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Museum Of Art In Łódź
Muzeum Sztuki, or the Museum of Art in Łódź, is a museum of modern and contemporary art in Łódź, Poland, whose main goal is to research and display avant-garde art, as well as progressive artistic interventions. The institution is housed in three branches: ''ms1'', ''ms2'' and Herbst Palace Museum (Polish: ''Muzeum Pałac Herbsta''). Established in 1930, it is one of the oldest existing and active museums to collect avant-garde art. In 1998 Muzeum Sztuki in Łódź was entered into the Polish National Register of Museums under number 53. Mission Muzeum Sztuki in Łódź is primarily focused on studying and displaying the collection of 20th and 21st century art in a variety of contexts, as well as on providing progressive artistic interventions and enhancing the role of art as element of social life, e.g., through educational activities. Its programme coincides with avant-garde project worked out at the turn of the 1920s and 1930s by the “a.r.” group or, more precisel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Art
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic for the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or postmodern art. Modern art begins with the heritage of painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec all of whom were essential for the development of modern art. At the beginning of the 20th century Henri Matisse and several other young artists including the Proto-Cubism, pre-c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Arp
Hans Peter Wilhelm Arp (16 September 1886 – 7 June 1966), better known as Jean Arp in English, was a German-French sculptor, painter, and poet. He was known as a Dadaist and an abstract artist. Early life Arp was born in Straßburg (now Strasbourg), the son of a French mother and a German father, during the period following the Franco-Prussian War when the area was known as Alsace-Lorraine (''Elsass-Lothringen'' in German) after France had ceded it to Germany in 1871. Following the return of Alsace to France at the end of World War I, French law determined that his name become "Jean". Arp would continue referring to himself as "Hans" when he spoke German. Career Dada In 1904, after leaving the École des Arts et Métiers in Straßburg, he went to Paris where he published his poetry for the first time. From 1905 to 1907, he studied at Kunstschule in Weimar, Germany, and in 1908 went back to Paris, where he attended the Académie Julian. Arp was a founder-member of the fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanisław Ignacy Witkiewicz
Stanisław Ignacy Witkiewicz (; 24 February 188518 September 1939), commonly known as Witkacy, was a Polish writer, painter, philosopher, theorist, playwright, novelist, and photographer active before World War I and during the interwar period. Life Born in Warsaw, Stanisław Ignacy Witkiewicz was a son of the painter, architect and an art critic Stanisław Witkiewicz. His mother was Maria Pietrzkiewicz Witkiewiczowa. Both of his parents were born in the Samogitian region of Lithuania. His godmother was the internationally famous actress Helena Modrzejewska. Witkiewicz was reared at the family home in Zakopane. In accordance with his father's antipathy to the "servitude of the school," he was home-schooled and encouraged to develop his talents across a range of creative fields. Against his fathers wishes he studied at the Kraków Academy of Fine Arts with Józef Mehoffer and Jan Stanisławski. Witkiewicz was close friends with composer Karol Szymanowski and, from childhood, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tytus Czyżewski
Tytus Czyżewski (28 December 1880 in Przyszowa – 5 May 1945 in Kraków) was a Polish painter, art theoretician, Futurist poet, playwright, member of the Polish Formists, mefedroniarz and Colorist. Biography In 1902 he studied at the Academy of Fine Arts in Krakow in the painting studios of Józef Mehoffer and Leon Wyczółkowski. Czyżewski travelled to Paris and learned from the artistic trends there. He began exhibiting in 1906. Czyżewski painting style was highly influenced by Cézanne and El Greco, whose work he admired until his death. In 1917, with the brothers Zbigniew and Andrzej Pronaszko, he organized in Kraków an exhibition of Polish Expressionist works. The group later became known as the ''Polish Formists''. Until the break-up of the Formists in 1922, he was the primary artist and theoretician behind the movement as well as the joint editor of the periodical ''Formiści''. He was also co-founder of the Polish Futurist clubs, and published Futurist-inspired "v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leon Chwistek
Leon Chwistek (Kraków, Austria-Hungary, 13 June 1884 – Barvikha near Moscow, Russia, 20 August 1944) was a Polish avant-garde painter, theoretician of modern art, literary critic, logician, philosopher and mathematician. Career and philosophy In 1919 he was one of the founders of the Polish Mathematical Society. From 1922, he lectured in mathematics for natural scientists at the Jagiellonian University, where he obtained his habilitation in 1928 in mathematical logic. Starting in 1929, Chwistek was a Professor of Logic at the University of Lwów in a position for which Alfred Tarski had also applied. His interests in the 1930s were in a general system of philosophy of science, which was published in a book translated in English 1948 as ''The Limits of Science''. In the 1920s-30s, many European philosophers attempted to reform traditional philosophy by means of mathematical logic. Leon Chwistek did not believe that such reform could succeed. He thought that reality could not b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Ernst
