|
Museo Nazionale Del Bargello
The Bargello, also known as the Palazzo del Bargello, Museo Nazionale del Bargello, or Palazzo del Popolo (Palace of the People), was a former barracks and prison, now an art museum, in Florence, Italy. Terminology The word ''bargello'' appears to come from the late Latin ''bargillus'' (from Gothic ''bargi'' and German ''burg''), meaning "castle" or "fortified tower". During the Italian Middle Ages it was the name given to a military captain in charge of keeping peace and justice (hence "Captain of justice") during riots and uproars. In Florence he was usually hired from a foreign city to prevent any appearance of favoritism on the part of the Captain. The position could be compared with that of a current Chief of police. The name Bargello was extended to the building which was the office of the captain. The palace Construction began in 1255. The palace was built to house first the Capitano del Popolo and later, in 1261, the 'podestà', the highest magistrate of the Florence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franks Casket
The Franks Casket (or the Auzon Casket) is a small Anglo-Saxon whale's bone (not "whalebone" in the sense of baleen) chest from the early 8th century, now in the British Museum. The casket is densely decorated with knife-cut narrative scenes in flat two-dimensional low-relief and with inscriptions mostly in Anglo-Saxon runes. Generally thought to be of Northumbrian origin, it is of unique importance for the insight it gives into early Anglo-Saxon art and culture. Both identifying the images and interpreting the runic inscriptions has generated a considerable amount of scholarship. The imagery is very diverse in its subject matter and derivations, and includes a single Christian image, the Adoration of the Magi, along with images derived from Roman history (Emperor Titus) and Roman mythology (Romulus and Remus), as well as a depiction of at least one legend indigenous to the Germanic peoples: that of Weyland the Smith. It has also been suggested that there may be an episode ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armour
Armour (British English) or armor (American English; see spelling differences) is a covering used to protect an object, individual, or vehicle from physical injury or damage, especially direct contact weapons or projectiles during combat, or from a potentially dangerous environment or activity (e.g. cycling, construction sites, etc.). Personal armour is used to protect soldiers and war animals. Vehicle armour is used on warships, armoured fighting vehicles, and some mostly ground attack combat aircraft. A second use of the term ''armour'' describes armoured forces, armoured weapons, and their role in combat. After the development of armoured warfare, tanks and mechanised infantry and their combat formations came to be referred to collectively as "armour". Etymology The word "armour" began to appear in the Middle Ages as a derivative of Old French. It is dated from 1297 as a "mail, defensive covering worn in combat". The word originates from the Old French , itself derived ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maiolica
Maiolica is tin-glazed pottery decorated in colours on a white background. Italian maiolica dating from the Renaissance period is the most renowned. When depicting historical and mythical scenes, these works were known as ''istoriato'' wares ("painted with stories"). By the late 15th century, multiple locations,L. Arnoux, 1877, British Manufacturing Industries – Pottery "Most of the Italian towns had their manufactory, each of them possessing a style of its own. Beginning at Caffagiolo and Deruta, they extended rapidly to Gubbio, Ferrara, and Ravenna, to be continued to Casteldurante, Rimini, Urbino, Florence, Venice, and many other places." mainly in northern and central Italy, were producing sophisticated pieces for a luxury market in Italy and beyond. In France maiolica developed as faience, in the Netherlands and England as delftware, and in Spain as talavera. In English the spelling was anglicised to ''majolica'' but the pronunciation usually preserved the vowel with an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bust Of Costanza Bonarelli
The ''Bust of Costanza Bonarelli'' is a marble portrait sculpture by the Italian artist Gian Lorenzo Bernini, created in the 1630s.Wittkower, Rudolf. ''Bernini, the Sculptor of the Roman Baroque''. Fourth Edition, 1997, p. 256. It is now in the Museo Nazionale del Bargello in Florence, Italy. Considered among the most personal of Bernini's work, the bust depicts Costanza Piccolomini Bonarelli, the wife of Matteo Bonarelli, one of Bernini's pupils and coworkers. Bernini fell passionately in love with her. It is an exceptional sculpture in that it breaks with the tradition of seventeenth century portrait sculpturing and previews the style of the next century. Subject The subject of the work is Costanza Bonarelli, with whom he fell in love when her husband was working as Bernini's assistant in 1636. Later, Bernini discovered his brother had also been having a vigorous affair with Costanza. This created tension and led to Bernini assaulting his brother and ordering a slave to harm Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gianlorenzo Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theater: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he designed secular buildings, churches, chapels, and publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benvenuto Cellini
Benvenuto Cellini (, ; 3 November 150013 February 1571) was an Italian goldsmith, sculptor, and author. His best-known extant works include the ''Cellini Salt Cellar'', the sculpture of ''Perseus with the Head of Medusa'', and his autobiography, which has been described as "one of the most important documents of the 16th century." Biography Youth Benvenuto Cellini was born in Florence, in present-day Italy. His parents were Giovanni Cellini and Maria Lisabetta Granacci. They were married for 18 years before the birth of their first child. Benvenuto was the second child of the family. The son of a musician and builder of musical instruments, Cellini was pushed towards music, but when he was fifteen, his father reluctantly agreed to apprentice him to a goldsmith, Antonio di Sandro, nicknamed Marcone. At the age of 16, Benvenuto had already attracted attention in Florence by taking part in an affray with youthful companions. He was banished for six months and lived in Siena, wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Della Robbia
{{surname, della Robbia ...
