Lucio Muñoz
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Lucio Muñoz (27 December 1929 – 24 May 1998) was a Spanish abstract
painter Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ...
and engraver.


Biography

Muñoz was the son of Lucio Muñoz, a
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, and Nicolasa Martínez. Born on 27 December 1929 in
Madrid Madrid ( , ) is the capital and most populous city of Spain. The city has almost 3.4 million inhabitants and a metropolitan area population of approximately 6.7 million. It is the second-largest city in the European Union (EU), and ...
, he was the youngest of two brothers and three sisters. His mother died in 1935. In 1949, Muñoz enrolled at the Royal Academy of Fine Arts in
San Fernando, Cádiz San Fernando (, "Saint Ferdinand") is a town in the province of Cádiz, Spain. It is home to more than 97,500 inhabitants. The city also uses the name "''La Isla''" (The Island). The people from San Fernando are locally known as "''Cañaíllas''" ...
, where he obtained a degree in Fine Arts. While at the school, he met Amalia Avia; they married on 15 January 1960. The first of their four children was born that year.


Art

Muñoz's first one-man exhibition was at the Sala de la Direccion General de Bellas Artes in Madrid, in 1955. During a stay in
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financed by a Spanish government scholarship in 1955–6, Muñoz was influenced by the
art informel Informalism or Art Informel is a pictorial movement from the 1943–1950s, that includes all the abstract and gestural tendencies that developed in France and the rest of Europe during the World War II, similar to American abstract expressioni ...
movement. He worked with various materials, such as burnt paper and wood, in addition to canvas. He pierced, bent, and made cuts in the canvas, like informalist artists. He is particularly known for his innovation in his works on wood, which he fully incorporated into the works; burns, carving, and paint mixed with materials such as marble dust, sawdust, and pulverized minerals were among the techniques he used to create the works he referred to as ''pseudo-paintings''. His works are in informal colours, with black predominating. The style of his later works was less aggressive, because he used other materials. In 1964, Galería Juana Mordó was opened. He belonged to the associated group of painters from the moment of its foundation until 1991. His works include murals for the
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building in
Brussels Brussels (french: Bruxelles or ; nl, Brussel ), officially the Brussels-Capital Region (All text and all but one graphic show the English name as Brussels-Capital Region.) (french: link=no, Région de Bruxelles-Capitale; nl, link=no, Bruss ...
and the chamber of the Madrid Parliament. His mural at the Basilica of Aránzazu won the Gold Medal at the Salzburg Biennial of Sacred Art.


References


External links


Home page (in Spanish)
{{DEFAULTSORT:Munoz, Lucio 1929 births 1998 deaths Real Academia de Bellas Artes de San Fernando alumni Spanish artists Spanish engravers 20th-century engravers Abstract painters