Max Ernst (2 April 1891 – 1 April 1976) was a German (naturalised American in 1948 and French in 1958) painter, sculptor, printmaker, graphic artist, and poet. A prolific artist, Ernst was a primary pioneer of the Dada movement and Surrealism in Europe. He had no formal artistic training, but his experimental attitude toward the making of art resulted in his invention of frottage (surrealist technique), frottage—a technique that uses pencil rubbings of textured objects and relief surfaces to create images—and Grattage (art), grattage, an analogous technique in which paint is scraped across canvas to reveal the imprints of the objects placed beneath. Ernst is noted for his unconventional drawing methods as well as for creating novels and pamphlets using the method of collages. He served as a soldier for four years during World War I, and this experience left him shocked, traumatised and critical of the modern world. During World War II he was designated an "undesirable forei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surrealism
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and '' non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Schwitters
Kurt Hermann Eduard Karl Julius Schwitters (20 June 1887 – 8 January 1948) was a German artist who was born in Hanover, Germany. Schwitters worked in several genres and media, including dadaism, constructivism, surrealism, poetry, sound, painting, sculpture, graphic design, typography, and what came to be known as installation art. He is most famous for his collages, called '' Merz Pictures''. Early influences and the beginnings of Merz, 1887–1922 Hanover Kurt Schwitters was born on 20 June 1887 in Hanover, at Rumannstraße No.2, now: No. 8, the only child of Eduard Schwitters and his wife Henriette (née Beckemeyer). His father was (co-)proprietor of a ladies' clothes shop. The business was sold in 1898, and the family used the money to buy some properties in Hanover, which they rented out, allowing the family to live off the income for the rest of Schwitters's life in Germany. In 1893, the family moved to Waldstraße (later renamed to Waldhausenstraße), future site of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dada
Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (Zurich), Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up technique, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with Radical politics, radical left-wing and far-left politics. There is no consensus on the origin of the movement's name; a common story is that the German artis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Futurism
Futurism ( it, Futurismo, link=no) was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and according to its doctrine, aimed to liberate Italy from the weight of its past. Important Futurist works included Marinetti's 1909 ''Manifesto of Futurism'', Boccioni's 1913 sculpture ''Unique Forms of Continuity in Space'', Balla's 1913–1914 painting '' Abstract Speed + Sound'', and Russolo's ''The Art of Noises'' (1913). Although Futurism was largely an Italian phenomenon, parallel movements emerged in Russia, where some Russian Futurists would later go on to found groups of their o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernand Léger
Joseph Fernand Henri Léger (; February 4, 1881 – August 17, 1955) was a French painting, painter, sculpture, sculptor, and film director, filmmaker. In his early works he created a personal form of cubism (known as "tubism") which he gradually modified into a more Figurative art, figurative, populism, populist style. His boldly simplified treatment of modern subject matter has caused him to be regarded as a forerunner of pop art. Biography Léger was born in Argentan, Orne, Lower Normandy, where his father raised cattle. Fernand Léger initially trained as an architect from 1897 to 1899, before moving in 1900 to Paris, where he supported himself as an architectural draftsman. After military service in Versailles, Yvelines, Versailles, Yvelines, in 1902–1903, he enrolled at the School of Decorative Arts after his application to the École des Beaux-Arts was rejected. He nevertheless attended the Beaux-Arts as a non-enrolled student, spending what he described as "three empty an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vilmos Huszár
Vilmos Huszár (5 January 1884 – 8 September 1960) was a Hungarian painter and designer. He lived in The Netherlands, where he was one of the founding members of the art movement De Stijl. Huszár was born in Budapest, Hungary. He emigrated to The Netherlands in 1905, settling at first in Voorburg. He was influenced by Cubism and Futurism. He met other influential artists including Piet Mondrian and Theo van Doesburg, both central figures in establishing the De Stijl movement with Huszár in 1917. Huszár also co-founded the ''De Stijl'' magazine and designed the cover for the first issue. In 1918 he designed interior colour schemes for the bedroom of Bruynzeel house in Voorburg. From 1920 to 1921 he collaborated with Piet Zwart on furniture designs. He left the De Stijl group in 1923. He collaborated with Gerrit Rietveld on an exhibition interior for the Greater Berlin Art Exhibition. From 1925, Huszár concentrated on graphic design and painting. In 1926 he created a co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
