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Museo De Arte Abstracto Español
The ''Museo de Arte Abstracto Español'' (Museum of Spanish Abstract Art) is a museum in Cuenca, Spain established in 1966. It has a collection of some 129 paintings, mainly by 1950s and 1960s Spanish artists. History In 1961 artist Fernando Zóbel de Ayala y Montojo, Fernando Zobel began looking for a suitable location for a museum of abstract art, and in June 1963 his friend, the artist Gustavo Torner, suggested the Hanging Houses of Cuenca as an appropriate site. The building is owned by the City of Cuenca, Spain, Cuenca, which rented it for a symbolic amount. Restoration and renovation of the building was necessary, and was carried out by local architects Fernando Barja and Francisco Leon Meler. The Museum of Spanish Abstract Art opened on July 1, 1966, with Gerardo Rueda as curator and Zobel and Torner as co-chairmen. The core of the new museum's collection were a dozen sculptures and a hundred paintings which Zoebel had previous collected, something less than half of wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucio Muñoz
Lucio Muñoz (27 December 1929 – 24 May 1998) was a Spanish abstract painter and engraver. Biography Muñoz was the son of Lucio Muñoz, a shopkeeper, and Nicolasa Martínez. Born on 27 December 1929 in Madrid, he was the youngest of two brothers and three sisters. His mother died in 1935. In 1949, Muñoz enrolled at the Royal Academy of Fine Arts in San Fernando, Cádiz, where he obtained a degree in Fine Arts. While at the school, he met Amalia Avia; they married on 15 January 1960. The first of their four children was born that year. Art Muñoz's first one-man exhibition was at the Sala de la Direccion General de Bellas Artes in Madrid, in 1955. During a stay in Paris financed by a Spanish government scholarship in 1955–6, Muñoz was influenced by the art informel movement. He worked with various materials, such as burnt paper and wood, in addition to canvas. He pierced, bent, and made cuts in the canvas, like informalist artists. He is particularly known for h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Museums Established In 1966
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Art Museums In Spain
Modern may refer to: History *Modern history ** Early Modern period ** Late Modern period *** 18th century *** 19th century *** 20th century ** Contemporary history * Moderns, a faction of Freemasonry that existed in the 18th century Philosophy and sociology * Modernity, a loosely defined concept delineating a number of societal, economic and ideological features that contrast with "pre-modern" times or societies ** Late modernity Art * Modernism ** Modernist poetry * Modern art, a form of art * Modern dance, a dance form developed in the early 20th century * Modern architecture, a broad movement and period in architectural history * Modern music (other) Geography *Modra, a Slovak city, referred to in the German language as "Modern" Typography * Modern (typeface), a raster font packaged with Windows XP * Another name for the typeface classification known as Didone (typography) * Modern, a generic font family name for fixed-pitch serif and sans serif fonts (for exampl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museums In Castilla–La Mancha
A museum ( ; plural museums or, rarely, musea) is a building or institution that cares for and displays a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance. Many public museums make these items available for public viewing through exhibits that may be permanent or temporary. The largest museums are located in major cities throughout the world, while thousands of local museums exist in smaller cities, towns, and rural areas. Museums have varying aims, ranging from the conservation and documentation of their collection, serving researchers and specialists, to catering to the general public. The goal of serving researchers is not only scientific, but intended to serve the general public. There are many types of museums, including art museums, natural history museums, science museums, war museums, and children's museums. According to the International Council of Museums (ICOM), there are more than 55,000 museums in 202 countries ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In Cuenca, Spain
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoni Tàpies
Antoni Tàpies i Puig, 1st Marquess of Tápies (; 13 December 1923 – 6 February 2012) was a Catalan People, Catalan painter, sculptor and art theorist, who became one of the most famous European artists of his generation. Life The son of Josep Tàpies i Mestre and Maria Puig i Guerra, Antoni Tàpies Puig was born in Barcelona on 13 December 1923. His father was a lawyer and Catalan nationalism, Catalan nationalist who served briefly with the Republican government. Due to this, Tàpies grew up in an environment where he was very much exposed to a cultural and social experiences of leaders in the Catalan public life and its republicanism. His maternal grandmother also exposed him to this world with her great involvement in civil and political activities. Tàpies was first introduced to contemporary art as he entered secondary school in 1934. He saw a famous Christmas issue of the magazine, D’ací i d’allà, which contained reproductions of works by artists such as Ducham ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pablo Serrano
