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Music Of Kerala
The music of Kerala has a long and rich history. It is not the same as Malayalam poetry, although most of it is poetry driven. Kerala has a rich tradition in Carnatic music. Songs formed a major part of early Malayalam literature, which traces its origin to the 9th century CE. The significance of music in the culture of Kerala can be established just by the fact that in Malayalam language, musical poetry was developed long before prose. With the development of music in the region, different branches were formed out of it. History The earliest written record of Malayalam is the ''Edakal - 5'' inscription (ca. 4th Century CE). The early literature of Malayalam comprised three types of composition: *Classical songs known as ''Naadan Paattu'' *''Manipravalam'' of the Sanskrit tradition, which permitted a generous interspersing of Sanskrit with Tamil *The folk song rich in native elements Malayalam poetry to the late 20th century CE It is very unuseful data. varying degrees of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thrissur Music And Drama Academy
Thrissur (), formerly Trichur, also known by its historical name Thrissivaperur, is a city and the headquarters of the Thrissur district in Kerala, India. It is the third largest urban agglomeration in Kerala after Kochi and Kozhikode, and the 21st largest in India. The city is built around a hillock called the Thekkinkaadu Maidaanam which seats a large Hindu Shiva Temple. It is located central of the state, and north-west of the state's capital city, Thiruvananthapuram. Thrissur was once the capital of the Kingdom of Cochin, and was a point of contact for the Assyrians, Greeks, Persians, Arabs, Romans, Portuguese, Dutch and English. Thrissur is also known as the Cultural Capital of Kerala because of its cultural, spiritual and religious leanings throughout history. The city centre contains the Kerala Sangeetha Nadaka Academy, Kerala Lalithakala Akademi and Kerala Sahitya Academy. The city hosts the Thrissur Pooram festival, the most colourful and spectacular temple festi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gita Govinda
The ''Gita Govinda'' ( sa, गीत गोविन्दम्; ) is a work composed by the 12th-century Hindu poet, Jayadeva. It describes the relationship between Krishna, Radha and ''gopis'' (female cow herders) of Vrindavan. The ''Gita Govinda'' is organized into twelve chapters. Each chapter is further sub-divided into one or more divisions called ''Prabandha''s, totalling twenty-four in all. The prabandhas contain couplets grouped into eights, called ''Ashtapadis''. It is mentioned that Radha is greater than Krishna. The text also elaborates the eight moods of Heroine, the ''Ashta Nayika'', which has been an inspiration for many compositions and choreographic works in Indian classical dances. Summary The work delineates the love of Krishna for Radha, the milkmaid, his faithlessness and subsequent return to her, and is taken as symbolical of the human soul's straying from its true allegiance but returning at length to the God which created it. Chapters # ''Sāmoda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mavelikara Krishnankutty Nair
Mavelikkara Krishnankutty Nair (11 October 1920 – 13 January 1988) was a Carnatic Mridangam player. He received his training from Alleppey Venkappan Pillai and Veechur Krishna Iyer. He considered Palani Subramaniam Pillai as his 'Manasa Guru'. He received the Padma Shri from the President of India and was also the recipient of the Kerala Sangeet Natak Akademi Award. Krishnankutty Nair was also an artiste for All India Radio in Trivandrum Thiruvananthapuram (; ), also known by its former name Trivandrum (), is the capital of the Indian state of Kerala. It is the most populous city in Kerala with a population of 957,730 as of 2011. The encompassing urban agglomeration populatio .... References External links ‘I believe in healthy competition’ Mridangam players People from Kerala 1920 births 1988 deaths 20th-century drummers Recipients of the Padma Shri in arts {{India-musician-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palghat Mani Iyer
