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Museo Borgogna
The Francesco Borgogna Museum, located on Via Francesco Borgogna near the town center of Vercelli in the region of Piedmont, displays a collection of paintings, frescoes, sculpture, tapestries, and other artifacts. The works originate from the 14th to the 20th century. History The museum and the foundation supporting it were established in 1907, by Antonio Borgogna and his friend Vincenzo Laviny, and dedicated to Antonio's father. The Borgogna family and its collections formed the core of the museum. The entrance to the museum has a posthumous bronze bust of Antonio (1910) by the Vercelli sculptor Francesco Porzio. The museum was expanded by an additional wing designed by Giuseppe Leblis between 1912 and 1915. In 1932, works of arts from the Institute of Fine Arts of Vercelli, as well as from suppressed churches and monasteries were assembled here. The collections include works by Gerolamo and Giovanni Battista Giovenone, Bernardino Lanino, Defendente Ferrari, Gaudenzio Ferrari, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museo Borgogna Vercelli
Museo may refer to: *Museum (2018 film), Museo, 2018 Mexican drama heist film *Museo (Naples Metro), station on line 1 of the Naples Metro *Museo, Seville, neighborhood of Seville, Spain {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Carracci
Ludovico (or Lodovico) Carracci (21 April 1555 – 13 November 1619) was an Italian, early-Baroque painter, etcher, and printmaker born in Bologna. His works are characterized by a strong mood invoked by broad gestures and flickering light that create spiritual emotion and are credited with reinvigorating Italian art, especially fresco art, which was subsumed with formalistic Mannerism. He died in Bologna in 1619. Biography Ludovico apprenticed under Prospero Fontana in Bologna and traveled to Florence, Parma, and Venice, before returning to his hometown. Together with his cousins Annibale and Agostino Carracci, Ludovico worked in Bologna on the fresco cycles depicting Histories of ''Jason and Medea'' (1584) in Palazzo Fava, and the ''Histories of Romulus and Remus'' (1590-1592) for the Palazzo Magnani. Their individual contributions to these works are unclear, although Annibale, the younger than Ludovico by 5 years had gained fame as the best of the three. This led to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Museums Established In 1907
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Museums And Galleries In Piedmont
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Mónti
Nicola Mónti or Niccola Monti (August 28, 1780 - 1863) was an Italian painter, active in a neoclassical style, painting mainly historical subjects. Biography Monti was born in Pistoia, where his initial training was with Jean-Baptiste Frederic Desmarais. He moved to Florence where he worked for Pietro Benvenuti, and also attended the Academy of Fine Arts in Florence. For the church of the Umilta in Pistoia, he painted a fresco depicting ''Cain cursed by God'' and ''San Felice exorcises an witch''. He also worked in Poland and St Petersburg, Russia in 1818–1819. He returned to Florence to fresco a hall in the Palazzo Pitti. For the basilica of the Santissima Annunziata, he frescoed a ''Resurrection of Lazarus''. He painted a historical canvas depicting ''Michelangelo suspends work of the Sculpture of Moses'', now in private collections. He published an autobiography titled ''Memorie Inutile'' (1860). [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Favretto
Giacomo Favretto (August 11, 1849 – June 12, 1887) was an Italian painter, mainly depicting genre subjects in Venice, his native city. Biography Born in Venice into a family of humble origin, his father was a carpenter and he spent many years in the family workshop. Favretto enrolled at the Academy of Fine Arts in 1864, where he trained under Pompeo Marino Molmenti. He was said to have been discovered in a stationer's shop cutting out silhouettes to make a living. By age 30, he had lost sight in one eye.Willard, AR, page 480-481. He presented work in 1873 at the Fine Arts Exposition of the Brera Academy in Milan, where his genre painting attracted the attention of Camillo Boito. Having travelled to Paris with Guglielmo Ciardi in 1878 to take part in the Universal Exhibition, he once again presented work at the Brera in 1880, winning the Prince Umberto Prize. The same year also saw his participation in the Esposizione Nazionale di Belle Arti in Turin with works featuring every ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Chierici