Della Robbia is a surname. Notable people with the surname include: *Luca della Robbia (1400–1481), Italian sculptor * Andrea della Robbia (1435–1525), Italian sculptor, nephew of Luca *Giovanni della Robbia (1469–1529), son of Andrea *Girolamo della Robbia (1488–1566), son of Andrea See also * Della Robbia Pottery (1894–1906), an English Arts and Crafts Movement pottery (inspired by the work of Luca della Robbia and his family) * Della Robbia, American line of pottery produced by Roseville pottery * Odd Della Robbia, a character in ''Code Lyoko'' * Della Robbia (typeface), a typeface designed by Thomas Maitland Cleland Thomas Maitland Cleland (August 18, 1880 – November 9, 1964) was an American book designer, painter, illustrator, and type designer. Early life and education Thomas Maitland Cleland was born August 18, 1880 in Brooklyn, New York. Cleland s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambologna
Giambologna (1529 – 13 August 1608), also known as Jean de Boulogne (French), Jehan Boulongne (Flemish) and Giovanni da Bologna (Italian), was the last significant Italian Renaissance sculptor, with a large workshop producing large and small works in bronze and marble in a late Mannerist style. Biography Giambologna was born in Douai, Flanders ( then and now in France), in 1529. After youthful studies in Antwerp with the architect-sculptor Jacques du Broeucq, he moved to Italy in 1550 and studied in Rome, making a detailed study of the sculpture of classical antiquity. He was also much influenced by Michelangelo, but developed his own Mannerist style, with perhaps less emphasis on emotion and more emphasis on refined surfaces, cool elegance, and beauty. Pope Pius IV gave Giambologna his first major commission, the colossal bronze Neptune and subsidiary figures for the Fountain of Neptune (the base designed by Tommaso Laureti, 1566) in Bologna. Giambologna spent his most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Sansovino
Jacopo d'Antonio Sansovino (2 July 1486 – 27 November 1570) was an Italian Renaissance sculptor and architect, best known for his works around the Piazza San Marco in Venice. These are crucial works in the history of Venetian Renaissance architecture. Andrea Palladio, in the Preface to his ''Quattro Libri'' was of the opinion that Sansovino's Biblioteca Marciana was the best building erected since Antiquity. Giorgio Vasari uniquely printed his ''Vita'' of Sansovino separately. Biography He was born in Florence and apprenticed with Andrea Sansovino, whose name he subsequently adopted, changing his name from Jacopo Tatti. In Rome he attracted the notice of Bramante and Raphael and made a wax model of the ''Deposition of Christ'' for Perugino to use. He returned to Florence in 1511 where he received commissions for marble sculptures of St. James for the Duomo and a Bacchus, now in the Bargello. His proposals for sculpture to adorn the façade of the Church of San Lorenzo, ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Gemito
Vincenzo Gemito (July 16, 1852 – March 1, 1929) was an Italian sculptor and artist. Although he worked in various studios of well-known artists in his native Naples, Rome and Paris, he is considered to have largely been self-taught, the reason he produced such distinctive works for that time, replacing sentiment with outstanding realism. His work was part of the Art competitions at the 1924 Summer Olympics#Sculpture, sculpture event in the Art competitions at the 1924 Summer Olympics, art competition at the 1924 Summer Olympics. Biography image:Palazzo Reale di Napoli - Carlo V d'Asburgo.jpg, left, 150px, Charles V, Holy Roman Emperor Gemito was born in Naples to a poor woodcutter's family. The day after his birth, his mother left him on the steps of the Santissima Annunziata Maggiore, Naples, dell'Annunziata orphanage and he was taken in to live with the other foundlings. He was given the surname Genito - for ''generato'' (“born” in Italian), as was common for orphans, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Armour")
_-_Fontana_del_Nettuno.jpg "Click for more on -> Giambologna")