Pablo Serrano Aguilar, (8 March 1908, Crivillén, Teruel – 26 November 1985, Madrid) was a Spanish abstract sculptor. Personal life 1920–1925. Pablo Serrano studied as a boarder in the Escuelas Profesionales Salesianas in Sarriá (Barcelona). 1935–1954. He settled in Montevideo (Uruguay), Serrano had the opportunity to meet Joaquín Torres García and Lucio Fontana. 1955. Pablo Serrano was now to become a force within the Spanish artistic avant-garde. As evidence of this, in that same year, he won the III Biennial of Spanish American Art in Barcelona. 1957. His first solo exhibition was held at the Atheneum of Madrid. Together with Juana Francés and artists such as Manolo Millares, Manuel Rivera, and Antonio Saura he collaborated with El Paso Group. 1957–1958. The reflections that arose as a result of these series of pieces gave birth to a new project, which he christened Drama of the Object and Burning of the Object. In 1958, he exhibited in the Eduard Loeb Galler ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eusebio Sempere
Eusebio Sempere Juan (3 April 192310 April 1985) was a Spanish sculptor, painter and graphic artist whose abstract geometric works make him the most representative artist of the Kinetic art movement in Spain and one of Spain's foremost artists. His use of repetition of line and mastery of color to manipulate the way light plays on the surface give depth to his pictorial compositions. Biography Sempere was born in Onil, Alicante, Spain. He began his studies at the Real Academia de Bellas Artes de San Carlos de Valencia (Saint Charles Royal Academy of Fine Arts of Valencia) where he studied painting, drawing and various etching techniques. Due to a childhood disease he had almost no vision in his right eye. In 1948 Sempere went to study in Paris, where he met Palazuelo and Chillida and other avant-garde artists such as Kandinsky and Klee. Here he came under the influence of Braque, and improved the screen printing technique he used frequently in later years. In 1955, his wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Saura
Antonio Saura Atarés (September 22, 1930 – July 22, 1998) was a Spanish artist and writer, one of the major post-war painters to emerge in Spain in the fifties whose work has marked several generations of artists and whose critical voice is often remembered. Biography He began painting and writing in 1947 in Madrid while suffering from tuberculosis, having already been confined to his bed for five years. In his beginnings he created numerous drawings and paintings with a dreamlike surrealist character that most often represented imaginary landscapes, employing a flat smooth treatment that offers a rich palette of colors. He claimed Hans Arp and Yves Tanguy as his artistic influences. He stayed in Paris in 1952 and in 1954–1955 during which he met Benjamin Péret and associated with the Surrealists, although he soon parted with the group, joining instead the company of his friend the painter Simon Hantaï. Using the technique of scraping, he adopted a gestural style and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pablo Palazuelo
Pablo Palazuelo (October 8, 1915 – October 3, 2007) was a Spanish painter and sculptor. Work and biography Pabich led to an invitation to join the Galérie Maeght (currently Galérie Lelong), an association that has continued for some fifty years. Palazuelo went on to receive the Kandinsky Prize in 1952. His attention became focused on the nature of "form" itself rather than on what it represented. In 1953 his investigation into form led to his discovery: Trans-geometría-the rhythms of nature translated into plastic art. This new way of seeing was initially expressed in his Solitudes series shown in his first solo exhibition in 1955. ''Ascendente no. 2'', his first sculpture, appeared in 1954. In 1962 that his exploration of the qualities of space through his metal sculpture began in earnest, and his two-dimensional drawings became transformed into their three-dimensional counterparts. Conflict between large, flat, colorful forms characterized the series entitled Onda, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jorge Oteiza
Jorge Oteiza (October 21, 1908 – April 9, 2003), was a Basque Spanish sculptor, painter, designer and writer from the Basque Autonomous Community, renowned for being one of the main theorists on Basque modern art. Oteiza was born in Orio (Gipuzkoa, Basque Autonomous Community, Spain). He moved to South America in 1935, just before the Spanish Civil War, and stayed there for 14 years. In 1963 he published ''Quosque tandem!'', an essay about the aesthetics inherent to Basque soul, based on Basque prehistoric art and Basque people's anthropological roots. Three years on, he contributed to found the artistic group Gaur. He died in San Sebastián, Gipuzkoa, in 2003. Following his will, a month after his death a museum dedicated to his career was opened in Alzuza, Navarre, in the place where he had lived since 1975. The Oteiza Museum is a monographic exhibition space housing the personal collection of Jorge Oteiza, which includes 1,690 sculptures, 2,000 experimental piece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
