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Music Of New Orleans
The music of New Orleans assumes various styles of music which have often borrowed from earlier traditions. New Orleans, Louisiana, is especially known for its strong association with jazz music, universally considered to be the birthplace of the genre. The earliest form was dixieland, which has sometimes been called traditional jazz, 'New Orleans', and 'New Orleans jazz'. However, the tradition of jazz in New Orleans has taken on various forms that have either branched out from original dixieland or taken entirely different paths altogether. New Orleans has also been a prominent center of funk, home to some of the earliest funk bands such as The Meters. Background The African influence on New Orleans music can trace its roots at least back to Congo Square in New Orleans in 1835, when slaves would congregate there to play music and dance on Sundays. African music was played as well as local music, including that of local white composers, such as Louis Moreau Gottschalk. Along wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Bolden
Charles Joseph "Buddy" Bolden (September 6, 1877 – November 4, 1931) was an African American cornetist who was regarded by contemporaries as a key figure in the development of a New Orleans style of ragtime music, or "jass", which later came to be known as jazz. Childhood When he was born, Bolden's father, Westmore Bolden, was working as a driver for William Walker, the former master of Buddy's grandfather Gustavus Bolden, who died in 1866. His mother, Alice (née Harris), was 18 when she married Westmore on August 14, 1873. Westmore Bolden was around 25 at the time, as records show that he was 19 in August 1866. When Buddy was six his father died, after which the boy lived with his mother and other family members. In records of the period the family name is variously spelled ''Bolen'', ''Bolding'', ''Boldan'', and ''Bolden'', thus complicating research. Buddy likely attended Fisk School in New Orleans, though evidence is circumstantial, as early records of this and other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nick LaRocca
Dominic James "Nick" LaRocca (April 11, 1889 – February 22, 1961), was an American early jazz cornetist and trumpeter and the leader of the Original Dixieland Jass Band. He is the composer of one of the most recorded jazz classics of all-time, "Tiger Rag". He was part of what is generally regarded as the first recorded jazz band, a band which recorded and released the first jazz recording, "Livery Stable Blues" in 1917. Background Nick LaRocca was born in New Orleans, Louisiana, the son of poor Sicilian immigrants. His father was Girolamo LaRocca of Salaparuta, Sicily and his mother was Vita De Nina of Poggioreale, Sicily. Young Nick was attracted to the music of the brass bands in New Orleans and covertly taught himself to play cornet against the wishes of his father who hoped his son would go into a more prestigious profession. LaRocca at first worked as an electrician, playing music on the side. From around 1910 through 1916 he was a regular member of Papa Jack Laine's ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Original Dixieland Jass Band
The Original Dixieland Jass Band (ODJB) was a Dixieland jazz band that made the first jazz recordings in early 1917. Their "Livery Stable Blues" became the first jazz record ever issued. The group composed and recorded many jazz standards, the most famous being "Tiger Rag". In late 1917, the spelling of the band's name was changed to Original Dixieland Jazz Band. The band consisted of five musicians who had played in the Papa Jack Laine bands. ODJB billed itself as the Creators of Jazz. It was the first band to record jazz commercially and to have hit recordings in the genre. Band leader and cornetist Nick LaRocca argued that ODJB deserved recognition as the first band to record jazz commercially and the first band to establish jazz as a musical idiom or genre. Origins In early 1916, a promoter from Chicago approached clarinetist Alcide Nunez and drummer Johnny Stein about bringing a New Orleans-style band to Chicago, where the similar Brown's Band From Dixieland, led by tromb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Sicily
The Music of Sicily refers to music created by peoples from the isle of Sicily. It was shaped by the island's history, from the island's great presence as part of Magna Grecia 2,500 years ago, through various historical incarnations as a part of the Roman Empire, then as an independent state as the Emirate of Sicily then as an integral part of the Kingdom of Sicily and later the Kingdom of the Two Sicilies, and, finally, as an autonomous region of the modern nation state of Italy. General comments Sicily is home to a great variety of Religious music, including a cappella devotional songs from Montedoro and many brass bands like Banda Ionica, who play songs from a diverse repertoire. Harvest songs and work songs are also indigenous to the agricultural island, known as "Italy's granary". Sicilian flute music, called friscaletto, is also popular among traditionalist Sicilians, as are Messina's male choirs and the island's ''" ciarameddi"'' (bagpipes). Franco Battiato, Carmen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palermo
Palermo ( , ; scn, Palermu , locally also or ) is a city in southern Italy, the capital (political), capital of both the autonomous area, autonomous region of Sicily and the Metropolitan City of Palermo, the city's surrounding metropolitan province. The city is noted for its history, culture, architecture and gastronomy, playing an important role throughout much of its existence; it is over 2,700 years old. Palermo is in the northwest of the island of Sicily, by the Gulf of Palermo in the Tyrrhenian Sea. The city was founded in 734 BC by the Phoenicians as ("flower"). Palermo then became a possession of Carthage. Two ancient Greeks, Greek ancient Greek colonization, colonies were established, known collectively as ; the Carthaginians used this name on their coins after the 5th centuryBC. As , the town became part of the Roman Republic and Roman Empire, Empire for over a thousand years. From 831 to 1072 the city was under History of Islam in southern Italy, Arab ru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sicily
