, and professor of music. Biography Faya gives lectures relating to Cuban history, culture, and music. He holds a degree from the University of Havana and is a professor of musical culture at the university. During the 1970s, Faya was one of a number of Cuban musicians who worked to better incorporate African and Afro-Cuban music in Cuban society; according to his accounts, he had to right vigorously to air Afro-Cuban rumba music on Cuban radio stations. Faya is a believer in the ongoing melding of different cultures, and considers culture as the primary means by which personal identity is derived.''Lecture on Cuban Musical Culture'', Institute Casa de San Martin, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danilo Orozco
Danilo Orozco González (Santiago de Cuba, Cuba, 1944- March 26, 2013) was a Cuban musicologist and professor. Academic background Danilo Orozco began studying music with Moraima Guash at the Juan Bautista Sagarra School in Santiago de Cuba, where he participated in the choir activities. He also studied classical guitar with professor Guillermo Dufourneau in the same city. With his degree thesis ''La categoría Son como componente de la identidad nacional de Cuba,'' Danilo Orozco earned himself a Doctorate ''Summa Cum Laude'' in Philosophical and Musicological Sciences from the Humboldt University in Berlin, Germany ”. Professor From 1969 to 1972 he worked as a professor of musical acoustics at the National School of Arts. He also taught numerous extra-curricular courses and seminars about subjects such as: ''Disciplines and formative actions in musical acoustics'', ''Analytical procedures of contemporary music'', ''Introductory seminar to musical techniques and trends from th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lydia Cabrera
Lydia Cabrera (May 20, 1899, in Havana, Cuba – September 19, 1991, in Miami, Florida) was a Cuban independent ethnographer. Cabrera was a Cuban writer and literary activist. She was an authority on Santería and other Afro-Cuban religions. During her lifetime she published over one hundred books; little of her work is available in English. Her most important book is ''El Monte'' (Spanish: "The Wilderness"), which was the first major ethnographic study of Afro-Cuban traditions, herbalism and religion. First published in 1954, the book became a "textbook" for those who practice Lukumi (orisha religion originating from the Yoruba and neighboring ethnic groups) and Palo Monte (a central African faith) both religions reaching the Caribbean through enslaved Africans. Her papers and research materials were donated to the Cuban Heritage Collection - the largest repository of materials on or about Cuba located outside of Cuba - forming part of the library of the University of Miami. A se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Ardévol
José Ardévol (13 March 1911, in Barcelona – 7 January 1981, in Havana) was a Cuban composer and conductor of Spanish derivation. As a child, Ardévol studied under his father, Fernando, who was a musician and conductor. He emigrated to Cuba in 1930, and from 1934 to 1952 was the director of the Orquestra de cámara de la Habana. He was a professor in Cuba from 1936 to 1951, teaching in universities in Havana and Oriente. In 1942 he founded a movement called ''Grupo de renovación musical'', which included several of his students devoted to his aesthetic ideals. He conducted the orchestra of the government's Ministry of Education beginning in 1959. He continued teaching, working as a professor of composition at Havana Conservatory from 1965 and at the National School of Music from 1968. Ardévol's early compositions fall generally into the style of neoclassicism, but later in his life he began to explore the techniques of aleatory music and serialism. Some of his vocal wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argeliers León
Argeliers León Pérez (7 May 1918 – 23 February 1991) was a Cuban composer and musicologist. Academic Background He studied music at the Municipal Conservatory of Havana, Pedagogy at the University of Havana and completed specialized studies during summer courses at the University of Havana and the Universidad de Concepción in Chile. He studied composition with Joseph Ardévol in Cuba and in Paris with Nadia Boulanger, ethnology and folklore with Don Fernando Ortiz and María Muñoz de Quevedo. Composer Argeliers León was a member of "Grupo de Renovación Musical", which served as a platform for a group of young composers to develop a proactive movement with the purpose of improving and literally renovating the quality of the Cuban musical environment. During its existence from 1942 to 1948, the group organized numerous concerts at the Havana Lyceum in order to present their avant-garde compositions to the general public and fostered within its members the development o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alejo Carpentier
Alejo Carpentier y Valmont (, ; December 26, 1904 – April 24, 1980) was a Cuban novelist, essayist, and musicologist who greatly influenced Latin American literature during its famous "boom" period. Born in Lausanne, Switzerland, of French and Russian parentage, Carpentier grew up in Havana, Cuba, and despite his European birthplace, he strongly identified as Cuban throughout his life. He traveled extensively, particularly in France, and to South America and Mexico, where he met prominent members of the Latin American cultural and artistic community. Carpentier took a keen interest in Latin American politics and often aligned himself with revolutionary movements, such as Fidel Castro's Communist Revolution in Cuba in the mid-20th century. Carpentier was jailed and exiled for his leftist political philosophies. With a developed knowledge of music, Carpentier explored musicology, publishing an in-depth study of the music of Cuba, ''La música en Cuba'' and integrated musical th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