Palghat T. S. Mani Iyer (1912–1981), born Thiruvilvamalai Ramaswamy was one of the leading mridangists in the field of Carnatic music. He, along with his contemporaries Palani Subramaniam Pillai and Ramanathapuram C. S. Murugabhoopathy, are revered as the "Holy Trinity of Mrudangam". Mani Iyer was the first mridangist to be awarded the Sangeetha Kalanidhi (1966) presented by the Music Academy of Madras, the Padma Bhushan (1971) and the Sangeet Natak Akademi Awards(1956) presented by the Government of India. Early life and background He was born in a Palakkad brahmin family on 12 June 1912 at Pazhayanur, then in Tiruvilvamala Taluk, in Palghat District, Kerala (now located in Thrissur District) to Sesham Bhagavatar and Aanandaambaal as their second son. Mani was named Ramaswami at birth— after his grandfather who was a school teacher besides being a good singer. Mani Iyer learnt his music from his parents in his native Pazhayyanur. His maiden public performance was at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chembai
Chembai Vaidyanatha Bhagavatar a.k.a. Vaidyanatha Iyer (1 September 1896 – 16 October 1974) was a Carnatic music singer from Palakkad (state of Kerala, India). Known by his village name ''Chembai'', or simply as ''Bhagavatar'', he was born to Anantha Bhagavatar and Parvati Ammal in 1896, into a Tamil Brahmin family in Perakkool Madom (Parvati Ammal's birth home), adjacent to Lokanarkavu near Vatakara on Janmashtami day. He lived here until he was five years old. The family later shifted to Palakkad.L. R. Viswanatha Sarma (1954), ''Chembai Selvam'' (Biography of Chembai), 1954: Amudha Nilayam Ltd. Chembai was noted for his powerful voice and majestic styleN. Pattabhi Raman and K.S. Krishnamurthi, ''Sruti'', Issue 98, November 1992 of singing. His first public performance was in 1904, when he was nine. A recipient of several titles and honours (including the Madras Music Academy's Sangeetha Kalanidhi in 1951), he was known for his encouragement of upcoming musicians and ability to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shadkala Govinda Marar
( ml, ഗോവിന്ദ മാരാര്)(1798–1843), or was a Carnatic Musician from Kerala, India. He was a contemporary of Saint Tyāgarāja and Swathi Thirunal Rama Varma. He was also adept in playing musical instruments like Chenda, Edakka and Thimila. His expertise in singing in the six degrees of geometric speed earned him the title ''Ṣaṭkāla''. By legend, Endaro Mahanubhavulu, one of Thyagaraja's most famous compositions, was composed after he heard Marar sing. He is said to have used a Tamburu having seven strings. Early life Govinda Marar was born in 1798 at Vennimala, near to Puthuppally of Travancore in Kerala. His parents belonged to the community of Marars who performed the traditional singing in the temples of Kerala. He took to singing from a very early age. He received his musical lessons from Haripad Ramaswamy Bhagavathar. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irayimman Thampi
Iravivarman Thampi, better known as Irayimman Thampi (1782 October 12 - 1856 July 29), was an Indian Carnatic musician, music composer and poet from the Kingdom of Travancore. He was a vocalist in the court of Swathi Thirunal Rama Varma, Swathi Thirunal. His compositions include the lullaby ''Omanathinkal Kidavo'', one of the most popular lullabies in Malayalam. Biography Irayimman Thampi, named Iravivarman Thampi after his grandfather, was born in 1782 at Kottakkakom Kizhake Madom, in Karamana, Travancore to Kerala Varma Thampuran, of the royal family of Cherthala, and Parvathi Pillai Thankachi of the Puthumana Ammaveedu Thampi family, the daughter of Prince Makayiram Thirunal Ravi Varma and niece of the Maharajah Dharma Raja of Travancore royal family. Thampi was brought up by his parents at a house called ''Kizhake Madom'' and after early education from his father, he went under the tutorship of Shankaran Elayathu in grammar, linguistics and Sanskrit literature. He dedicated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swati Tirunal