Gaetano Chierici (1838–1920) was an Italian painter, mainly of genre works. Biography He was born in Reggio Emilia, and attended the Reggio Emilia School of Fine Arts in 1850 and 1851. Chierici continued his studies at the academies of Modena and Florence before completing his training in Bologna under the guidance of Giulio Cesare Ferrari. His early work was in Italy influenced by the Neo-classicism of his uncle, the artist Alfonso Chierici, and of Adeodato Malatesta, but subsequently by the innovations of the Macchiaioli painters. It was in the late 1860s that he took up anecdotal genre painting with domestic interiors, which came to be his field of specialisation. While the artist's participation in the Fine Arts Expositions at the Brera Academy of 1869 marked the beginning of his success with critics and collectors, his work subsequently declined into mechanical repetition of the same subjects. He was the director of the Workers’ School of Drawing in Reggio Emilia from 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teofilo Patini
Teofilo Patini (Castel di Sangro, Abruzzo May 5, 1840 – Naples, November 16, 1906) was an Italian painter, active in a Realism (arts), Realist style. Biography He was born to a landowning family of some wealth. In 1855, he began classical studies in Sulmona under the Latin scholar, Leopoldo Dorrucci. Patini's father had taken a position as chancellor of the Royal Judiciary in that town. He acquired a diploma of “Belle Lettere”, and then enrolled in the University of Naples to study philosophy, then transferred to study at the Academy of Fine Arts in Naples. This move, however, was not approved by his family. At the age of 20 years, Teofilo, along with Antonio Tripoti, enlisted in the volunteer forces of Garibaldi: the ''Cacciatori delle Alpi, Cacciatori del Gran Sasso'', which was organizing an insurrection in Abruzzo. Later he was to join for four months in the National Guard of Castel di Sangro, with forces attempting to repress the rampant rural brigandage. During a comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Induno
Domenico Induno (14 May 1815 – 5 November 1878) was an Italian painter, primarily of genre and historical scenes. His younger brother, Gerolamo, also became a well-known artist and they often worked together. Biography He was born in Milan, where his father was a chef and butler at the Milanese court.Biography and appreciation from the Dizionario Biografico (2004) @ . He was apprenticed at an early age to the goldsmith and , , who was impressed by his talent for drawing and convinced him to enroll at the |
Stefano Ussi
Stefano Ussi (3 September 1822 - 1901) was an Italian painter, known first for his history paintings, and later for depicting Orientalist, mostly Arabian and Moroccan subjects. Biography He was born in Florence and studied there at the Academy of Fine Arts under Enrico Pollastrini. Among his colleagues there were Pietro Benvenuti and Giuseppe Bezzuoli. After studying at the Academy, he enrolled volunteer in the first war of independence, during which he was taken prisoner by the Austrian troops. After returning to Florence, he won the Triennale prize for the painting of the ''Resurrection of Lazarus'' in 1849, and presented works for the following years on historical and literary subjects at the exhibitions of the Florentine Società Promotrice di Belle Arti, which was led by Filippo Palizzi. Associated with the Macchiaioli group of painters gravitating around the Caffè Michelangiolo, he achieved great success with ''The Expulsion of the Duke of Athens'' (Florence, Galleria d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Maratta
Carlo Maratta or Maratti (13 May 162515 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta. Biography Born in Camerano (Marche), then part of the Papal States, Maratta went to Rome in 1636, accompanied by, Don Corintio Benicampi, secretary to Taddeo Barberini. He became an apprentice in the studio of Andrea Sacchi. It was at this time that the debate between Sacchi and Pietro da Cortona took place at the Accademia di San Luca, the artists academy in Rome. Sacchi argued that paintings should only have a few figures which should express the narrative whereas Cortona countered that a greater number of figures allowed for the develop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Sodoma
Il Sodoma (1477 – 14 February 1549) was the name given to the Italian Renaissance painter Giovanni Antonio Bazzi. Il Sodoma painted in a manner that superimposed the High Renaissance style of early 16th-century Rome onto the traditions of the provincial Sienese school; he spent the bulk of his professional life in Siena, with two periods in Rome. Biography Giovanni Bazzi was born in Vercelli, Piedmont, in 1477. His first master was the "archaic" Martino Spanzotti; he also appears to have been a student of the painter Giovenone. After acquiring the strong colouring and other distinctive stylistic features of the Lombard school and – though he is not known to have travelled to Milan – somehow absorbing the superficial mannerisms of Leonardo (Freedberg 1993:117), he travelled to Siena before 1503, perhaps at the behest of agents of the Spannocchi family, and began with fresco cycles for Olivetan monks and a series of small Ovidian ceiling panels and a frieze depicting t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