(man) it, Siciliana (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = Ethnicity , demographics1_footnotes = , demographics1_title1 = Sicilian , demographics1_info1 = 98% , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +1 , timezone1_DST = CEST , utc_offset1_DST = +2 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-82 , blank_name_sec1 = GDP (nominal) , blank_info_sec1 = €89.2 billion (2018) , blank1_name_sec1 = GDP per capita , blank1_info_sec1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Oliver
Joseph Nathan "King" Oliver (December 19, 1881 – April 8/10, 1938) was an American jazz cornet player and bandleader. He was particularly recognized for his playing style and his pioneering use of Mute (music), mutes in jazz. Also a notable composer, he wrote many tunes still played today, including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and "Doctor Jazz". He was the mentor and teacher of Louis Armstrong. His influence was such that Armstrong claimed, "if it had not been for Joe Oliver, Jazz would not be what it is today." Biography Life Joseph Nathan Oliver was born in Aben, Louisiana, near Donaldsonville, Louisiana, Donaldsonville in Ascension Parish, Louisiana, Ascension Parish to Nathan Oliver and Virginia "Jinnie" Jones. He claimed 1881 as his year of birth in his draft registration in September 1918 (two months before the end of World War I) but that year is open to debate, with some census records and other sources suggesting 1884 or 1885 as his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jelly Roll Morton
Ferdinand Joseph LaMothe (later Morton; c. September 20, 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American ragtime and jazz pianist, bandleader, and composer. Morton was jazz's first arranger, proving that a genre rooted in improvisation could retain its essential characteristics when notated. His composition "Jelly Roll Blues", published in 1915, was one of the first published jazz compositions. He also claimed to have invented the genre. Morton also wrote "King Porter Stomp", "Wolverine Blues", "Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say", the last being a tribute to New Orleans musicians from the turn of the 20th century. Morton's claim to have invented jazz in 1902 was criticized. Music critic Scott Yanow wrote, "Jelly Roll Morton did himself a lot of harm posthumously by exaggerating his worth...Morton's accomplishments as an early innovator are so vast that he did not really need to stretch the truth." Gunther Schuller ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Armstrong
Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz. Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an inventive trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. Around 1922, he followed his mentor, Joe "King" Oliver, to Chicago to play in the . In Chicago, he spent time with other popular jazz musicians, reconnecting with his friend Bix Beiderbecke and spending time with Hoagy Carmichael and Lil Hardin. He earned a reputation at "cutting contests", and his fame reached band leader Fletcher Henderson. Henderson persuaded Armstrong to come to New York City, where he became a featured and musically influential band soloist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creole People
Creole peoples are ethnic groups formed during the European colonial era, from the mass displacement of peoples brought into sustained contact with others from different linguistic and cultural backgrounds, who converged onto a colonial territory to which they had not previously belonged. Often involuntarily uprooted from their original home, the settlers were obliged to develop and creatively merge the desirable elements from their diverse backgrounds, to produce new varieties of social, linguistic and cultural norms that superseded the prior forms. This process, known as creolization, is characterized by rapid social flux regularized into Creole ethnogenesis. Creole peoples vary widely in ethnic background and mixture and many have since developed distinct ethnic identities. The development of creole languages is sometimes mistakenly attributed to the emergence of Creole ethnic identities; however, the two developments occur independently. Etymology and overview The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Storyville, New Orleans
Storyville was the red-light district of New Orleans, Louisiana, from 1897 to 1917. It was established by municipal ordinance under the New Orleans City Council, to regulate prostitution. Sidney Story, a city alderman, wrote guidelines and legislation to control prostitution within the city. The ordinance designated an area of the city in which prostitution, although still nominally illegal, was tolerated or regulated. The area was originally referred to as "The District", but its nickname, "Storyville", soon caught on, much to the chagrin of Alderman Story. It was bound by the streets of North Robertson, Iberville, Basin, and St. Louis Streets. It was located by a train station, making it a popular destination for travelers throughout the city, and became a centralized attraction in the heart of New Orleans. Only a few of its remnants are now visible. The neighborhood lies in Faubourg Tremé and the majority of the land was repurposed for public housing. It is well known for being ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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