( ml, സ്വാതി തിരുനാള് രാമവർമ്മ) (16 April 1813 – 26 December 1846) was the Maharaja of the Kingdom of Travancore. He is also considered as a brilliant music composer and is credited with over 400 classical compositions in both Carnatic and Hindustani style.http://print.achuth.googlepages.com/SwathiThirunalandSciencev3.0.pdf A well-formulated code of laws, courts of justice, introduction of English education, construction of an observatory, installation of the first Government printing press, establishment of the first manuscripts library were amongst the many initiatives taken by Svāti Tirunāḷ, as a King, to modernise Travancore. Early life Svāti Tirunāḷ was born into the Venad dynasty of the Matrilineal royal family of Travancore, which is now a part of Kerala, on 16 April 1813. He was the second child of Queen Gowri Lakshmi Bayi who ruled Travancore from 1811 to 1815, and Raja Raja Varma Koil Thampuran of C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambalavasi
Ambalavasi, more properly Ampalavasi, ( ml, അമ്പലവാസി; IAST: Ampalavāsi; ) is the generic name for a group of castes among Hindus in Kerala, India, who have traditionally rendered temple services. Castes The Ambalavasis are broadly divided into two groups, being those who wear the sacred thread and those who do not. Sacred thread wearers Pushpaka Brahmins * Pushpaka (Pushpakan Unni) * Nambeesan * Theeyatt Unni * Kurukkal * Puppalli * Plappalli (Pilappalli) * Nambidi * Daivampadi or Brahmani Others * Chakyar, * Nambiar * Atikal (also written as Adikal) Threadless Ambalavasis *Pisharody * Marar * Varyar *Pothuval, The feminine names of threadless ''ambalavasi'' castes are formed by adding the suffix ''-syar'' to the masculine names as Pisharadi-Pisharasyar, Marar-Marasyar, Variar-Varasyar, Poduval-Poduvalsyar. Temple services Though all Ampalavāsis have to do service in temples, they have sufficiently distinct functions to perform. Pushpakans and Namb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pothuval
Ambalavasi, more properly Ampalavasi, ( ml, അമ്പലവാസി; IAST: Ampalavāsi; ) is the generic name for a group of castes among Hindus in Kerala, India, who have traditionally rendered temple services. Castes The Ambalavasis are broadly divided into two groups, being those who wear the sacred thread and those who do not. Sacred thread wearers Pushpaka Brahmins * Pushpaka (Pushpakan Unni) * Nambeesan * Theeyatt Unni * Kurukkal * Puppalli * Plappalli (Pilappalli) * Nambidi * Daivampadi or Brahmani Others * Chakyar, * Nambiar * Atikal (also written as Adikal) Threadless Ambalavasis *Pisharody * Marar * Varyar *Pothuval, The feminine names of threadless ''ambalavasi'' castes are formed by adding the suffix ''-syar'' to the masculine names as Pisharadi-Pisharasyar, Marar-Marasyar, Variar-Varasyar, Poduval-Poduvalsyar. Temple services Though all Ampalavāsis have to do service in temples, they have sufficiently distinct functions to perform. Pushpakans and Namb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idakka
The ''idakka'' (), also spelt edaykka/edakka, is an hourglass-shaped drum from Kerala in south India. This handy percussion instrument is very similar to the pan-Indian damaru. While the damaru is played by rattling knotted cords against the resonators, the idakka is played with a stick. Like the damaru, the idakka's pitch may be bent by squeezing the lacing in the middle. The idakka is slung over the left shoulder and the right side of the instrument is gently beaten with a thin curve-ended stick. It is played in temples and in performances such as Kathakali and Mohiniattam classical dance. Etymology The Malayalam name idaykka or idakka is originated from the Sanskrit word श्रीढक्का (Śrīḍhakkā). In Sanskrit, a ḍhakkā is described as a double drum which makes ''ḍhak'' sound. ढक् इति गभीरशब्देन कायतीति (ḍhak iti gabhīraśabdēna kāyatīti). The sacred prefix Śrī is used to denote the auspiciousnes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
